Question about preserving a keris
 

Greetings to all,

I would like to hear your opinion about preserving a keris. Do you think that the kerisboards that sold all over, are o.k, or the closed cabinet is more appropriate? Which is the ideal way? Any thoughts? This question is related and with the metaphisical aspect of keris I quess..

Pakana,

From spiritual point of view, traditionally keris is hung on the wall. The boards / holder is more appropriate in this aspect. Do remember, the spirit of the keris needs to breathe too, and being enclosed in the cupboard may suffocate him ;) .

Penangsang

I think this is mostly a Jawanese perspective. AFAIK keris boards are not used in Bali. At least i have never seen one large enough to accommodate the larger Balinese form. Special plush lined boxes are also known for storing special keris, though i do bring the one i keep in such a box out in the open air regularly to avoid suffocation. ;) :)
Personally i like to display my collection in my study for my own regular appreciation, but i do understand that others prefer to keep their keris mostly stored away. I think it might also depend on just how large your collection might be. :) I use a combination of wall boards (blawong), keris racks (ploncon) and a variety of Balinese standing figural holders to do the job. But i think that if you feel more comfortable keeping your keris in a closable cabinet that it is just fine. :)
On a more practical level one might want to consider such elements as temperature and humidity. If you have a way to controls these where your are stored, all the better. I, unfortunately, do not, but i live in a climate which generally doesn't hit the high extremes. In the winter i usually make sure there is a bowl of water nearby to evaporate into the air to cut down on the dryness. I also make sure that my blades are regularly oiled and, on the more spiritual side, smoked with incense. :)

Thank you very much for your opinions. But the suffocation thing do happen? Or is just a joke? :confused:

george

I assume that the suffocation is a spiritiual suffocation.

I keep my best keris on a kerisboard in the attic.
Attic tend to be spooky places, but with the protection of the keris I consider it save now ;)

Ploncon
 

It depends on the space available, and also the consideration whether it is a fixed preservation or moveable. This is examples of preserving in a moveable manner. In a wooden "ploncon" (keris or short spear stands). Not wasting too much space, and still moveable. You may use also, as David said, with "blawong" (wooden carving for putting a single keris in the wall)...

Ganjawulung

So Ganjawulung,

Do you think it is appropriate for kerises to be stored in plonkon all together? I say that because there is this opinion that they must be stored each one separetely. I guess it's that the spirit inside wants it's privacy.. But again if your house is not a palace in Keraton, then you have a problem.. ;)
I would like to hear the thoughts of native Indonesians as you, as keris is a part of your culture..
george

What I will write is not advice.

It is the telling of what some museums do, truly spiritual people whom I know in Jawa, and whom are also orientated towards keris do, and what I do.

If one wishes to preserve the blade of the keris it should be stored bare, on a glass shelf, lightly coated with a good gun oil, and in controlled atmosphere to limit humidity and extremes of heat and cold.
The wrongko, jejeran, mendak, and pendok should all be separated and stored on glass under atmospheric conditions suited to the materials involved.
This approach is ideal for preservation.

If one holds the belief that one's keris is a mystical object, then it must be treated with a degree of respect, and whatever essence it may hold should be conserved. The keris should be stored in a singep ( a purpose made cloth bag), the singep placed horizontally in a purpose built chest, and this chest kept in a cupboard in the most private male section of the house, possibly a dedicated cabinet in the study or office would be ideal.
On specific occasion, or as the need may arise, it would be acceptable to place this keris in a blawong , above head hieght, on the wall of the house in a location where the need may most likely be met.
This is the approach I have observed that is used by my inlaws and friends who live in Jawa and who are "keris conscious", but who are not keris collectors.

