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#1 |
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As part of my reading of the book" Arms and Armor in Iran", I watched the video of Mr. Khorasani's lecture at the Iranian Study Group http://video.google.com/videoplay?do...03819897907514
In this lecture he made three points that puzzled me, and I would like to be educated. 1. He says that the Roman Gladius Hispaniensis was a purely stabbing weapon and that Roman soldiers were forbidden to use it for slashing. Gladius was a double-edged sword; if it was intended to use as a purely stabbing weapon, what was the purpose of sharp edges? What soldier would even bother to sharpen the sword if the regulations forbade him to use it for slashing? Even Wickipedia cites Livy attesting to the slashing use of the Gladius. http://en.wikipedia.org/wiki/Gladius 2. He also asserts that the British cavalry was divided into "stabbing" units and the "slashing" ones. The "stabbers" used straight swords that were known as "wristbreakers". My impression was that the " Wristbreaker" was not a British straight-bladed sword ( palasch), but an American, pattern 1840, curved cavalry saber. http://www.nps.gov/archive/fosc/weapons_info1.htm 3. He said that ancient Iranian art of casting bronze swords represented an incredibly sophisticated technique that cannot be reproduced even now. He challenged any MIT scientist or engineer to cast a similar sword. It seems to me that over the centuries, bronze casting was very wide spread all over the world and that many bronze swords of a quality not lower than the old Iranian ones were made in many societies, including even almost-contemporary Africa. Further, thousands of bronze cannons and sculptures were cast (seemingly a more challenging task than a straight sword), cast bronze figurines of very intricate designs are sold in our local K-Mart and Wall Mart and hundreds of bronze swords are offered on E-bay from China on a daily basis. What was so special about Iranian bronze swords that MIT-trained engineers cannot repeat? Taking into account Mr. Khorasani's impeccable reputation as a "sword maven", I cannot believe that his statements were based on anything but academic rigor, deep knowledge and utmost scientific integrity. Thus, it is I who must be wrong. Please explain to me where am I making mistakes? Last edited by ariel; 1st October 2006 at 09:48 PM. |
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#2 |
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Ok, since no one seems to comment... I actually liked Manoucher's lecture, I did find it very informative and concise. Concerning the points - may be he used slightly stronger phrases than he should have, I mean I don't disagree with the principle that there was a competition between stabbing and slashing cavalry techniques, that ancient bronze is not as well studied as it could have been and that gladius is primaraly a stabbing weapon. Now, details may be slightly off.
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#3 |
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I have once read that, the discussion had in Rome about the Gladius was to which ( optional ) function it sould have in their Forces, due to its dual possibilities. The stabbing party won the discussion, and the Gladius was appointed to Infantry. Maybe this meant that training was more directed to stabbing, but this doesn't exclude contextual slashing use on the field.
Titus Livius has also writen "Hispano punctim magis quam caesim adsueto petere hostem", meaning that this sword was so good for stabbing as for cutting ( in a home made translation ). I have also read in a Portuguese Forum that, this tongue shaped Celtiberian origin sword, was well balanced for both stabbing and cutting, whereas its Roman Pompei evolution (?) with a paralel blade, was more of a stabbing weapon, although the reason for change was a an economic one ( easier = cheapper ), more than tactical. But this was much later on. |
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#4 |
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Take a look at this;
http://romans-in-britain.org.uk/mil_...le_tactics.htm I can see how the thrust is more useful but certainly not the only way to use this sword. I find it very hard to believe that any commander would catagorically restrict his troops use of a weapon. However if you are in the turtle I would think your fellow troops would not be fond of you swinging away. So I think perhaps the language may have been too strong or the reference was taken out of context. All in all the book looks intresting, but I think I'll see if it shows up on half.com. |
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#5 |
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Hi Ariel,
Thanks for posting that link. I really enjoyed that lecture. Lots of great information. I really got to get my hands on his book, LOL! You bring up some good points. Now as far as the 1st statement, there is valid points on both sides. Why would it have an edge (double edge at that) when its only use is for thrusting? Good question... I have read a lot of your posts, I know your savy to arms. One thing that remains is the tactics used by the Roman army, and that is discribed by Manoucher very well. This juggernuat of scutum and gladiuses, if you will, is highly effective but requires mass amount of teamwork. Teamwork, I beleive, was the key to Roman success. If you have a gap from someone trying to do their own thing, i.e. slashing, it would cause an opening in your line of defense. It seems very probable to me that the Romans were taught to fight a certain way for tactical reasons. Even to this day martial arts are taught in a specific way, i.e. stike this way, not like that. If you were in the front line, shoulder to shoulder, shield to shield, would you want the infantry guys on both sides of you swinging their swords? I know I wouldn't, lol. Thinking in that light, its very easy to beleive that Roman soldiers were forbidden from trying to slash the opponent. On the flip side of the coin, an induvidual fight could not be fought the same as a large scale battle. Altough, I do believe underlining priciples would be the same. Manoucher said