Tombak Lada for comment.
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Hi
The third out of the arrival of 4 from today. A Tombok lada or tumbok lada. Ivory and the metal looks like silver. The „rosetta-like“ (?) and the triangle pieces are looking a little bit „red“ but not like copper, maybe souassa ? Best Thomas |
I like this type a lot!
Have the discs at the top tested by a jeweler to see if they are suassa. |
Beauty
A beautiful piece! Congratulations.
|
Congrats, Thomas - a really nice piece! (Please let me know whenever you decide to part with it... ;) )
Any provenance? The origin is Karo Batak, of course. The inlay will most likely be suasa, indeed. (Probably with really low gold content.) Regards, Kai |
Dear Thomas,
lovely piece, especially the glossy patina on the ivory. I'v seen this type in pictures and what I wonder about; is it easy to hold - functionally? Most handles are not only beautiful but also very ergonomical, they just fit into the hand in a natural way. On this type from the short and thick dimensions it looks somewhat awkward. Kind regards, Eric |
Hello Eric,
These are high status pieces: The bigger the better! The main design constraint seems to be that the hilt does not get so large that the whole piece tends to fall out of the sash... ;) There are Karo examples with somewhat smaller hilts that can be held a bit better - I believe these are resulting from lesser funds rather than practical reasons though. Regards, Kai |
Hello Kai,
thanks, more bling than practicality it is. And indeed all that weight at the top becomes a risk at some point. Kind regards, Eric. |
Hello Eric,
Aside from signalling status, these pieces seem to have been mainly ceremonial. The higher up in the hierarchy the less likely you are needing a blade in a pinch... The blades tend to be of high quality though; I can easily imagine them mainly put to real use at cutting areca nuts for betel chewing in a ceremonial setting. I haven't come across any good early sources on usage though. Regards, Kai |
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