Hi Gav,
Quote:
Originally Posted by freebooter
I am still not 100% convinced about the Toledo blade being very modern, there is nothing stamped about this navaja(to my eyes), it is all, what I believe, engraved, etched or chiselled, the lines are so crisp and delicate in many places. I do remember Laura from knifecollection some years ago put this around circa 1900-1910 as she too was watching the auction at the time and wanted to add it to her stock.
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OK. we here a obviously Spanish style non functional souvenir grade navaja manufactured some time ago, but we don't know when. Apart from the ubiquitous "TOLEDO" there is nothing else to identify it.
In such cases we can only do the following:
a) Carefully examine the piece and try and detect the technology used in its manufacture, such as blanking of the blade, the mode of construction as for example cast or the earlier riveted sheet handle frame, indications of machining and die forgings, mechanical polishing, electroplating, type of engraving used, materials employed and any other evidence of advanced manufacturing. All this is then to be compared with periods of known cutlery output from Spain.
b) Try to estimate the probable age of the piece from condition and type of paint used to fill up the engraving. A powerful clue is whether the gold effect was obtained with powdered pigment paint or a thin coat of translucent "gold" laquer applied over a silvery electro plated surface. The way to detect this is to examine the area in question under a low power microscope (20x-50x) and with a scalpel gently scratch away at the surface. If this technology was used, then after removal of the coat of lacquer a shiny silver surface will be revealed
Now, we do know that
a) Up to around 60s, cutlery in Spain was a cottage industry, using only the most rudimentary tools and basic materials. After that, it modernized;
b) There was flood of cheap souvenir daggers, and swords in the 60s and 70s with cast metal handles and plated blades using the above "faux" gold plating, all etch engraved and painted with enamels. As far as I can ascertain, the sequence of paint deposition was as follows:
1st coat: Silvery electro plating
2nd coat: Translucent "gold"lacquer
3d coat : Colored enamel, the "gold" lacquer serving as an undercoat/primer.
I have not seen any earlier Spanish decorative cutlery that utilized this "faux" gold finish.
c) We also do know that cast metal navaja handles became widespread sometime after around 1960. This how most of the modern imitation junk navajas are made. The only way to get a "real" navaja, built by traditional means (Spanish "artesanal") these days is to have one custom made. If still producing, then the navajas of Exposito are exempted from these remarks.
Hope this helps
Cheers
Chris