Outstanding observations Rand! and a great approach in the understanding of fine Islamic pieces. What you have pointed out is extremely helpful in trying to estimate period and regional affinities by comparison of motif with provenanced material culture and art from associated regions.
Going further, it is fascinating to discover the symbolism often imbued beyond the decorative motif. It seems that often certain botanicals carry key symbolism that may represent not only religious but sometimes traditional or political themes. There is always more to art than meets the eye, as seen popularly in the book and movie, "The DaVinci Code", and while somewhat fanciful and embellished, this illustrates the concept quite well. Even in the artwork in certain temples, some of the themes are believed to carry concealed messages recognizable only to those well versed in the deep esoterica associated with the culture there.
I think one of the best references that discusses this approach in the study of the art in weaponry is "Hindu Arms and Ritual" by Robert Elgood. Though most of the references well known discussing Islamic weapons are typically great for understanding typology, it has seemed to me that they often do not go deeply enough into this concept in understanding the symbolism. While this reference is obviously on Hindu arms, the concept itself is beautifully described by Dr. Elgood.
Thank you for sharing the beautiful example, and the great observations!
All the best,
Jim
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