something in the lecture that I believe would have value now. In Kenjutsu you are taught to block or parry with the side or the back of blade, never the edge of the sword. Its forbidden in most ryuha. I also learned from Toby Threadgill if something happens and it comes down to a choice of getting cut or blocking with the edge of the sword. Block with the edge, at least you will live. I feel the same way about the Gladius. Its a thrusting weapon intended to do so, but if all hell breaks loose, survive. Would I say that the gladius was only a thrusting weapon? No, but I think thats what made it famous. As far as the question about wristbreakers. When I watched the lecture, Manoucher said that the motion of trying to stab a hard target from horse back caused "a wristbreaking motion". He didn't call them "wristbreakers". The audio from the website wasn't that great, though. As far as the bronze challenge to the guys at MIT. I don't know too much about bronze or casting, but from my impression it sounded like Manoucher was referring to the casting processes. I'm really not too sure about this one. Thanks for the thread! Jahun |
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#6 | |
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Well, that was a lousy translation i got. This was the batlle of Cannes and, in a documented translation the phrase means that the gladii used by the Hispanos, whom were used to thrusting rather than cutting, were short, thus handy, and also pointy. |
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#7 |
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This is only my opinion, but I find it hard to believe that in our sophisticated modern age,there were ancient bronze casting techniques that cant be replicated now.Not only have we made massive technological advances in casting but many modern techniques are directly descended from ancient ones.Sometimes the biggest difference can be the modern materials used now alloys,casting medium, ect while the process itself is basically the same.
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#8 |
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in my opinion, i dont think early persian casting surpassed that of 16thC india, which incorprated techniques still used today (in india or course). not saying indian work was better, but was easily the equal in techinique and quality, and many centuries later.
i have seen the lecture and i feel that he was promoting all things persia, using slight exaggeration. nothing wrong with this. i have a dealer friend that i share a regular joke with. each piece he shows me is ''the best in the world''. he doesnt actually mean this, he just means his piece is pretty bloody good. so, i feel the lecturer meant that persian casting was of a high quality, which he expressed by saying it was the ''best in the world''. just a salesmans pitch. maybe he is on commission from the iranian tourist board? (joke!!! please dont anyone get offended!!) ![]() |
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#9 | |
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"They were likewise taught not to cut, but to thrust with their swords. For the Romans not only made a jest of those who fought with the edge of that weapon, but always found them an easy conquest. Astroke with the edges, though made ever with so much force, seldom kills, as the vital parts of the body are defended both by the bone and armor. On the contrary, a stab, although it penetrates but two inches, is generally fatal." |
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#10 |
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There is a huge difference between "taught not to" and "prohibited to". I am probably going to repear myself saying that the lecture was a good one (in my opinion); also, lectures are obviously not something that is being edited/reviewed by others, but to some extent is a spontaneous event.
Last edited by Rivkin; 6th October 2006 at 05:16 PM. |
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#11 |
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If slashing is so ineffective, Persian Shamshir would be the ultimate example of a useless weapon. The weapon most similar to the Roman Gladius (Caucasian Kindjal) was used mainly for slashing.
Also, whether Roman legionnaires occasionally used Gladius for slashing is not relevant: in the heat of the battle they probably smashed their enemies with sword handles ![]() The point is that Gladius was constructed as a a double-edged sword. Thus, the slashing function was "built in" from the outset. With that in mind , any argument in favor of it's purely-stabbing function is plain silly. Smallsword is a pure stabber, Omani Kattara (with a rounded point) is a pure slasher. Gladius was designed to do both. |
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#12 | ||||
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When you listen to the lecture, you can note that "the lecturer" specifically discusses how difficult it was to cast a grip via the lost wax process. It should be noted that the people who cast these weapons did so without the use of modern technology, and this is yet to be replicated. Thus, if one wants to find out how MIT students are faring in this challenge to cast such a weapon successfully, one should inquire about it. And one should not be surprised if success has not been reached. Quote:
Finally, it is curious that Dr. Feuerbach's review has been ignored. Indeed, the statements here seem to be less about the book and more about the author. Why this is persisting is very strange. Gentlemen, focus on the book, not the author. Doug M |
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#14 |
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First here we discuss the lecture, not the book. While I disagree with Ariel's analysis of the gladius, I think he initially raised a valid point, which we are discussing here. Concerning students at MIT - I doubt they do bronze casting in their spare time, however I found no reference in books on middle eastern bronze (starting with Gorelik) that persian one was something better than caucasian for example. May be it is, may be it is not, I am no specialist, I don't know.
