Ethnographic Arms & Armour
 

Go Back   Ethnographic Arms & Armour > Discussion Forums > European Armoury
FAQ Calendar Today's Posts Search

Reply
 
Thread Tools Search this Thread Display Modes
Old 30th December 2010, 02:34 AM   #1
laEspadaAncha
Member
 
Join Date: Aug 2006
Posts: 608
Default Strange Dagger in 16th Century Dutch Painting

In making the rounds at a local museum yesterday, I saw and photographed some interesting examples of weapons depicted in 16th century European art. Here is a painting by Dutch artist Hieronymus Bosch that dates to 1515 entitled The Arrest of Christ. The ballock dagger with the rondel is interesting enough and raises some questions... I was unaware of such "hybrid" daggers - were they common?

But what really had me scratching my head is the dagger shown in the upper-right corner. The deep belly, strongly-curved edge, hilt design (including the guard and pommel) are all foreign to me (both literally and figuratively). Does anyone know what kind of dagger this is? Does anyone have any photographs of other examples they can share?





laEspadaAncha is offline   Reply With Quote
Old 30th December 2010, 02:33 PM   #2
fernando
(deceased)
 
fernando's Avatar
 
Join Date: Dec 2004
Location: Portugal
Posts: 9,694
Default

Fascinating Hieronymus.
The conspicuous dent on the blade edge and the detail of the maker's mark ... as if this specific dagger example has really existed.
fernando is offline   Reply With Quote
Old 30th December 2010, 05:12 PM   #3
David
Keris forum moderator
 
David's Avatar
 
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,123
Default

Quote:
Originally Posted by fernando
Fascinating Hieronymus.
The conspicuous dent on the blade edge and the detail of the maker's mark ... as if this specific dagger example has really existed.
I suppose...but this is Bosch we are talking about. Take a good look at any of his paintings and it becomes obvious that we can never take for granted that anything in them was painted as an exact representation of the real world.
David is offline   Reply With Quote
Old 30th December 2010, 06:36 PM   #4
laEspadaAncha
Member
 
Join Date: Aug 2006
Posts: 608
Default

So am I to assume from these posts that you two are of the opinion his caricature-like depictions extended to include the weapons he painted as well?

I ask as in the few other examples of his work I have viewed (this is the only one I have seen in person), his portrayal of small items of detail - namely articles of clothing, accouterments, and weaponry - seems to receive a treatment of realism that runs contrary to his style. For instance, look at the bottom of the third panel of his triptych the Garden of Earthly Delights, where in addition to a more typical rondel dagger there are about a half-dozen other edged weapons depicted with accuracy and detail without a hint of exaggeration...

What is interesting in this example of his work is the portrayal of the same blade protruding from between the ears in the same (3rd) panel...
laEspadaAncha is offline   Reply With Quote
Old 30th December 2010, 06:45 PM   #5
laEspadaAncha
Member
 
Join Date: Aug 2006
Posts: 608
Default

Here's a close-up of the hybrid ballock-rondel dagger shown in The Arrest of Christ... What I find interesting about this is we see style elements of the earliest pre-Jacobite dirks (e.g., disc pommel and ballock lobes) that were to evolve from Highland ballock daggers over the next century.


laEspadaAncha is offline   Reply With Quote
Old 30th December 2010, 08:10 PM   #6
Matchlock
(deceased)
 
Matchlock's Avatar
 
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
Default

The hilt and pommel remind me of the Swiss type of dagger but the 'Malchus' shaped extremely curved blade clearly seems to reflect Oriental influence.

On the one hand, we cannot generally rule out that such a type of dagger actually existed. On the other, as David and Fernando have put out, this is Hieronymus Bosch. He is well known for his satirical, drastically overdrawn and 'fantasy' style of paintings, their characters and old style equipment. Often his paintings contain allusions to old sayings, and the faces, bodies and accouterments of his persons are both surrealistically and cinically distorted. His range of grotesque fantasy was unique among the late medieval/early Renaissance painters.

Of course, the formal style of the first dagger shows characteristic late Gothic elements, so it may not be pure fiction. The ballock dagger obviously is completely authentic.

Anyway, this is a really great thread as it shares my love of period artwork sources - they are most important when it comes to discussing original objects!

Best,
Michael
Matchlock is offline   Reply With Quote
Reply


Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is On
HTML code is Off

Forum Jump


All times are GMT +1. The time now is 11:19 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Posts are regarded as being copyrighted by their authors and the act of posting material is deemed to be a granting of an irrevocable nonexclusive license for display here.