French Diplomatic or Court sword?

[celtan]

Hi guys,
I'm trying to ID this sword. I suspect its French gentleman's, or a court/diplomatic epee.. Can't find any marks, besides an inscription IGR/IGB at its ricasso.

Any help is appreciated.
Best

Manuel

[Jim McDougall]

I would agree with your assessment Manolo, that this is most certainly a court epee, and diplomatic associations quite possible. It does appear French and post Napoleonic, the checked ebony grip material was popular on the grips of officers swords through the Napoleonic period, and probably later.

These non regulation, and often custom made swords are really hard to identify, at least specifically, but the courtswords typically seen up until c.1810 were of smallsword type, with pas d'ane and shellguard placed perpandicular to blade.
This downward shellguard covering the forte of the blade decoratively seems to have appeared in early 19th c. and the heraldic knights head, profuse decorative motif and the high relief scene on the shellguard seem to have later influenced other similar swords in the U.S. as well as other countries.

I checked 'Catalog of European Court Swords and Hunting Swords' by Bashford Dean, 1929, but found nothing that would help, but one Portuguese courtsword of c.1810 (#119) did have the downturned shell like this.

I'm trying to think of other resources that might have examples of these swords, but probably only auction catalogs offer possibility at this point.

Best regards,
Jim

[Jean B.]

The small sword was made in Solingen. The marking IGB is often attributed to the Broch family but there are no formal evidences.

It is a First Empire officer or civil official épée.

The "clavier" (shell) shows an extract of a period painting of Marguerite Gérard "la clémence de l'Empereur"

Nice sword.

Jean

[Jean B.]

Originally Posted by Jean B.

The small sword was made in Solingen. The marking IGB is often attributed to the Broch family but there are no formal evidences.

It is a First Empire officer or civil official épée.

The "clavier" (shell) shows an extract of a period painting of Marguerite Gérard "la clémence de l'Empereur"

Nice sword.

Jean

More info: The painting was done in 1808, this allows to date the sword between 1808 and 1815.

The scene describes Napoleon's mercy toward Madame de Hatzfeld, wife of the Berlin Governor during the Prussian campaign of 1806-1807.
On the recent arrest of her husband, the Princess Hatzfeld, in a panic and eight-months pregnant, burst into the Emperor's office. Throwing herself at Napoleon's feet, she protested that her husband was not guilty. The Emperor showed her a letter proving the governor's guilt, and the young woman recognised the handwriting. But moved by her tears, Napoleon asked her to burn the letter so that he could no longer pursue her husband.
This scene was widely spread in the German society and served well the French propaganda. Communication with the media was already of major importance ;-).

Best regards,
Jean

[fernando]

Fascinating, Jean.

That's what can be called a complete information on a piece.

Fernando

... And welcome to this Forum; great pleasure to have you here .

[Jim McDougall]

Absolutely magnifique Jean!!!!
and it is indeed great to have you joining us here.
Your knowledge on European military swords is unsurpassed, and it means a great deal to have such detail in learning more on these examples.
Thank you so much, and welcome to our forum!!!

With all very best regards,
Jim

[celtan]

Hi Guys,

Benvenue Jean!

A friend of mine suggests some connection with a familiy of sword-makers by the surnom Bogel (Vogel?). What's your opinion?

The blade is of triangular crosscut and "hollow". Handles _very_ nicely.
Sadly, perhaps about half of the blade's original blue and gilt survives.

Best

M

[celtan]

More info, a friend of mine, by the name of Jose Torres, pointed me to a sword maker in Solingen by the name Clemens Bogel.

After some web search, there seems to have been a couple brothers, Johann and Clemens Bögel. who used the cartouche IGB (Iohan et Clemens Bogel) at the Solingen sword factory.

I still don't know the nature of this epee. Officer, Diplomat, Court?

The hollow pyramidal blade gives it a woozy sense of lightness, quite handy!

Best

M

[Jean B.]

Originally Posted by celtan

More info, a friend of mine, by the name of Jose Torres, pointed me to a sword maker in Solingen by the name Clemens Bogel.

After some web search, there seems to have been a couple brothers, Johann and Clemens Bögel. who used the cartouche IGB (Iohan et Clemens Bogel) at the Solingen sword factory.

I still don't know the nature of this epee. Officer, Diplomat, Court?

The hollow pyramidal blade gives it a woozy sense of lightness, quite handy!

Best

M

Thanks Manolo. Could be Bogel indeed.
When Solingen, part of the Duchy of Berg, was under French control, the rights of the armourers guild, which authorised the entry in the business, was cancelled. The consequence is that there were no further entries in the records book of the swordmakers guild during this period. Some updated were done as late as the 1820s (cf. Erika Shlessinger monumental work about Solingen markings). Some existing markings were never entered in the records.

About the epée itself: it is difficult to address the question who was carrying it. This pattern is not regulation and is privately purchased. It could be an officer (town dress) or more likely a civil official like the Commissaires in charge of the logistic, quartering of officers, payroll etc.

JB

[celtan]

Hello Jean , et tout les autres amies.

Thank you again for these tasty morsels of knowledge, it's the details which count.

Best-ests regards

: )

Manuel

Originally Posted by Jean B.

Thanks Manolo. Could be Bogel indeed.
When Solingen, part of the Duchy of Berg, was under French control, the rights of the armourers guild, which authorised the entry in the business, was cancelled. The consequence is that there were no further entries in the records book of the swordmakers guild during this period. Some updated were done as late as the 1820s (cf. Erika Shlessinger monumental work about Solingen markings). Some existing markings were never entered in the records.

About the epée itself: it is difficult to address the question who was carrying it. This pattern is not regulation and is privately purchased. It could be an officer (town dress) or more likely a civil official like the Commissaires in charge of the logistic, quartering of officers, payroll etc.

JB