The value of the additional visual sources for the study of historical weapons.

fernando · 8th January 2016, 12:43 PM

Precious input, Sancar. While your info is the correct one, this saves me from having to contact the publishers of 'History of Portugal' work, for further details, something i promised and was about to do.
Now it is easy to browse the Net and learn that this is a work of Persian school, a gouache on paper by Abu'l-Qasim Manur Firdawsi (C.934-C.1020).
On the other hand ...
I did not say that this scene represented the invasion of the Iberian Peninsula, but was in the same page where the author narrates such events, apparently to call our attention for the efficiency of Islamic cavalry. What the legend side note refers is that "the quick progression of the Islamic armies, not only in the Iberian Peninsula but equally in other zones atacked by the Cavaliers of Islam (up to the Anatolic borders of the Bizantine empire, to the margins of the Indo and Uzbesquitan) was fundamentally based on the contingents of light cavalry, and so on ..."
Whether the parallelism between such scenes or the example chosen by the author is not so fortunate, is another issue.

8th January 2016, 12:43 PM	#27
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Precious input, Sancar. While your info is the correct one, this saves me from having to contact the publishers of 'History of Portugal' work, for further details, something i promised and was about to do. Now it is easy to browse the Net and learn that this is a work of Persian school, a gouache on paper by Abu'l-Qasim Manur Firdawsi (C.934-C.1020). On the other hand ... I did not say that this scene represented the invasion of the Iberian Peninsula, but was in the same page where the author narrates such events, apparently to call our attention for the efficiency of Islamic cavalry. What the legend side note refers is that "the quick progression of the Islamic armies, not only in the Iberian Peninsula but equally in other zones atacked by the Cavaliers of Islam (up to the Anatolic borders of the Bizantine empire, to the margins of the Indo and Uzbesquitan) was fundamentally based on the contingents of light cavalry, and so on ..." Whether the parallelism between such scenes or the example chosen by the author is not so fortunate, is another issue.