twohandsword/twohander/bidenhander/zweihander

cornelistromp · 8th May 2009, 08:19 PM

maybe we can get this fascinated weapon structured.
(in my house the twohanders are still a chaos, see pic.)

Landsknecht two hander? 16thC fighting twohanders ? Stantler twohander ?
when did the two hander became processional ? did they also fight with processional two handers? different flamberge blade types ?
the beautiful Braunschweiger twohander? fishtailpommels? difference in swordstyles between countries

looking forward to the reactions?

best regards

Paul Macdonald · 9th May 2009, 01:02 PM

That`s one beautiful and rare collection you have there!

Great to see, and I would love to see some even closer details on some of these.

Two handed swords have been used as procession swords for as long as they have been around. For official ceremony or parade, the two handed sword is a clear and mighty symbol of power, status and justice.

There is however a difference between two handed swords made exclusively for ceremony and those made first for practical use that may also have been used for ceremony.

From your photograph, all the swords shown there appear to be practical two handers, all crafted for practical martial use (and there`s a couple there that I bet fly nicely

)
It is possible that these have been used as processional swords at some stage in their life, but without contextual provenance, is impossible to prove.

Processional swords that are designed for ceremonial use firstly are evident by their form, dimensions or construction, which may all be outwith practical considerations and requirements.

Ceremonial Form -

The State Sword of Scotland is a good example of a sword hilt designed primarily for ceremonial use.

The blade is in fact a nicely forged and crafted piece that could be put to practical use if required, but the hilt is clearly ceremonial in nature.
All hilt elements are elaborately designed and covered in gilt work. The quillions are nicely formed, yet too thin for practical design. The grip is also metal and of a form not designed with comfort and effective grip in mind. The pommel is also overly large and hollow, which lends a greater canvas for the craftsman to present his skills, but is not so practical for any fighting sword.

Ceremonial Dimensions -

To create the impression of an ultimate symbol of power and status, some swords were created primarily for ceremonial impression.
The two handed sword presently on display at the Royal Museum of Scotland at Chambers Street, Edinburgh, is a fitting example of this (centre of image below).

This is a sword crafted in traditional form, but excessive dimensions.
Note the Highland two hander and Lowland two hander on each side. The Highland sword has a blade length of approx. 40", which by scale give the ceremonial sword an overall length well in excess of 80"!
This is one huge piece, with the blade as broad as your hand.
The sword is well made, with a nice blade in fact, but far too large for any practical use.

Ceremonial Construction -

In the Great Hall of Edinburgh Castle there are many swords. A great many original basket hilts and early sabres, one questionable Highland two hander, and two large pieces that at first glance appear to be nicely made German zweihanders.

The swords are of traditional form and dimensions, but closer inspection reveals their true nature.

The blades are excessively thick at the forte and down the length of the blade, indicating a blade weight outwith practical considerations. The grip and pommel are also carved from the same piece of wood. Aye, you heard it right, wooden pommels!
This confirms that these swords are created firstly to look the part, most likely for ceremonial use.

Another possibility exists, that these swords may have been created simply to look the part for a castle or stately home great hall in the C19th, given the gothic revival at this time. Only a closer study to period of manufacture could suggest further or otherwise.

With regard to ceremonial two handers however, I hope that the above observations might be helpful in your research.

All the best,

Macdonald

cornelistromp · 8th June 2009, 07:51 PM

Hi Paul,

I just noticed your very valuable information and pictures, especially the two handers in the great hall of Edinburgh's castle are very interesting.

thanks a lot

regards from Holland

cornelistromp · 9th June 2009, 07:50 PM

.

cornelistromp · 9th June 2009, 09:39 PM

.

cornelistromp · 9th June 2009, 10:07 PM

.

thinreadline · 26th June 2012, 03:05 PM

This is my two hander for what its worth. It's approx 150 cm long , the blade is in very poor condition so as the hilt is very good I assume that the two got togther at a later date . The blade is remarkably flexible and exhibits none of the stiffness that I associate with these large swords .

fernando · 26th June 2012, 03:24 PM

Hi Richmond,
Can we have a close(r) picture of the hilt.
... If you don't mind, of course

thinreadline · 26th June 2012, 03:48 PM

Quote:

Originally Posted by fernando

Hi Richmond,
Can we have a close(r) picture of the hilt.
... If you don't mind, of course

Not at all , you are welcome ...

