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7th October 2015, 12:05 AM | #1 |
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How old is this Kaskara?
This Kaskara has what appear to be the makers mark (two crescent moons with faces) on both sides of the blade about midway down. This looks old to me. Maybe late 19th? I'm not the best at aging items so any help is much appreciated. Thanks!
Harry |
7th October 2015, 08:54 AM | #2 |
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Hi Harry,
I have one like that from the 1970ties. But yours shows three groves and copies of the half moon and it's a good sign because they tried to imitate old ones. So i think that yours is from the 1950ties. We have an expert on this forum called Steven. He will tell you more. Best, Kubur |
7th October 2015, 01:56 PM | #3 | |
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7th October 2015, 03:42 PM | #4 |
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A fake or just used and abused?
Hi Kubur,
This sword seems much older to me than mid 20th. I'm not disputing your estimate, just saying it seems older. I am terrible at aging items, but I will say that if this does date to mid 20th then it is likely a deliberate fake. I don't see how this much wear and tear happened naturally in so short a period of time, even given the harsh North African climate. And if it is a fake then it will be my second one in the last couple of years. It strikes me as odd since it was not a big ticket item. It is almost the equivalent of counterfeiting a $1 bill. Many thanks for your help! Harry |
7th October 2015, 06:46 PM | #5 |
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Harry,
I agree with Kubur here, these swords have been produced well into the last century. Edster has some first hand knowledge on the subject, and here is a great article by him: http://www.vikingsword.com/ethsword/hunley/kassala.pdf Sincerely, Teodor |
7th October 2015, 09:12 PM | #6 | |
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Harry |
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7th October 2015, 09:35 PM | #7 |
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As has been well noted, this appears to be an example of a 'kaskara' from the mid 20th century. I think the person Kubur mentions is Stephen Wood, who has posted interesting examples of these for discussion, but does not seem to have been around for some time. I avoid using the term 'expert' but I think others posting here shared some remarkable knowledge gained from their research . Ed is one with the brilliant paper he did (posted by Teodor) and another is Iain, whose research on North African swords holds many of the key advances in understanding of these in the past two decades.
Here I would point out how important it is to be more aware of the geopolitical circumstances in regions using these swords to better gain insight into probable period of use. These mid 20th century examples are often termed 'Kasallawi' as that region in far eastern Sudan was where the industry of manufacturing kaskara was essentially 'retooled' just prior to WWII. From the time post Omdurman and just prior to WWI, sword making had all but ceased in Sudan. Obviously after the British occupation during the Condominium it would be unlikely that arms manufacture would prevail openly as insurgencies were potentially always nominally present. By the 1960s it seems that Kasalla was producing kaskara which were mostly in the form of the Darfur type examples seen in the time of Ali Dinar (d.1916, and as described in Reed, JAAS, 1985). This example does not have the typically seen 'X' on the crossguard, though the quillons seem compellingly wide. The lozenge pattern in the grip, usually embossed silver is characteristic as is the thick disc pommel, the tufted tassle, and overall appearance seem characteristic to those provided for Hadendoa warriors still using these mostly ceremonially. The triple fullers at center blade are of the well known form typically known to the west in Saharan regions as 'masri' (loosely from the east, i.e Egypt) and well established in the usually shorter blades of the Tuareg. Also the twin moons (termed dukari) characteristic of the Tuareg blades, here are quite degenerated, indicative of later duplication by Kasalla makers. These ordinarily Hausa produced blades clearly were carried eastward in their features reproduced by Kasalla well into the 20th century. I always hesitate to use the term 'tourist' or 'fake' as in ethnographic weapons these traditional items are often proudly worn as status symbols and accoutrements of distinction by these people . While often they may be 'purchased' by tourists as souveniers, they are still often produced faithfully to traditional standards despite commercialism always finding other options. |
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