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#1 |
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This recently sold at auction in the UK, did a forumite get it by any chance? It fetched quite the price. Scabbard is silver according to the auction description.
Has this style been identified with a particular area or time period? It is certainly quite different from the usual styles of either the Beja swords or the Darfur examples. In fact in some ways it is closer to a takouba with a bulbous pommel and rounded tip... I'm aware of a similar piece in the American Museum of Natural History collections, but don't recall off hand any other examples like this (although I am sure there are). Anyone have insights into this? Last edited by Iain; 13th December 2011 at 08:15 PM. |
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#2 |
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...how much did it go for Iain? (am I allowed to ask?
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#3 |
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Just in case my initial post wasn't clear, I didn't win it (or even bid!), but the sale price inclusive of premium was £2,160.
![]() Any thoughts on on regional or ethnic classification for the sword? I find it quite different visually to the examples usually encountered, particularly the blade geometry. Last edited by Iain; 13th December 2011 at 08:14 PM. |
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#4 | |
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Is that it? how much???? What about thoughts on period (Mahdiyya) or more on regional possibilities ![]() |
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#5 |
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Sorry Jim
![]() Here's the provenance: "...joining the Sudan Political Service in 1907. In 1912 he married Lilian Constance Bagot daughter of The Rev. G.P. Dew and in 1917 became a barrister at Gray s Inn. Between 1918 and 1923 he served in Baghdad first as President of the Court of First Instance and then as President of the Court of Appeal. In 1923 he returned to the Sudan as Judge of the High Court - having been appointed a Commander of the Order of the British Empire (CBE) in that year - and became Chief Justice of the Sudan in 1926; he received the insignia of the second class of the Order of the Nile from the King of Egypt in 1929. Between 1930 and 1936 he served as Legal Secretary to the Government of the Sudan after which he retired being created a Knight Commander of the Order of the British Empire (KBE) in 1937." Note the cast, yellow metal guard - often seen on the swords with thuluth blades and mushroom pommels. Last edited by stephen wood; 14th December 2011 at 12:36 AM. |
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#6 |
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What a magnificent sword. Do you have any other pictures of it Iain? It would be nice to see close ups of the decoration on the hilt and scabbard.
The quality looks excellent at this distance. Last edited by Atlantia; 14th December 2011 at 11:29 AM. |
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#7 |
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Very nice sword. My guess it was made in Egypt as a presentation piece. Makers used Mamluk style grip and cross guard to simulate a Sudanese kaskara. Virtually no design elements suggest to me a Sudanese origin.
Regards, Ed |
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#8 | |
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Thanks Stephen!!! Thats more better!!!! ![]() All the best, Jim |
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#9 | |
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Anyone got a link to the auction pictures? |
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#10 |
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Sadly that was the only auction picture I'm aware of. I'd forgotten to include the provenance, thanks Stephen.
I'd also wondered about an Egyptian connection, the style does seem fairly classic Mamluk? In particular the scabbard construction is certainly not normal for Sudanese swords. If these are presentation pieces... I have to wonder if they are entirely from the early 20th century to cater to British tastes... Or if there is some old example which could give some insight instead into the influences the Sudanese swords themselves draw on? The question of course is, was the example in this thread made for the British gentleman who took it home? Or something older... Here is the other example of the style I'm aware of - from the AMNH online collections. Donated to the museum in 1974. Interestingly there seems to be a engraving or stamp on the blade near the guard. |
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#11 |
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Here are some hilt detail images, I hope they help your discussions.
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#12 |
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Thanks Gav, that answers a lot of questions for me. The entire thing looks rather new...
![]() I guess then this was a "made for export" item. Still an interesting hybrid of influences. |
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#13 |
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Iian
I remember seeing an old picture of one of the Egyptian Pashas with this type of sword. I will look for it in my archives. |
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#14 |
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Thanks Lew, would be very interested to see that! A small flicker of hope remains then there is something more to this style.
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#15 |
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Well done Gav.
This is interesting. I don't immediately recognise the decoration as Egyptian work now that I can see it more clearly. In fact it reminds me more of the style of decoration sometimes seen on the brasswork of Telek daggers. The close-up also seems to show an abnormally long tang with two or is it three? pegs running almost to the top of the hilt. |
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#16 |
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This sword seems to be a ceremonial or diplomatic item which reflects influences of domed type pommels on some swords hilted in San'a or perhaps Hadhramaut in Yemen. In the time of the Anglo-Egyptian condominium the British Protectorate of Aden in Arabia included these regions, which were in turn of course connected to Khedival Egypt and the Sudan.
Iain, the example you show in post #10 has scabbard mounts very similar to sa'ifs mounted in Hadhramaut. The kaskara style in the remainder of the hilt is evident. The two knives are Kpinga from the Azande of S.Sudan in form and again evidently produced in embellished form for probably diplomatic purposes as gifts and representative in grouping of traditional weapons. Gav, thanks for the extra images!!! Heres on from Michael Blalock (2009) from a shop in San'a Last edited by Jim McDougall; 16th December 2011 at 07:12 AM. |
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#17 |
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Hi Jim,
Many thanks for this, that certainly seems to explain this particular item. From the photo of Michael's it looks like similar styles extended around the Gulf. Again, many thanks for the notes on this. :-) Iain |
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#18 |
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Regarding the two throwing knifes, which belong to this sword lot. They are also a bit strange and not decorated in the traditional style. The shape is the shape from the two main typs of the Ingessana throwing knifes, one the so called sai ("serpent") and the other typ called ("muder"), the scorpion. But incised patterns on the blade's surface represent normal a snake, lizard, and spider and a scorpion in the second case and not this animal (maybe lion) we can see on the blades. So they are for sure not produced for the Ingessana.
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#19 |
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Thanks for the additional closeup photos of the knives. I think it is pretty easy to see the quality of the work and if I am not mistaken the execution of the shape and form of the knives (not just the engraving) looks a little "off" as well.
Personally I find it fascinating that a "weapons for tourists" industry sprang up so quickly and from outside the ethnic origins of the weapons themselves. |
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