Matchlock · 26th June 2012, 05:33 PM

Hi Richmond,

The ornamental style of the carvings on the hilt seems to point towars ca. 1560, based on the acanthus leaves, although the profuse piercings would suggest somewhat earlier stylistic aesthetics of ca. 1530.

The irregular corrosion of the blade reminds me of swords salvaged from tombs, showing heavy rust only in places that were in close contact with the body.

As to the flexibility of the blade I can tell by experience that blades of two-handed swords are far from being stiff; they are highly flexible instead.

Best,
m

thinreadline · 26th June 2012, 05:59 PM

Quote:

Originally Posted by Matchlock

Hi Richmond,

The ornamental style of the carvings on the hilt seems to point towars ca. 1560, based on the acanthus leaves, although the profuse piercings would suggest somewhat earlier stylistic aesthetics of ca. 1530.

The irregular corrosion of the blade reminds me of swords salvaged from tombs, showing heavy rust only in places that were in close contact with the body.

As to the flexibility of the blade I can tell by experience that blades of two-handed swords are far from being stiff; they are highly flexible instead.

Best,
m

That is very inteersting if a little eerie !

cornelistromp · 26th June 2012, 05:38 PM

the flexible blade seems very good, I see this more often on two handers. The hilt is beautiful but it seems to me 19thC, although Italians also have created this kind of artwork in the 16th century.

best,

fernando · 26th June 2012, 05:50 PM

Quote:

Originally Posted by cornelistromp

... The hilt is beautiful but it seems to me 19thC ...

I am not even a novice but, that was my fear, when i asked Richmond for close ups.
... But again, my opinion is worthless

.

thinreadline · 26th June 2012, 06:00 PM

Quote:

Originally Posted by cornelistromp

the flexible blade seems very good, I see this more often on two handers. The hilt is beautiful but it seems to me 19thC, although Italians also have created this kind of artwork in the 16th century.

best,

Thank you .... that is a possibility of course ... there seems a concensus about the flexibility of these blades which is comforting !

Matchlock · 26th June 2012, 10:45 PM

Quote:

Originally Posted by cornelistromp

the flexible blade seems very good, I see this more often on two handers. The hilt is beautiful but it seems to me 19thC, although Italians also have created this kind of artwork in the 16th century.

best,

Oh yeah, Jasper,

A 19th c. guess concerning the hilt was my first thought as the decorative edges of the quillons seem so crisp - but I did not feel sure as I did not handle it and neither intended to arise negative feelings ...
Thus I confined to pointing out the stylistic criteria.

Best,
m

8th May 2009, 08:19 PM	#1
cornelistromp Member Join Date: Mar 2009 Posts: 1,058	twohandsword/twohander/bidenhander/zweihander maybe we can get this fascinated weapon structured. (in my house the twohanders are still a chaos, see pic.) Landsknecht two hander? 16thC fighting twohanders ? Stantler twohander ? when did the two hander became processional ? did they also fight with processional two handers? different flamberge blade types ? the beautiful Braunschweiger twohander? fishtailpommels? difference in swordstyles between countries looking forward to the reactions? best regards Attached Images

9th June 2009, 07:50 PM	#4
cornelistromp Member Join Date: Mar 2009 Posts: 1,058	. Attached Images Last edited by cornelistromp; 9th June 2009 at 09:27 PM.