I keep my entire collection of keris in a security room in my house. It is not a large room, and it contains several chests of drawers, several sets of shelves, and a very large camphorwood chest. All my keris are kept in singeps, and those singeps are kept in drawers and boxes. All keris are stored horizontally. The blades of my keris are oiled with a keris oil that is made of 50% medicinal parrafin, 45% sandalwood oil, and 5% kenanga oil. Prior to oiling all blades have been drenched with WD40. All blades are wrapped in plastic film prior to being placed in the wrongko.
In this security room I have one keris in a single ploncon, and two keris in blawongs; these are my personal keris.
I do not have any keris displayed anywhere in my house.
I do have a number of tombak in the house, 7 on display shafts in a ploncon, 4 or 5 on full length shafts placed in various corners. These tombak are not consciously displayed, but kept as they are simply because it is convenient for me.
Apart from what I have outlined here, there are always a number of keris in various stages of maintenance that are spread throughout the house, some at one end of the diningroom table, some on the dresser, some in the bedroom, some in the workshop.Anywhere I turn I can see keris, but these are not on display, they are being worked on.

In times past I have kept keris on open display, but I found that the amount of work required to maintain keris that were left open to dust, flies, humidity and so on, was simply too great. I once had something like 80 or 100 keris displayed in a dedicated alcove of my house, and to maintain these keris in good condition used almost all my spare time. Open display , in my opinion, is just not practical.

Ultimately, the way in which one stores one's keris is a personal decision. The objective should be to store in a way that gives one the highest degree of comfort.

Singep
 

Of course, this an unfinished info yet. And this is not of course, a "court way" but "personal way" to store kerises. Ploncon (pls spell it: plonchon) is very useful to place kerises after the are oiled with "keris oil" (Alan has said about that kind of oil). Keris oil, is very personal. In Jawa, every keris people has their own scent of keris oil. Sometimes, from smelling the oil of keris, people can guess who is the owner of the keris. Or, people recognise well, somebody's keris oil by scenting it.

Why ploncon? Because it is safe to "stand" or to place the wet-oiled kerises before they are put in "singeps" (like 'thermo-bag' for tennis-racket), or in "cinde" (Jogja's specific model of singep, made of "kain cinde" or a kind of scarf-cloth). The keris oil will flow to the tip of the blade. And after quite dry, then you may put them on singeps (see picture).

Ploncon, of course, it is not a permanent display. It is useful for drying the keris oil, or for displaying for your personal occassion: in your living room, or private room. Yes, the special keris board is better, to store your kerises in singeps horizontally. It depends on you, where you will store your personal kerises.

Ganjawulung

Dear George,
In many occasions, the Javanese commoners store their kerises in their "dressoir" (together with their clothes), in the upper rack and kept in singeps... It is really a personal consideration.

Ganjawulung

I guess the Javanese culture in Indonesia and Malaysia has differred tremendously, although more or less I can still understand Javanese - pasar & halus :D

A Malaysian Javanese wiseman once told me not to keep my keris in the casing / ploncon because "HE" would be "sumbeg" or suffocating, thus advised me to hang it on the wall tip down using a blawong / display board.

The casing / ploncon is usually used to cover up tumbak or spear heads, and when in use for keris, it's when we carry the keris to Upacara Suro or other ceremonies (except the one on your waist).

Ooopss...correction. I mean "singep" as the casing, and not the "ploncon".

Dear Penangsang,
Please don't be disheartened by the differences. Even in Solo and Jogjakarta (indonesia) which is only 64 kms apart, still there are quite a lot of differences in their way of appreciating their traditional arts. Including keris and of course, their wayang, and gamelan (javanese orchestra)...

Ganjawulung

Village Keris Board
 

I have always wondered how two keris may be mounted on this board .
There are four holes .. :confused:

Hi Rick,

The trick is to make a loop (from a good strong string, about 1-2mm thickness). The string entering one of the holes passing through the next closest hole. And another string for another loop. There, you're able to get 2 loops to hang 2 kerises on the board. The loop must not be big or else you will not able to hang your keris securely. The loop must be adequately small so that it can hang by the wrangka.

Rick, I've use your blawong for example. See the edited picture - with string attached.

Thank you Newsteel . :) :)

Rick

classic display/store 1?

