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#1 |
Member
Join Date: Sep 2005
Location: Singapore
Posts: 321
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I've noticed that most advanced weapon making cultures also have tremendous weaving traditions. Does anyone here match textiles and weapons from the same cultural groups? I have some very broad regional matches, but no precise cultural matches. The textiles make a great backdrop for displaying the weapons.
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#2 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,189
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HI Dizos,
Some of us do display textiles with out toys...er...weapons. Here are 2 of my examples: The first one (left) is a picture of a Kalinga datu head axe with Kalinga shield and the background textile is also Kalinga. The second display (right) is a Moro suit of armour with a Moro (Samal) barong, a Moro twistcore spear, and a Moro textile (Maranao malong) in the background. |
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#3 | |
Member
Join Date: Sep 2005
Location: Singapore
Posts: 321
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#4 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,189
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Thank you. I think they go hand in hand, if you can get the textiles. We had a similar thread in the past, though I don't know where it is. The cultural context of our pieces brings out the piece more as a part of a whole instead of a display in isolation. Again if you can get the textiles. Do you have any textiles that go with your toys?
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#5 | |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 9,885
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Excellent topic Dizos! Actually in ethnographic material culture it is well established that there are often similiarities in symbolism in the motif of textiles, such as Berber items and in the Middle East in certain cases with rugs, with that found on weapons decoration. It seems like there was once a book titled "The Afghan Amulet", I forget details and the author, but the theme was with regard to the importance of amuletic motif in textiles. I thought it might be good potential for studying decorative motif, but did not pursue it further regrettably. Hope there will be takers here ![]() All the best, Jim |
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#6 | |
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Join Date: Aug 2009
Posts: 63
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On a similar note, there's a dealer in Portobello with an Afghan (Tajik?) embroidered saddle jezail sheath that's utterly beautiful, and would quite fit my (heavily prettified) jezail, but his stall's been shut for weeks... If any London-based members are interested in textiles, there's an amazing small shop on Islington Green- Uzbek chapans etc, mid-1800s. The owner held an exhibition (and wrote the catalogue, which I own) for the V&A. Quite spectacular. edit: and don't get me started on suzanis... oy... |
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#7 |
Member
Join Date: Dec 2004
Posts: 732
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I have only one combination between weapons and textiles and this is one of my best kampilan.
Thanks carlos |
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#8 |
Member
Join Date: Dec 2004
Location: Inland Empire, Southern California USA
Posts: 160
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I have placed a rug from the Caucasus on the wall behind my Cherkeska : the traditional outer garment of the Caucasian tribesmen, worn by Kuban and Terek Cossacks, in this weapon and textile display.
Some of the symbolism seen on the rug. Ram's Horn - Sheep and rams were a vital source of warmth and comfort, as well as being central to the livelihood of the tribe. Their wool was the primary material used in weaving, which they considered a sacred activity. Throughout history, the ram's horn has been used to summon the group together as one. The ram's horn symbolizes strength, power and fertility, suggesting that life itself is not temporary, but eternal. Star of Wisdom - The eight-pointed star is an archetypal symbol that appears in cave drawings and likely stems from the dawn of mankind. This motif depicts man's potential for inner wisdom and understanding; in fact King Solomon wore an eight-pointed star on his ring as a reminder of inner striving. The tribal weavers lived an elemental lifestyle with minimal possessions. They believed that wisdom was the true wealth that could be obtained through the striving one made amidst the many challenges of one's daily activities. Thanks to Claremont Rug Company for symbolism info. ![]() |
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#9 |
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 9,885
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Thank you so much for the response Rumpel! Yes it indeed was Sheila Payne, and now that you mention it, the book was very much intended for very general audience and, entertaining, I suppose somewhat in 'Indiana Jones' fashion. Not a bad thing, but not entirely helpful from the perspective I was then seeking.
Intriguing notes on the Central Asian stuff there, and these vendors sound fascinating as I imagine the things you must have access to finding!!! There definitely is a lot to be discovered in aligning these material culture symbols with weaponry and accoutrements of these regions, and I really look forward to more discussion. Naga, thats exactly what we're talking about!and thank you for sharing those key notes on symbolism in these rugs (absolutely fantastic grouping there of weapons, and especially with the dimension added with the rugs).It is to me patently impossible to be in the presence of these kinds of rugs without imagination and resulting temporal adventures getting the best of me ![]() Jose, speaking of adventures! Very, very nice grouping there as well, and its great to see these variations in them carrying the same comprehensive effect. Wow! ![]() Carlos, a beautiful kampilan, and again, this addition of the material and bells represent important talismanic symbolism. Very nice example and thank you for sharing it. All the very best, Jim |
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