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During the Philippine Revolution (vs. Spain, 1896-1898) and the subsequent Philippine-American War (1899-1913), the "bolomen" comprised a large portion of the fledgling Philippine army, because of the sheer lack of firearms.
A rough statistic can be found in the excerpt below, from an article The Legend of the Colt .45 Caliber Semi-Automatic Pistol and the Moros, from the same author (Robert Fulton) of the excellent book, MOROLAND 1899-1906: America's First Attempt to Transform an Islamic Society (2007). Here's an extended quote, to put things in context: In the late 19th century, the U.S. Army’s Bureau of Ordinance, the U.S. Navy, and the Marines adopted the Colt Model 1894 .38 caliber double-action (DA) revolver as the standard sidearm .... The first test of the Colt .38 came with Spanish-American War of April to August, 1898, whose single land battle was fought in Cuba. But that conflict, with only two-days of actual combat, was far too short to provide any reasonable conclusion. However, the far more deadly and extended conflict which came out of that war, the Philippine-American War (known then as the Philippine Insurrection) soon proved that the fears about the smaller caliber had been entirely justified. In contrast to the Spanish-American War, one of the shortest conflicts in this nation’s history, the Philippine-American War lasted almost as long as World War II, from February, 1899 to July 4, 1902. It began as a “conventional” war but before its first year ended had morphed into a guerrilla war; in fact being the first of its kind and setting the pattern for the many “wars of national liberation” that would become a hallmark of the mid-20th century. It was what we would term today an “asymmetric” contest. It was also the U.S. Army’s first experience with jungle warfare and fighting against a full-blown insurgency in a foreign land.Now I've been looking for photos documenting the types of bolos used by Filipino soldiers then. So far I've only found two (below), and I wonder if some of us can identify all or at least most them? I've put numbers in the pics, for easier referencing. Unfortunately the source of the pics did not indicate where the photos were taken. Admittedly, identifying the bolos will be hard as the pics are small. The only that I can readily recognize would be a Samar garab (number 3). |
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#2 |
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Just how effective is the bolo vs. firearms? ... as stupid as the question may sound
![]() While not efficient (casualty rate among bolomen was obviously high), just the same when employed properly tactically, the result can be effective. Here's a continuation of Fulton's article: Like all good guerilla fighters, the Filipinos were improvisers. They took advantage of the tropical topography with its exceptionally high grasses (well over six feet tall), dense jungles, and winding, constricted trails, to mount ambushes using a tactic called “the bolo rush”. The Philippine bolo is a fearsome, short (16” to 18”), single-edged, razor-sharp cutting weapon. Every farmer had one and knew how to use it, whether for harvesting crops, hacking trails through jungle, or taking off a limb in a fight. A large force, often 100-200 “bolo men” would lie hidden near a trail. When a smaller American patrol came along in single-file, Filipino snipers would fire, forcing them to drop for cover. At a signal, the bolo men would rush the soldiers lying prone on the trail, inevitably losing many in their ranks to rifle fire but occasionally overwhelming the Americans with their sheer numbers and the ferocity of the charge. Commissioned officers and sergeants, armed only with the Colt .38 revolver, were a primary target. As an aside, though the clamor for a higher caliber sidearm [.45] is more associated with the encounter with the Moros, as Fulton pointed out the origins can actually be traced back to the US military's earlier experience with the bolomen of northern (Luzon) and central (Visayas) Philippines. |
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#3 |
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Here's a 1906 New York Times article, describing a classical bolo rush tactic in action ... a trail, the few guns, the volley, and then the "rush" --
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#4 | |
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Gav |
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#5 |
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A bit of a twist, on "Bolo Men". Only these guys were on the other side.
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#6 | |
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And I've always thought that such a huge bayonet must have meant that the Moro trooper used a barong! ![]() Last edited by migueldiaz; 12th April 2009 at 01:50 PM. |
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#7 |
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The other way of implementing a bolo rush is by using the cover of darkness.
