Pole arm with sun, moon and stars makers stamps.

[BlackcapBob]

Hello All, I bought a Pole arm recently would its use be military, protection or hunting, the makers marks are they known to anyone or is The sun, moon and stars a common stamp. Could the stamps be Peter Munich of Solingen.

The Pole arm is 76” or 1.93m long

Any advice gratefully received. Cheers Bob.

Sorry, Still getting used to resizing photos and posting them !!!, hopefully in time I will get a hang of it. Bob

[fernando]

... And the pictures, Bob .

[Jim McDougall]

From what I can see, this seems to be a 'glaive', a blade on a polearm, and for some reason this actually seems Chinese, perhaps its the character of the tip.
The grouping of markings appear to be applied as a 'quality' imbuement, but more an incongruent assembly of unassociated marks.

The sun and moon were often used on European blades of the 18th c. in cosmological themes supposed to carry talismanic imbuement. The grouping of stars resembles the Schimmelbusch firm of 19th c. in degree, the crossed axes I am unsure of at the moment.

[Philip]

Originally Posted by Jim McDougall

From what I can see, this seems to be a 'glaive', a blade on a polearm, and for some reason this actually seems Chinese, perhaps its the character of the tip.

Design and construction aren't close to any glaive I've seen, Chinese, European, or otherwise.

How secure is the socket-to-shaft attachment? Like with a cross pin or rivet?
A flensing knife used by whalers comes to mind, but that's just an off-the-cuff impression of mine. (It's been decades since I've read Moby-Dick which comprises most of my limited grasp of the topic.

[BlackcapBob]

Thanks Jim and Philip for your comments.

The blade is secured to the shaft by rivets and a slot head screw all very secure. The end of the shaft has a metal cap attached to protect the shaft end.

I have Stone's glossary but couldn't find anything that matched the blade, that's probably why I didn't call it a Glaive and stuck with Pole arm.

Cheers Bob

[Philip]

Originally Posted by BlackcapBob

.

The blade is secured to the shaft by rivets and a slot head screw all very secure. The end of the shaft has a metal cap attached to protect the shaft end.



Cheers Bob

Thanks, Bob, for the additional pics. Are those straps physically attached to the socket? They look separate in the photo but with the piece in hand, you might see differently.

What strikes me as odd about the attachment is that on the socket, we see a rather industrial-looking domed headed slot screw in a countersunk hole. A modern addition? But there are rivets on the straps, with what appear to be square escutcheons that look like archaic nuts.

In handling a lot of early European polearms, I generally see the straps integral with the socket or shank of the blade. But of course there are exceptions to every rule.

[Jim McDougall]

Originally Posted by Philip

Design and construction aren't close to any glaive I've seen, Chinese, European, or otherwise.

How secure is the socket-to-shaft attachment? Like with a cross pin or rivet?
A flensing knife used by whalers comes to mind, but that's just an off-the-cuff impression of mine. (It's been decades since I've read Moby-Dick which comprises most of my limited grasp of the topic.

Thats really an interesting observation Philip! and while I know little about the whaling trade, it does seem a pretty gruesome business in butchering an animal of that size. I believe Melville described this process in "Moby Dick", but I honestly never read it.
There is an entire panoply of tools used in this, and it seems there are some long hafted types using blades of somewhat similar blade form.

What leads me away from the whaling implement thought is the application of these markings, which seem more attuned to the talismanic (or so thought) character of thier presence. These notions I dont think were used in the same manner on tools and utilitarian implements.

[fernando]

I would also (humbly) go for the weapon possibility.
One thing that i would like to have clarified is the reason for that slot head screw on the socket, while this is already secured by the riveted langets; as if the socket was not welded to the said langets and could be (easily) disassembled without them .

[Philip]

Originally Posted by Jim McDougall

What leads me away from the whaling implement thought is the application of these markings, which seem more attuned to the talismanic (or so thought) character of thier presence. These notions I dont think were used in the same manner on tools and utilitarian implements.

In some parts of Europe, in pre-industrial times, cutting tools for domestic and craft uses were often deeply marked with punched-in stamps. The Germanic countries were well known for this. Of course, what is really talismanic as opposed to a trademark, or a traditional design popular in the folk memory, is open to interpretation

[colin henshaw]

My guess is that it is a made-up piece (perhaps in the 19th century), and that the head did not originally belong to the pole. Possibly for Victorian period display purposes ??