Concerning Dr. Feuerbach - her review is her review and her beliefs are her beliefs. We have a separate thread to discuss it. |
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#15 |
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This thread is in danger of deteriorating into issues of personalities. Please do not force me to lock it and hand out suspensions to members making inappropriate comments. If pushed to that point, some people could be taking a month's vacation or longer from posting here!
Please keep all discussions civil and focussed on the subject not the personalities. If not, action will be swift and decisive without further comment or explanation from the Staff. Let's get back to the subject of this discussion if anyone has something further to say. If not, then I suggest we let this subject rest. Ian. |
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#16 | |||||
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2) Seeing that she has replied to the thread, actually discussing issues there would be an excellent opportunity to talk with an expert. Yet emphasis is on discussing the author, not the work. Anyway, this should not be about personal attacks (which my responses are not meant to be). My point is that if the information in the lecture is the focus, shouldn't that be the focus? That is all these posts have aimed at. That is it. Last edited by Doug M; 6th October 2006 at 07:12 PM. Reason: further explain overall position |
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#17 |
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i am slightly confused as to where this is all going. ian has noted something we were all fully aware of, that any discussion about this author could lead to a potential threadlock and so we must tread carefully. i do realise that with the author being a moderator of another forum, we risk a division which we all know must be avoided.
the last thread was rightly locked, because there were opinions about the author and not the book. this thread was meant to be about a lecture on iranian arms. i am not sure why doug took my post the wrong way. i have always considered this forum to be relatively laid back. a place to discuss things and occasionally have a joke, as long as the rules are adhered to and no offence was meant. and amidst this light hearted banter, we occasionally learn something. i can only see that doug is gunning on behalf on manouchers honour, which is admirable, but sometimes misplaced. i have not mentioned the book in this post. why would i, as i have only spent an hour or so with it. i do have opinions on it, but would not dream or mentioning it here until i have done the book justice and read it. surely then my opinions would be valid??? but, i am not sure they would. if i spent $150 (plus postage) on a book and devoted a good few weeks of my life reading it and soaking it what it has to offer, would i be allowed to offer an opinion on it? or is any potential critisism not accepted. surely then, no one must ever say a bad word against any book or any author, for fear of offending someone. i dont know anything about persian bronze casters, but then again, that isnt the point i was making. in a way, i was actually defending manoucher's claim. i do know persian bronzes as art objects, it that i have seen and handled many fantastic examples. my point was that the finished piece was no better than the best of other cultures. this is an asthetic point of view, and not an academic one. but, i am a collector and this is the only point of view i have! so, my opinion shouldnt need to be supported by reading any book. if this was a thesis, yes, but a friendly banter forum, no. my 'dealer friend' story was purely to show how an exaggeration can be used in a friendly way, to strengthen a description. i was actually saying that all manoucher probably meant was that he thought that persian bronzes were pretty damn good. i saw nothing wrong in his way of saying it, and i am sure he didnt mean for anyone to try and prove him wrong. if any post is pulled apart aggressively, sentence by sentence, then many unintended things can be supposed. i would suggest reading a post as a whole, to see what the writer meant, and not steer it in a different direction. if you are looking for fault, then it will be easy to find, even if it isnt there. i am very sorry that doug took my post the wrong way. however, i am not sorry about anything i wrote as i just re-read it and cant see how i could have given offence. i wrote my post, and i know what i meant, and i meant nothing bad. i personally feel that with this book and the sensitive situation that has aroused over it we should do two things. first, we should only express a valid opinion on the published work, once read, and not on the author. secondly, we should listen to these valid opinions and not get so defensive. opinions, if backed up with time spent on the article, are valid. surely a forum is a place for discussion of such things. robert elgood throws the occasional wild statement out there, to provoke a debate. this debate is healthy, as it allows many others to join in on a subject and so further our understanding and knowledge. in my opinion, manoucher did not write a ''definative book'' on iranian arms. he wrote a book on iranian arms, which set the table for others to discuss a subject he is undoubtably passionate about. for this, he and all other authors should be admired. if each book is definative, then i can happily take down some book shelves. if there are mistakes in there, then they sould be discussed, but in a friendly way. i read ann's review and thorougly enjoyed it. however, it is an opinion of a scholar/academic. there is another side to this coin with an opinion which is just as valid. in fact, only when the two come together, will we really be getting somewhere. its a sad fact, that this thread will ultimately be locked. i personally take my library very seriously and thoroughly enjoy every book in it, both good and bad. where can we discuss these things if not on a forum?? |
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#18 |
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"Flippant dismissal of such evidence is not becoming of academic advancement in the field nor becoming of a serious student of weapon study."
