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Originally Posted by Andrew
I'm in Timonium, and pressed for time as my laptop's battery is running low and the charger is home in Florida. 
However, let me say I really enjoy your interpretive designs, Antonio, and not just that dha which, of course, I really like. Some of your Japanese inspired swords are attractive to me in ways most Japanese swords are not.
I'm one of those collectors that likes to aquire. However, I really obsess about only one particular form at a time. For some years, it has been dha, and I luxuriate in the seemingly endless variations and interpretations seen from the original culture. I think it's perfectly acceptable to arrive at one's own interpretation of a weapon form. These are things, after all, and so long as they are not presented as something they are not, I'm not interested in entertaining criticism of my "failure" to adhere to conservation of the original.
My interpretation of a Thai darb designed with and executed by sword maker John Lundemo:
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Hi Andrew,
Hope your trip is going well and your computer is holding.
Your words are too kind, as always
I've always liked that dha, specially the damascus work.
You see, what I think it is we are all hybrid ourselves, for long. Countries were shaped by layers of invaders that mixed with the earlier ones.
And the US is the permanent melting pot that has proven to be one of the forerunners of present day culture.
This being said, I do admire your devotion to the dha.
I myself have a compulsion to take things that touch me, and try to change it.
In my dhakris project still to be made, it was this detail that touched me profoundly
for the beauty of the details which I felt could be incorporated in the spine of a blade-to-be...
As for the Japanese style, they are more common and are becoming boring, or unchallanging
Too formal wraps done a ten thousand times. As a designer it reminds me of a dog chasing its own tail.
Thank you for your inputs my friend,
Wish you a very nice weekend.
Antonio