I would love to revive this thread with more relevant questions on how to best preserving Keris if you don't mind. If I may..

It's Balinese Keris.
I take on point of view where I see Keris as exceptional piece of art rich with philosophical and cultural values. I am not a spiritual person. Therefore I tend to take a more practical approach on Keris but still acknowledging its esoteric aspects where they fit.

Condition of the Keris: is in great shape with golden kinatah and ruby on the lion's mouth. No rust, with notable pamor shown on the wilah.
Condition of the Warangka: It is a contemporary warangka with intricate carvings. It's made from kayu arang and in good shape with a few mild 'woodish brown' spots which I'm totally unsure of if they're just dirt or scuffs or something else.
Condition of Selut: Silver selut, in great condition.
Condition of Hilt: It's also from kayu arang with gold and silver. The silver and gold have lost their luster and looking dull.

My questions are
For wilah: Is gun oil a good rust prevention for Keris; if it is, can I lather it on the kinatah as well?
Most if not all Keris owners in Indonesia use some type of floral oils. Is that the same as 100% pure essential oils? Some of the oils are reddish in color, so I wonder, is it not going to stain the wilah or its pamor?
There is also a suggestion to drench the wilah in WD40 prior to oiling, is that practice ok as well with keris with kinatah, and will it remove the warangan thus affecting the contrast of the pamor?

For warangka: What should I use to protect the kayu arang and preserve the carvings, any suggestions for its silver pendak as well?

For hilt: This piece is so detailed. How do I bring back the luster without compromising the kayu arang?

I appreciate your suggestions and the discussions!

Should perhaps this post be moved to http://www.vikingsword.com/vb/showthread.php?t=27622 ?

That might be better. If we want to consolidate responses to your questions it isn't a good idea to revive every old post on the subject. We can place links to these old posts all under one heading in your new thread. ;)

A keris of this type can be quite difficult to maintain.

The number one, essential to observe is that it should not be kept in an unprotected situation.

It must be protected as much as possible from dust, fly spots, temperature and humidity variation. In a normal home environment this can be pretty challenging.

Do not keep the keris in its scabbard.The blade should be lightly oiled and kept in a plastic sleeve. Gun oil is a very good protective agent, but depending on how that kinatah work was applied it could loosen it. My approach would be to use medicinal paraffin or Singer sewing machine oil lightly applied to the bare ferric material only, with an artist's paint brush, I like to add sandalwood oil to the oil. I would store the oiled and plastic sleeve protected blade in a horizontal position in a drawer or cupboard.


Kayu arang can be very subject to cracking unless treated with care. It must never be exposed to direct sunlight. I use a good quality furniture oil, worked into the wood with a toothbrush, only use a very small quantity of oil, the pendok might be held in place with adhesive, try not to let the oil penetrate behind the pendok if adhesive has been used. You don't need to use the oil very often, maybe once every 6 or 12 months, but you do need to keep the wrongko in a soft cloth cover, and stored without the blade in it, and in a protected situation, as with the blade.

This type of hilt uses adhesive to hold the metal enhancements in place. I would not use oil on this hilt, possibly a smear of good quality furniture wax applied with a finger tip or cotton bud to only the bare wood. Again, the hilt should be kept in a protected situation.

Most people want to have their keris out on display, so all the above advice is quite likely not to be followed. However, if it is followed your keris can be kept as it is now virtually forever.

In the past I have kept keris & other weapons on display, it was not kind to what I had out, and it was very time consuming to keep the keris & other things in good condition.

Protected environment is paramount:- blade out of scabbard, oiled + plastic sleeve, store flat; wrongko never sees the sun & is kept as protected as possible from dust, flies, heat & humidity variation; hilt is treated as with the wrongko.

Oil should be used sparingly.

Thank you very much @A. G. Maisey!