Doug, I think that this is a rather loaded comment ; I don't believe anyone here has "flippantly dismissed" the stabbing function of the Gladius. |
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#19 | |
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Romans were trained to avoid to slash IN THIGT FORMATIONS as they usually fought. It's not so unbelivable to think that they were forbidden in such an action WHEN STILL IN THIGHT FORMATION even if i've no evidences of such. Another world is in the heat of the caos. I believe that no army ever had definitive rules in such a carnage, Samurai included. Japaneses almost abandoned the Naginata (a slashing halberd) in favour of the Yari (a piercing spear) because of the change to tight formations tactics. Limbs of your side fellows aren't a valid target. Seems strange to me you aren't able to see the obvious advantages of sharpened edge on a purely stabbing weapon. An armor piercing arrow bounce away from a multi-layer (padded enough...) vest but a stabbing sword with sharpened edges pierce it easly. This is the reason because of thick padded vests were worn ON chainmail, NOT under. The vest stops the arrow enough to permit the chainmail to easily stop it. Sharp edges helps you in the piercing of targets not strong as chainmail. It's a matter of how phisics act and which type of target you have. Every japanese spear I've seen (and are not few) has sharpened edges, even if with very short triangular blades (obviously as sharp as such a geometry allows...). The same for the very short and thick "Yoroidoshi" japanese armor piercing daggers so thick to have a triangular look. Still sharpened on the edge. You mentioned Shamshir... I've seen some with double edge on the point. I wonder how much it is intended for armonic balance and to fix COP instead of purely for cutting purposes. Thinking about the purpose of sharpened edges in a wider manner might be useful. Last edited by tsubame1; 6th October 2006 at 09:04 PM. |
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#20 | |
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#21 | |
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#22 | |
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In the book by Nick Suino "Art Of Japanese Swordsmanship: Manual Of Eishin-Ryu Iaido" there are many descriptions and graphic step-by-step illustrations of routines when katana was used for stabbing. The same is true about Ratti/Westbrook's book " Secrets of the samurai". I think you are mistaken: Kissaki was put there for a purpose and katana, although a preferentially slashing weapon, could be (and was) used for efficient stabbing due to its low curvature. As to stabbing with highly curved shamshir, we have no evidence that it was ever intended or used for stabbing except for a general testimonial of Mr. Khorasani that there were special techniques. I tried to "stab" with a properly curved shamshir and couldn't. Was it supposed to go around the enemy's shield? ![]() |
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#23 |
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Gentlemen,
First of all I have no claim to be a "serious student of weapons" or an "expert". I am just a savage who likes to discuss pointy thingies. Second, if Manoucher indeed used the word "prohibited" instead of "taught" it is his mistake or misinterpretation of other's writing. Nothing tragic or horrible about it, and no connection to the book that I can detect. Third, I strongly suspect that if I start calling all of MIT students asking how their bronze casting is coming, I can be slightly misunderstood. Again, I am not an expert or serious student so I can just assume that swiss pocket knives are a little bit more popular novadays than akenakes. Fourth, Concerning Dr. Feuerbach: I do not want to spent my time trying to prove that Michelangelo or Shota did not copy their work from persians who were in the mean time "preserving" the knowledge of the classical world, those who are intrested in the subject can just read relevant literature and make up their own opinion.There are a lot of theories our there I don't like, but should we convert Vikingsword into arguing over which one is right ? I think not - you have your crowd at swordforum, Dr. Feuerbach is entitled to her opinion, same as Dr.Farroukh is entitled to his fight against turkish history and Bozkurtlar are entitled to whatever they think. The devision has not started yesterday; it involves nations, politics and lots of blood. I have made clear my position on the question and I propose further discussion to be moved into private mail - it is a question which is much greater than swords or history, it is how we understand swords and history. |
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#24 |
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This topic has reached a point of diminishing returns. Feel free to continue it via email or PM.
Thread closed. |
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