9th June 2009, 09:39 PM	#5
cornelistromp Member Join Date: Mar 2009 Posts: 1,058	. Attached Images

9th June 2009, 10:07 PM	#6
cornelistromp Member Join Date: Mar 2009 Posts: 1,058	. Attached Images

26th June 2012, 03:05 PM	#7
thinreadline Member Join Date: Nov 2010 Location: Wirral Posts: 1,204	This is my two hander for what its worth. It's approx 150 cm long , the blade is in very poor condition so as the hilt is very good I assume that the two got togther at a later date . The blade is remarkably flexible and exhibits none of the stiffness that I associate with these large swords . Attached Images

9th May 2009, 01:02 PM	#2
Paul Macdonald Member Join Date: Feb 2008 Location: Edinburgh, Scotland Posts: 48	That`s one beautiful and rare collection you have there! Great to see, and I would love to see some even closer details on some of these. Two handed swords have been used as procession swords for as long as they have been around. For official ceremony or parade, the two handed sword is a clear and mighty symbol of power, status and justice. There is however a difference between two handed swords made exclusively for ceremony and those made first for practical use that may also have been used for ceremony. From your photograph, all the swords shown there appear to be practical two handers, all crafted for practical martial use (and there`s a couple there that I bet fly nicely ) It is possible that these have been used as processional swords at some stage in their life, but without contextual provenance, is impossible to prove. Processional swords that are designed for ceremonial use firstly are evident by their form, dimensions or construction, which may all be outwith practical considerations and requirements. Ceremonial Form - The State Sword of Scotland is a good example of a sword hilt designed primarily for ceremonial use. The blade is in fact a nicely forged and crafted piece that could be put to practical use if required, but the hilt is clearly ceremonial in nature. All hilt elements are elaborately designed and covered in gilt work. The quillions are nicely formed, yet too thin for practical design. The grip is also metal and of a form not designed with comfort and effective grip in mind. The pommel is also overly large and hollow, which lends a greater canvas for the craftsman to present his skills, but is not so practical for any fighting sword. Ceremonial Dimensions - To create the impression of an ultimate symbol of power and status, some swords were created primarily for ceremonial impression. The two handed sword presently on display at the Royal Museum of Scotland at Chambers Street, Edinburgh, is a fitting example of this (centre of image below). This is a sword crafted in traditional form, but excessive dimensions. Note the Highland two hander and Lowland two hander on each side. The Highland sword has a blade length of approx. 40", which by scale give the ceremonial sword an overall length well in excess of 80"! This is one huge piece, with the blade as broad as your hand. The sword is well made, with a nice blade in fact, but far too large for any practical use. Ceremonial Construction - In the Great Hall of Edinburgh Castle there are many swords. A great many original basket hilts and early sabres, one questionable Highland two hander, and two large pieces that at first glance appear to be nicely made German zweihanders. The swords are of traditional form and dimensions, but closer inspection reveals their true nature. The blades are excessively thick at the forte and down the length of the blade, indicating a blade weight outwith practical considerations. The grip and pommel are also carved from the same piece of wood. Aye, you heard it right, wooden pommels! This confirms that these swords are created firstly to look the part, most likely for ceremonial use. Another possibility exists, that these swords may have been created simply to look the part for a castle or stately home great hall in the C19th, given the gothic revival at this time. Only a closer study to period of manufacture could suggest further or otherwise. With regard to ceremonial two handers however, I hope that the above observations might be helpful in your research. All the best, Macdonald

8th June 2009, 07:51 PM	#3
cornelistromp Member Join Date: Mar 2009 Posts: 1,058	Hi Paul, I just noticed your very valuable information and pictures, especially the two handers in the great hall of Edinburgh's castle are very interesting. thanks a lot regards from Holland

26th June 2012, 03:24 PM	#8
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Hi Richmond, Can we have a close(r) picture of the hilt. ... If you don't mind, of course

26th June 2012, 05:33 PM	#10
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Hi Richmond, The ornamental style of the carvings on the hilt seems to point towars ca. 1560, based on the acanthus leaves, although the profuse piercings would suggest somewhat earlier stylistic aesthetics of ca. 1530. The irregular corrosion of the blade reminds me of swords salvaged from tombs, showing heavy rust only in places that were in close contact with the body. As to the flexibility of the blade I can tell by experience that blades of two-handed swords are far from being stiff; they are highly flexible instead. Best, m

26th June 2012, 05:38 PM	#12
cornelistromp Member Join Date: Mar 2009 Posts: 1,058	the flexible blade seems very good, I see this more often on two handers. The hilt is beautiful but it seems to me 19thC, although Italians also have created this kind of artwork in the 16th century. best,