I'm no expert at all with European weapons, but isn't it more normal for the langets to be actually attached/part of the polearm steel blade, for strength ?

[Philip]

Originally Posted by colin henshaw

My guess is that it is a made-up piece (perhaps in the 19th century), and that the head did not originally belong to the pole. Possibly for Victorian period display purposes ??

I'm no expert at all with European weapons, but isn't it more normal for the langets to be actually attached/part of the polearm steel blade, for strength ?

Hi, Colin

To answer your questions, I pored through two references covering the subject:
1. Ewart Oakeshott, European Weapons and Armour from the Renaissance to the Industrial Revolution, chap. 2, Staff-Weapons
2. Mario Troso, Le Armi in Asta delle Infanterie Europee 1000-1500 [Polearms of European Infantry...]

that comprehensively span the time frame during which these weapons evolved in a milieu of active use.

I was struck by the absence of this particular blade shape in the wide spectrum of piercing and cutting weapons mounted on shafts, at least in Europe. The closest thing is a weapon called a glaive, which is essentially resembles a chef's knife on steroids -- straight back and convex edge, sometimes back-edged at the tip. This, and related cutting weapons, also exceed the 18 inch blade length of the piece under consideration. Oh, another thing -- the swordlike fullering on its blade is not something seen on the polearms in these and other reference books/catalogs.

To address your question #2, yes, that seems to generally be the case. However, in the numerous photo-illustrated examples in the Troso book, there are a couple in which the langets appear separate. One, a 1640s partizane (p 110, no. 4) which looks to be a parade or regalia version, has langets but clearly made separately (functionality not such an issue on a ceremonial object?). The other, a bat-wing corsesca (chauve-souris)p 126, no. 7, has a visible separation that might just as well be old damage or repair.

Could well be that this piece is a Victorian-era composite, assembled to look like a medieval or Renaissance weapon.

[Victrix]

Found this on the internet. Personally I never heard of a Sovnya before...

[BUCC_Guy]

This does not match in form or style any polearms I’ve run across... which is not unusual in the polearm world.

The blade appears heavily influenced by post-17th century sword blades, and the attachment method obviously resembles European polearms for many centuries.

Since design is often a result of usage/function, the upturned tip would imply it was designed after armor had gone out of style. It does not appear to be a copy of another design, but a combination of two.

Unregulated or unique lower end polearms are often attributed (rightly or wrongly) to locally blacksmithed militia weapons or general “peasant revolt” weapons.

Whatever it is, I believe it is “real” and purposefully built as a weapon.

I would venture to guess it’s mid-18th to mid-19th century. I usually see the unusual/“peasant” polearms of this period associated with Ireland, Scotland, and France... but those determinations are likely solely a function of where the item was discovered in an attic versus any inherent design assumptions.


This is my opinion, which is worth what you paid for it.

[colin henshaw]

Originally Posted by Philip

Hi, Colin

To answer your questions, I pored through two references covering the subject:
1. Ewart Oakeshott, European Weapons and Armour from the Renaissance to the Industrial Revolution, chap. 2, Staff-Weapons
2. Mario Troso, Le Armi in Asta delle Infanterie Europee 1000-1500 [Polearms of European Infantry...]

that comprehensively span the time frame during which these weapons evolved in a milieu of active use.

I was struck by the absence of this particular blade shape in the wide spectrum of piercing and cutting weapons mounted on shafts, at least in Europe. The closest thing is a weapon called a glaive, which is essentially resembles a chef's knife on steroids -- straight back and convex edge, sometimes back-edged at the tip. This, and related cutting weapons, also exceed the 18 inch blade length of the piece under consideration. Oh, another thing -- the swordlike fullering on its blade is not something seen on the polearms in these and other reference books/catalogs.

To address your question #2, yes, that seems to generally be the case. However, in the numerous photo-illustrated examples in the Troso book, there are a couple in which the langets appear separate. One, a 1640s partizane (p 110, no. 4) which looks to be a parade or regalia version, has langets but clearly made separately (functionality not such an issue on a ceremonial object?). The other, a bat-wing corsesca (chauve-souris)p 126, no. 7, has a visible separation that might just as well be old damage or repair.

Could well be that this piece is a Victorian-era composite, assembled to look like a medieval or Renaissance weapon.

Hello Philip,

Good information... many thanks for taking the trouble to do this research. I was only working on memory from my visits to the Wallace Collection here in London, and have no reference books on European Arms available to me currently.