Small Bugis Sepokal

Gustav · 6th April 2018, 05:22 PM

Dear All,

an interesting small (blade length 24,5 cm) Bugis Sepokal with unusually elaborate Pamor - two twisted bars, separated by a central Adeg line on both sides, and Batu Lapak on one side. Adeg inlay also on the spine of Gonjo. Alan had a Sepokal with similar Pamor in his last catalogue.

The frequency of twists is quite big, yet there are no forging flaws, all's thigth.

The crosspiece of sheath is made from a very well chosen piece of wood, the sunburst pattern is placed quite perfectly. The carvings on hilt almost seem to reproduce in 3D the chatoyance patterns of it.

The hilt is of shape commonly attributed to Selayar, though I would want to see a prove other then van Z's book for such attribution.

kai · 6th April 2018, 11:15 PM

Hello Gustav,

This is a really sweet piece - I like it!

Quote:

The frequency of twists is quite big, yet there are no forging flaws, all's thigth.

I assume you mean that the number of twists is relatively low? This is indeed an unusual feature I can't remember having seen with keris Jawa.

One might wish the pamor control being a tad better; however this is good work, especially for Bugis standards.

Quote:

The crosspiece of sheath is made from a very well chosen piece of wood, the sunburst pattern is placed quite perfectly.

Yeah, very nice wood!

Quote:

The carvings on hilt almost seem to reproduce in 3D the chatoyance patterns of it.
The hilt is of shape commonly attributed to Selayar, though I would want to see a prove other then van Z's book for such attribution.

The details and wood grains are tough to see. Could you post some hilt pics taken in full sun, please?

I'm not convinced that this hilt belongs to the type usually associated with Selayar (the latter is also known from Sumatra and Tammens reports it from Kalimantan Barat); I see some semblance but the head doesn't exhibit the typical twist; also the carving pattern seems very distinct from the typical examples, doesn't it?

[BTW, I can't remember Albert vZ writing anything about these hilts?]

Regards,
Kai

Gustav · 6th April 2018, 11:52 PM

Hello Kai,

thank you!

Yes, indeed, no twist. The feature common to Salayer hilts is the rather pronounced neck, the "bridge" under it is missing (if it ever was there, patina is absolutely even).
I don't have Tammens, but also have seen hilts with a similar feature from Sumatra.

I have never before seen a carving similar to that on my hilt, and suppose, it perhaps was an "individual model" by a person who perhaps wasn't a professional woodcarver.

What I wanted to say is, when you look at it on your hand, the carvings on hilt are echoing (and continuing) the wood chatoyance effect on Sampir. I know it sounds weird.

Well, he didn't write about them, he just shows one on page 74.

Battara · 7th April 2018, 01:46 AM

Love this pamor! Thanks for posting!

Rick · 7th April 2018, 02:01 AM

The blade has a real purity of form.

Gustav · 7th April 2018, 11:48 AM

Thank you, Jose!

Rick, I feel the same. The blade, by all it's simplicity, is well shaped and evokes a harmonius and somehow "completed" feeling. I often regret the new makers tend to exuberant pieces - we never or very seldom see new pieces with this kind of self-evident character.

Jean · 8th April 2018, 10:07 AM

Quote:

Originally Posted by Battara

Love this pamor! Thanks for posting!

Many of you seem to be highly impressed by the pamor pattern of this blade but frankly I am not. From the pictures it seems to me that the central "adeg" pamor line was added to fill the gap between the 2 welded sides (welding flaw or erosion?), but of course I accept that I could be wrong.
Regards

Gustav · 8th April 2018, 10:33 AM

Quote:

Originally Posted by Jean

Many of you seem to be highly impressed by the pamor pattern of this blade but frankly I am not. From the pictures it seems to me that the central "adeg" pamor line was added to fill the gap between the 2 welded sides (welding flaw or erosion?), but of course I accept that I could be wrong.
Regards

Yes, and by the same occasion the guy who did it added also a stripe of it on spine of Gonjo. He had lots of time that day.

Sorry, but the welding flaw is in your eye, to paraphrase the saying.