I have seen people enclosing the wilah in 'plastik mika'. I use plastic wrap instead, fully enshroud from pucuk to peksi. However, I wrap it in a way that the wilah is still able to be put in in the scabbard along with selut and hilt. My understanding at that time was to to have the Keris 'fully dressed' in the storage but with the wilah wrapped in plastic to avoid making contact with the wood. Granted, it's not fully in. I am going to follow your suggestion to leave it out of the scabbard and its hilt while fully covered. I store both of my Kerises laying horizontally in a Keris wooden box.

Another alternative I've seen people are using is mineral oil. Could we also use good quality (medical grade) mineral oil for Keris rust prevention; if so, do you think mineral oil is safer to kinatah compared to gun oil or should we also apply it to the bare iron only?

You mentioned sandalwood oil, are pure essential oils like sandalwood, rose, jasmine, etc going to stain the iron and/or the pamor overtime or that's not the case?

For warangka, I'll look for a good quality furniture oil from my local hardware store. Do you have suggestion on how to treat and care for the silver pendok?

For hilt, boy this is a tough one since the piece is so intricate. Both wood and metal carvings are so fine and I am usually not a patient one. Do you have suggestion on how to bring back the luster on the hilt's silver and gold?

Thanks again for your input, I appreciate it very much!

I don't know how to move post(s) from one thread to the other, could you advise? I would like to move Allan's response above as well if possible.

Up ..looking for further advices, in case it's missed. I should also apologize in advance if my questions were rather rudimentary. I have close to zero knowledge of metal and woodwork treatments and preservation.

Only moderators can sort that out. But i will be honest with you. We are not going to keep moving single posts around. There is a post in the Stickies for this forum that lists "Classic" posts. Rick and i will try to find the best post(s) to include there on the subject of cleaning and preserving and place a link in the "Classics" entry. ;)

SJ, the plastic I use is purchased in 100 meter rolls, it is used in Indonesia by people who sell snack foods, they fold and seal one end over a candle, put the food inside, then seal the other end, it comes in various widths & various thicknesses.

When I have run out of it, I've used sandwich cling wrap. I only wrap the blade and I normally store that oiled and wrapped blade in the wrongko, usually with the top inch or so of the blade not in the wrongko. This is practical, and I have had some keris stored like this for more than 50 years with only an occasional re-oil. I live waterfront to a salt water lake. Those blades are as good now as they were when I first stored them.

But if you want the best way to do it --- short of modern museum conditions --- you should store each part separately.

Medicinal paraffin is mineral oil, so is Singer sewing machine oil.

There are better oils for protection than what I prefer, but gun oil has an ugly smell on keris, I use gun oil on my firearms, I use light mineral oil and aromatic oil on my keris.

If the applied gold is true kinatah it has been mechanically fixed, but a lot of current era "kinatah" is fixed with adhesive. If your keris has genuine, mechanically fixed kinatah, the oil will not harm it, if it has "kinatah" fixed with adhesive, it will loosen over time when oil is applied.

I have never observed any unwanted blade staining with any oil I have ever used.

The easiest way to keep silver looking good is to use a silver polishing cloth. I only ever use Goddards, which is made in England. I have tried other brands in the past and have found them unsatisfactory in one way or another.

The hilt will definitely require some patience & delicacy in maintenance, but that maintenance does not need to be often, I leave things go for years sometimes, I do not have the time, nor the inclination to fiddle around with literally hundreds of keris continually, and I do not have the money to pay somebody to do it for me. I do things very infrequently, but when I do work on my collection I do it properly and do it once.

Interesting pamor pattern. Balinese keris pamor seems not to have this type.

I agree with you Anthony, but this is unashamedly a Keris Kamardikan, and when we get into this territory, anything goes.

In any case, it is a beautiful piece of work.

It is a Kamardikan Keris made in 2014, a bespoke piece. I commissioned a Pande in Bali and it took almost a year to finish. The pamor (Jarot Asem) was new to him, so I would agree with you @Anthony G. that this pamor is uncommon for Balinese Keris.

I plan on putting the wilah in an airtight vacuum-sealed plastic bag for preservation.

Thank you very much @Anthony G. & @A. G. Maisey for your appreciation.