Here's another related New York Times article: |
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#8 | |
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![]() Here in Manila, there's a story about a rookie policeman who tried apprehending from a distance, a petty criminal armed with a knife. Long story short -- the criminal poised to attack, then the policeman fired several rounds with his pistol but wasn't able to make any hit due to extreme stress, and the policeman ended up being butchered by the criminal. I think though that the story is apocryphal. But maybe it's not entirely fictitious either. Here's a more factual recap about such firearm vs. blade encounters, from the last chapter of Vic Hurley's Jungle Patrol (1938) -- In summing up the campaigns of the Philippine Constabulary [its early officers pictured below, with Capt. Henry Allen (folded arms)], a discussion of the weapons at hand or the marksmanship of the men is not sufficient to explain the greatness of these jungle campaigners. The point involved is their terrain of battle.The other Hurley book on swords vs. firearms, is of course Swish of the Kris (1936). The entire book can be read from here. |
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#9 | ||
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#10 | |
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#11 |
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By the way, in the modern Philippine military, poor shots in a marksmanship class are jokingly assigned the rank of "boloman"!
![]() The idea of course is to move away from that informal rank as quickly as possible ... Photo below shows Phil. Marines in Patikul, Sulu. |
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#12 | |
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Thus, the likely answer to your question is "No". |
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#13 |
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Thanks guys, just a young novice gettin' his learn on
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#14 | |
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OT: By the way, your avatar is really cool. Would you mind sharing to us what the character means? ![]() |
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#15 | |
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WOW! I did not know about the Talibon/garab sundang, that's very cool...
It's interesting when people, even historians and martial artists, make blanket statements like "Talibon were only weapons" or "all Filipino weaponry had a duality of purpose - war and work" or "weapons are an extension of the hand" or "all bladed techniques can have hand and stick techniques derived from them"etc.etc. ![]() ________________________________________OFF TOPIC___________________________________________ Quote:
![]() I have a huge interest in Southern China, Taiwan, Philippines, Indonesia, India, Congo, and Latin America - cultures, history, canoes, climate, weapinry, martial arts, women, food - you name it. ![]() ----what does yours mean? Last edited by KuKulzA28; 15th April 2009 at 07:44 PM. |
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#16 | |
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Miguels is Alibata/Baybayin script. It is old writing from the Philippines that is pre-Spanish. The first book ever published by the Spanish in the Philippines(Doctrina Cristiana in 1593, or Christian Doctrine) was written in Alibata in order to convert the natives. The writing in Miguels avatar looks to be the "La" character...both together I am guessing would be "Lala"...not sure what that means though, maybe his Filipino pet name. hehe Some Filipinos still signed their names in Alibata up until the mid-19th century...so it is not as if it all disappeared when the Spanish took over. The Katipunan also placed the "Ka" alibata symbol in the middle of some of their flags...not to represent "Katipunan" but for "Kalayaan"(independence). Today there are some tribes and places that still use that writing to communicate(Mindoro and Palawan being the two most recognized places). Many Filipinos now are understanding its importance and are embracing it...myself included. ![]() Sorry Miguel, thought I'd help myself to your question. ![]() ![]() |
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#17 | ||
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In a spectrum where one extreme is "tool-only" and the other is "weapon-only", I think most ethnic blades would lie somewhere in between. Occasionally you'll have the kampilan, etc. that's a weapon-only blade. At the moment I cannot think of a (Filipino) tool-only blade but I'm sure there's one. But as you also said, the vast majority of ethnic blades would lie somewhere in between. And apparently that's true for the Samar-Leyte sundang as well. Even the sinister-looking northern Luzon head-axe for instance, is used more often as a tool, rather than to smite an enemy, as noted earlier ... Quote:
The script in my avatar harks back to my family history. The characters mean "tamer of the serpent bakunawa, protector of the seas, and rider of the storm". Ok, ok, I just made that up! ![]() And said alibata script can still be found occasionally in old Philippine swords (e.g. below). |
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#18 | |
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Like in any agricultural society in which economic surplus is not that much, most people can afford only one bolo. And so it makes sense to design the bolo around its intended agricultural use, as the community is engaged in farming most of the time anyway rather than in hacking other people ![]() On the duality thing while not always true, we also see on the other hand that there indeed exist instances where the duality is there (i.e., work & war application is seen on the same blade, like the Leyte-Samar sundang). Thus, whereas the Full Metal Jacket grunts have to chant "This is my rifle. There are many like it but this one is mine. My rifle is my best friend. It is my life. I must master it as I must master my life. Without me, my rifle is useless. Without my rifle I am useless ..."for the typical Filipino farmer of old, when pressed into military service there would be no need for such mantra ![]() Last edited by migueldiaz; 16th April 2009 at 01:45 PM. Reason: More info need to be verified ... |