Regards

kai · 8th April 2018, 04:50 PM

Hello Gustav,

Quote:

The feature common to Salayer hilts is the rather pronounced neck, the "bridge" under it is missing (if it ever was there, patina is absolutely even).

I'm with Jean that this hilt with its planar head seems to be a pangulu ma'bainang (aka takala) variant rather than a Salayer pangulu ca'gillung.

BTW, the bridge is a dam here - just not pierced. IMHO this isn't a defining feature for any hilt type: More of an optional add-on, especially for above-average carving quality.

Quote:

I have never before seen a carving similar to that on my hilt, and suppose, it perhaps was an "individual model" by a person who perhaps wasn't a professional woodcarver.

It may be fairly unique and village style; does look reasonably well-carved to me though! Any idea what kind of wood was utilized?

Quote:

What I wanted to say is, when you look at it on your hand, the carvings on hilt are echoing (and continuing) the wood chatoyance effect on Sampir. I know it sounds weird.

No, already understood - looks nice, indeed.

Quote:

Well, he didn't write about them, he just shows one on page 74.

Yes, the pangulu ca'gillung also comes with badik (often this hilt variant with additional protrusion as shown in Fig. 286). The Bugis community seems to agree that pangulu ca'gillung is typical for Salayer. However, trade/etc. will also have brought it elsewhere.

Regards,
Kai

Gustav · 9th April 2018, 08:20 AM

Thank you Jean and Kai.

So it could be from everywhere in South Sulawesi.

Not enough space for piercing anymore, no idea about species. Definitely not from root.

6th April 2018, 05:22 PM	#1
Gustav Member Join Date: Jun 2009 Posts: 1,249	Small Bugis Sepokal Dear All, an interesting small (blade length 24,5 cm) Bugis Sepokal with unusually elaborate Pamor - two twisted bars, separated by a central Adeg line on both sides, and Batu Lapak on one side. Adeg inlay also on the spine of Gonjo. Alan had a Sepokal with similar Pamor in his last catalogue. The frequency of twists is quite big, yet there are no forging flaws, all's thigth. The crosspiece of sheath is made from a very well chosen piece of wood, the sunburst pattern is placed quite perfectly. The carvings on hilt almost seem to reproduce in 3D the chatoyance patterns of it. The hilt is of shape commonly attributed to Selayar, though I would want to see a prove other then van Z's book for such attribution. Attached Images

9th April 2018, 08:20 AM	#10
Gustav Member Join Date: Jun 2009 Posts: 1,249	Thank you Jean and Kai. So it could be from everywhere in South Sulawesi. Not enough space for piercing anymore, no idea about species. Definitely not from root. Attached Images

6th April 2018, 11:52 PM	#3
Gustav Member Join Date: Jun 2009 Posts: 1,249	Hello Kai, thank you! Yes, indeed, no twist. The feature common to Salayer hilts is the rather pronounced neck, the "bridge" under it is missing (if it ever was there, patina is absolutely even). I don't have Tammens, but also have seen hilts with a similar feature from Sumatra. I have never before seen a carving similar to that on my hilt, and suppose, it perhaps was an "individual model" by a person who perhaps wasn't a professional woodcarver. What I wanted to say is, when you look at it on your hand, the carvings on hilt are echoing (and continuing) the wood chatoyance effect on Sampir. I know it sounds weird. Well, he didn't write about them, he just shows one on page 74.

7th April 2018, 01:46 AM	#4
Battara EAAF Staff Join Date: Dec 2004 Location: Louisville, KY Posts: 7,221	Love this pamor! Thanks for posting!

7th April 2018, 02:01 AM	#5
Rick Vikingsword Staff Join Date: Nov 2004 Posts: 6,293	The blade has a real purity of form.

7th April 2018, 11:48 AM	#6
Gustav Member Join Date: Jun 2009 Posts: 1,249	Thank you, Jose! Rick, I feel the same. The blade, by all it's simplicity, is well shaped and evokes a harmonius and somehow "completed" feeling. I often regret the new makers tend to exuberant pieces - we never or very seldom see new pieces with this kind of self-evident character.