Antique Moro Gunong
 

Hello everyone! I saw recent interest in gunongs and I'm sharing photos of one from my personal collection. The blade is 19 cm long and 2.6 cm at the widest end. With the wooden hilt (banati?) and metal guard, the total length is 28 cm. It comes with the original scabbard with metal rings and belt loop. However, the scabbard is damaged with some parts missing. It is estimated to be from the year 1900 or thereabouts. For reference, I've included a photo of the gunong prior to restoration. Your thoughts would be greatly appreciated.

Fernando

Thanks for sharing this one. I agree it looks to be from the turn of the 20th C and you did a nice clean up. I particularly like the blade with its tight luk that gradually get shorter in length and width, and obviously made with a lot of skill.

Very nice piece.

Ian

The metal looks to be low silver/copper alloy.

Suwasa?

I assumed the metal is brass but I don't know much about metals. I'll have it tested by a jeweler to find out. Thank you all for your insights. I appreciate your comments.

Very nice and the photos are impressive as well.

Very nice gunong! :) And very good pictures. :cool:

I it possible that it's a form of swassa, but then I would expect a more copper hue. It could be a form of very red brass, but not seen that before. I have seen silver copper alloys look like this, but a good jeweler will settle the debate without question.

Very nice sir!

Red brass, what we call gilding metal in the trade..... could be. I forget about this alloy sometimes, and suwasa/swassa would probably not patina like that.

Even gold receive a dark patina over years and I've seen suassa very patinated which show only after a polish what it is.

Regards,
Detlef

Hello Fernando,

I'm with David in that suasa usually doesn't patinate that heavily during active use. However, if not handled for longer periods and with varnish/grime/whatever accumulating, it still is a valid possibility.

There are some quite unusual alloys with low gold and/or silver contents in Asia. IMHO it would be interesting to have it tested: Just make sure the jeweller understands that you're looking for (very) low gold content as this will influence the testing approach. Better yet, results from modern XRF instruments should allow a full understanding of this unusual alloy.

Regardless of the alloy utilized, a nice , early example!

Regards,
Kai

The first picture show antique Indonesian finger-rings from high quality gold but patinated since for years not worn and second picture show a tested suassa pendokok which I received not only broken but as well dark patinated.

Hello Detlef,

Thanks for the pics! I wasn't directly referring to your posting and my wording possibly wasn't clear enough.

I believe in these cases it's more like build-up of oil and dirt rather than typical patina. Still lower gold/silver alloys will also result in some oxidized metal, so this POV will be open to debate.

Regards,
Kai

P.S.: Out of active use is the key word here, I believe.

Hello Kai,

no worries, my post wasn't meant regarding your comment. Oxidation is transfer from electrons from chemical view. And even gold do it but extremely slow. And suassa has a lower gold content so it will patinate more fast. I am not a chemist but think that this is correct.

Regards,
Detlef

Yes, I think this is correct! ;)

First and foremost, what a lovely gunong! And I wish I could do half as good of a cleaning job.

Secondly, the "belt loop" on the scabbard is unusually isn't it? I don't think I've seen one like this on an older one before. Is this maybe a latter addition? The color of the metal of matches both the metal bands and the ferule/guard, so if it is latter, it's a good match.

Thanks,
Leif

Hi Leif:

One does find older gunong with a belt loop like this, and it is not all that uncommon a finding. Often, however, the knife was simply thrust through a waist band and there was no need for a loop.

Ian.

Ian,

Thank you for your willingness to share your formidable knowledge. I always learn something from your comments.

Thanks,
Leif

I agree Detlef. Alloys with small amounts of gold can certainly oxidize, but I think it is the copper or silver components that are most affected by the oxidation. Many years ago I had a N. Thia/Lao knife with a copper/gold alloy sheath that was almost black with oxidation when I got it. I was very surprised when it polished to a rose gold color and had it tested for gold content. It assayed for a low gold content (I think 6-7% from memory). I coated the sheath with Antique Wax after polishing it, stored it carefully, and 15 years later that sheath has not tarnished again--still bright and a pinkish gold color. My guess is that it is a form of samrit similar to suassa.

Ian.

Hello Ian,

Yes, in gold alloys it is the "lower" metals which oxidize while the gold is quite inert in such a setting.

However, alloys can exhibit quite a few funny/weird characteristics which need in-depth research to really appreciate them fully.

Regards,
Kai

I too Ian, my kris that once belonged to Datu Piang that has a solid suassa hilt (with solid yellow gold accents) was once black! I thought it was silver until I polished it and found the solid suassa. :D

What I base my leanings on the metal is the type of hue in its cleaned state, which looks to have less gold and more silver. Ian I think this is more like samrit than suassa.

Either way, it is a nice piece!

That's interesting Jose. For these non-silver black oxidized pieces, I wonder if there might be some arsenic also in the mix. Some oxides of arsenic can be very black in appearance. I seem to recall that arsenic has some mystical properties in mainland SE Asia--certainly some of the Hmong who live in the Twin Cities used arsenic for medicinal purposes and I was told by members of that community that arsenic is a powerful substance in their culture.

Ian.

That is a beautiful and elegant old gunong you have there Fernando. Amazing how many luks were fit into its 19cm length. Very nice work there. Also a very nice restoration on your part. :)

That's a good question Ian. I don't know for sure. I know Bali uses arsenic in etching their keris blades.

One thing is for sure - often even the copper/gold mix of suassa has some silver content in it so that it won't become too brittle to work. Although copper is incredibly soft, when mixed with other metals it makes the new alloy brittle.

Also, some used the silver/copper alloy in a particular mix to LOOK like copper/gold suassa (especially since gold is so expensive).

Hello Ian,

as mentioned by Jose, most suasa also contains silver and it will be mostly silver sulphides contributing to any very dark patina.


At least the 2 common oxides of arsenic are white.

It's the arsenate salts with metals like iron that are blackish (cp. warangan). Metallic arsenic in an alloy is a quite different kettle of fish though and unlikely to be more than a trace contaminant...


Yes, arsenic compounds like realgar have been utilized in TCM (Traditional Chinese Medicine) for millennia and have a scientifically proven track record in modern medicine as well. However, there also are cancerogenic effects known...

Regards,
Kai

Thanks Kai.

Yes, it's arsenates [–AsO4(-3), etc.] not oxides of arsenic [As2O3, As2O5, etc.] that are black.

I'm not sure that silver oxidation explains the intense black oxidation that I observed on my samrit covered daab. Some time ago I was sent an old formula for samrit, and no mention was made of silver in the mixture if I recall correctly. Also, the intensity of the black color was much more than I see on silver covered pieces from the same general region--silver oxidation tends to be more grey than black.

I have another Lao daab from the 17th C with a samrit hilt that has virtually no oxidation, and I have no explanation why one would have such a dark patina and the other virtually none. Presumably it reflects different components in each sample of samrit.

Actually for silver the longer the oxidation the blacker it gets.

Another consideration is the copper content, because when copper is involved, then the darker the oxidation gets as well. Copper often gets the green/blue/even multi-color patinas. However, when mixed with certain metals, the patina might change depending on the metal mix. Copper/tin mixes (bronzes) may yield a green patina, but can also give a dark brown to even black patina. This black patina can also be seen on silver/copper mixes where the mix has a large percentage of copper (in fact, silver/copper mixes with large amounts of copper often patina quicker than either silver or copper by themselves! :eek: ).

Hope this is now clear as mud........... :D

Thanks Jose. :D