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#19 | |
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If I may add a point or two in support of that, the Leyte-Samar sundang (also known as garab or talibon in some parts of those Visayan islands) is for instance configured that way for a reason. Like the sagging (i.e., convex) shape of the cutting edge is supposed to split more efficiently a coconut nut ![]() And then the pointy tip was designed to scoop out the copra [dried coconut kernel] efficiently ... like what the tourist in the pic below is trying to learn. And then the (short) length of the sundang/garab/talibon was deliberate -- that was done so that the coconut farmer need not spread his arms farther apart than necessary, while extracting the copra from the shell. And so even if pointed bolos were outlawed then, in many instances and for very practical reasons, the prohibition simply couldn't had been followed. |
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#20 | ||
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Hello Miguel,
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![]() AFAIK, copra is really not that difficult to remove from the shell since most of it is already detached due to the drying process - wouldn't something like a spoon work much better/faster? I somehow have a problem imagining the thin tip of Bill's nice garab being used for working copra! BTW, isn't the copra trade a fairly recent (i.e. colonial) phenomenon? From my travels, ripe coconuts seemed to be of very little interest to any local population - they only utilized young coconuts (or, at least, still fairly soft ones for making coconut cream). Quote:
![]() Regards, Kai |
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#21 | ||||
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![]() But yes, as you noted the photo shows a freshly opened mature coconut. And thus to scoop out that fresh kernel, you really need a sharp and pointed bolo, as at that point the kernel still sticks very much to the shell. Quote:
The process of making copra is as follows: you split a mature coconut in two, then you scoop out the fresh thick & hard kernel with a bolo and you throw away the shell (for some later other use), and then you dry that kernel (without the shell), and after some time, the kernel becomes copra. So one will really initially need that sharp and pointed bolo to separate that fresh kernel from the shell ![]() Quote:
As to which is used more, young or old coconuts, in the Philippines the latter would have much many more uses. Young coconut (i.e., buko, pronounced BOO-koh) is commonly used merely for dessert as buko salad. Mature coconut however would have a host of domestic, commercial, and industrial applications, and copra would just be one of the many ![]() |
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#22 |
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In studying the story of the bolomen, I have yet to read Muddy Glory: America's Indian Wars in the Philippines (1981) and Bullets & Bolos: Fifteen Years in the Philippine Islands (1928).
I've read several times however, Vic Hurley's Jungle Patrol (1938) and Swish of the Kris (1936). Can anybody please comment on whether Hurley has romanticized too much his accounts of the antagonists and protagonists? ![]() For instance we read of this account by Hurley about the famous Lt. Leonard Furlong: Beyond doubt, the most romantic figure of the entire American-Moro conflict, was this same Furlong. His career as a fighting man was so remarkable that to this day the Moros of Cotobato bow their heads when his name is mentioned. Furlong has become an undying tradition to these fierce Moros who respected, more than anything else, the terrific valor displayed by this man. Furlong had a strange and tragic history, the details of which were supplied to the writer by men who knew him well and who fought beside him in Mindanao. After an unfortunate love affair which made life futile to him, he came to Mindanao to seek death on the krises of the Moros. He was in the thick of the Moro fighting for several years and it was said by his associates that no odds were too great and no charge too forlorn for this soldier seeking death. His reckless disregard for his own life often took him alone across open country to the very walls of cottas swarming with hostile Moros. It is said that it was his habit to enter the cottas, far in advance of his men, and that the Moros gave way before him, denying him the death he sought. Furlong seemed to lead a charmed life. To the Moros he was supernatural, and he came through the campaigns without a scratch. When the period of cotta warfare came to and end Furlong resigned his commission and sailed for Manila. There in the capital city, he took is own life, accomplishing that which the Moros had been unable or unwilling to do.Poetic license (i.e., the underscored portion above) or the plain truth? ![]() But let us not miss out on the most important lesson here -- any man can survive a lot of battles and hardships, but nothing is as lethal as unrequited love ![]() ![]() |
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#23 |
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Hello Miguel,
To me #1 looks like a bat-head "bolo" (usually attributed to Batangas)... Regards, Kai |
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