Quote:
Originally Posted by A. G. Maisey
... This little exercise has provided a vivid example of just how silly the tangguh game can get.
It ought not to be silly. It is a serious branch of keris study, and is vital to an understanding of the Javanese keris, most particularly so in respect of value. If one fails to understand tangguh one can wind up losing big-time when buying.
We have already agreed that it is not possible to learn tangguh from pictures. It would seem that at this point nobody is prepared to assert that it is possible to learn tangguh from pictures.
I maintain that it is not possible to give other than a qualified opinion as to the tangguh of any keris from a picture.
I further suggest that where a picture of an example of any tangguh be given, that it be clearly stated that the claimed tangguh assigned to the keris is an opinion, either the opinion of the owner of the keris, or the opinion of a person or persons known to the owner.
If this practice is followed, it should lessen considerably the degree of misunderstanding in respect of tangguh , which currently appears to exist amongst those people who have not had the benefit of close and intense personal instruction in the practice of tangguh.
Opinions should not be presented as fact.
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Yes Alan,
Tangguh game is a serious branch of keris study. (So, I don't agree with the joke you proposed before: joking about "tangguh is invented to give men something to talk about..") I know, it was a joke. But can be a destructive opinion too...
Why did I post pictures? Even books like Mr Tammens, Mr Guritno, or the book of respected David van Duuren, still posting pictures. Knowledge on keris is something "visual knowledge" too. It is easier to look the pictures (although someone can not feel the blade, or knowing the "ting-ting-an" the iron in absence of the keris), but still, makes people easier to understand. More accurate than without pictures. Still it has a positive side in showing pictures in a public website.
About "showing the private collection to public", in my opinion, it is not a general rule. But personal rule. I know, there is a good habitude in the past in Java of "sinengker" (keep it secret) tradition. And knowledge on keris in the past is a "kawruh sinengker" (not for public knowledge, but only for certain rank of people)...
But I learned also from the openess of Mr Sumodiningrat (in Jasper and Mas Pirngadie's book, 1912). That due to the benevolent of Mr Sumodiningrat, we could know now the kind of "extraordinary" dhapur such as "carang candala tinanding" or tjarang tjandala tinanding -- kind of karno tinanding with kembang kacang in both sides of the gandhik, but with luk like "megantoro" (combination of luk in the bottom, and straight in the point). Mr Sumodiningrat let his private collection to be published in public "for the shake of the knowledge of keris". It can be interpreted as "for the shake of the conservation of keris knowledge", Mr Sumodiningrat let his private collection to be seen by public. Also the private collection that had shown in Mr Tammens' book (De Kris).. I don't think it is a matter of "exhibitionist" attitude.
This is my "second responsibility", concerning Mr Alan's statement..
This is an information era. Why must we shut the keris world in a total secret, like in a dark age?
Once again, for the shake of the keris knowledge, I have no intention of destructing certain value, or personal value of the keris world. And please, this is not a personal conflict. But, discussion. We can take the positive thing out of this. With respect to Mr Alan Maisey, that I know, he has encourage the development of the Javanese keris in the last of 30 (?) years..
Ganjawulung