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heads they lost
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Note that David used a blade to actually finish off Goliath: "So David prevailed over the Philistine with a sling and a stone, striking down the Philistine...there was no sword in David's hand. Then David ran and stood over the Philistine; he grasped his sword, drew it out of its sheath, and killed him, then cut off his head with it." ( 1 Samuel 17.50-51 ) Judith's killing of the Assyrian general Holofernes is an inspiration to Israeli commandos today. Captured by the Assyrians, she wrangled an invite to the general's banquet, and having had some after-dinner drinks with him in his tent, waited for him to fall asleep. Upon which she... "...went up to the bedpost near Holofernes' head, and took down his sword that hung there. She came close to his bed, took hold of the hair of his head...then she struck his neck twice with all her might, and cut off his head. ... Soon after she went out and gave Holofernes' head to her maid, who placed it in her food bag." (Judith, 13.6-10) Just like in the painting! |
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Also, not from personal experience, but I picked up over the years that lead has a sweet taste and this is why children eating paint chips has been a problem in homes with lead paint. Probably why it was added to cheap wine and why an artist might find themselves dipping their brush in their mouth from time to time. |
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although Kant tells us one can not dispute 'bout taste,
I think Caravaggio's Judith is not so strong compared to 'the female Caravaggio' ( Artemisia) if you have a look at the first by Michelangelo Merisi AKA Caravaggio and the next 2 by Artemisia Gentileschi |
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but to make it easier... a few more Judith's from around the same period.
Looks like Judy had more swords than most of you lads....☺☼☺ Paintings are by Botticeli, Jan de Bray, Valentin de Boulogne, Cornelisz Vermeyen, Guido Cagnacci, Bartelomeo Manfredi, David Teniers the Younger and a few more ... Judy remains a very popular theme till today |
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Thanks gp for mentioning Artemisia. She is a fascinating figure, and one that the patriarchy of art history doesn't give fair credit. There is a great study there about how the Saints and Biblical characters would resonate with the general public in ways we cannot fully appreciate from our modern perspective. How many young women identified directly with the story of Judith, and saw her as a kind of hero. Few, however, could express the scene as vividly as Artemisia. Thanks again for mentioning her so I could research her biography and catalogue of works.
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Not only a most talented but also a very intriging and interesting woman I have to say as a (not so young anymore☺) male and also think her to be a hero! additional: a very interesting documentary film is made by Ellen Weissbrod : https://www.humanarts.org/projects.p...oman-like-that and I can recommend her biography by Mary D. Garrard "The Image of the Female Hero in Italian Baroque " FYI: I spend an hour watching & admiring the painting in the Palazzo Pitti, Florence: a beautiful but very intimidating paiting. Hence send my wife and daughter to the juwelry department in the Palazzo Pitti not to give them any mischievous thoughts, owning a sharp yataghan at home ....☺☺☺ BR Gunar |
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presently in the Rijksmuseum in Amsterdam NL |
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