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#1 |
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Be careful
a friend of mine sent me some photographs of fake kilij and pala that are circulating on the web, E-Bou and others... They come from Eastern Europe They reuse old blades with new fittings and hilts... but with the prices of full old antiques! Kubur |
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#2 |
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Join Date: Sep 2013
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Eastern European and Russian fakes are common(some are even so old, they can count as genuine antiques on their own right) but there is also a new wave of Syrian fake antique kilijs here in Turkey. Syria has always been a popular place of kilij reproduction production for tourist market with varying degrees of quality; and recent tragic civil war caused this tourist pieces entering illegaly through southern border in thousands. Those tourist pieces are being sold in the market as the real deal for really high prices. Long koftgari inscription with huge letters going all the way through the surface a late period formed, wide and unfullered blade is the most common example of this.
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#3 |
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Kubur, Thanks for sharing the pictures. Always nice to see this info and closeups. Personally, I'd not call these "fakes". Even with new/newer hilts and crossguards, these are restored blades, the fact that they sell as genuine antiques, and some improperly matched
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#4 |
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Location: USA
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Faking a spiral stitched scabbard would be much harder, has anyone seen that done?
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#5 |
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of course it is done. But once again, "faking" is only when it is made/sold to deceive. Most antique arms underwent restorations many times, and it is ok if done properly and skilfully. Should one call sword a fake if it has restored scabbard, stitching, hilt scales or crossguard? I do not think so. fakes have AssadAllah cartouches on brand new blades
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#6 | |
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#7 | |
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#8 |
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Interesting discussion
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#9 |
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I completly follow estcrh.
It is not subjective. Alex, there is a big gap between restoration and replacement. PLus, restoration should be reversible and to be seen. If objects are sold as originals, without mention of the added parts, they are fake. Or at least they don't have the value of genuine objects... |
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#10 |
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the object cannot become fake depending on how or how much was it sold for. It is either fake, properly restored antique or improperly restored antique (including mistakes like altered or mismatched items). Good/proper restoration should not be obvious. It should be just as original and properly belong. The replacement, if done correctly, would not make the whole item fake. it's commonly done with damaged antiques of all kinds. Most museums do it. They employ professional restorers and some do repairs that are totally invisible, they are not fakers or an item becomes fake after that. Apart from temporary effect on value, the item gets a new life and remains what it is, IF properly done.
As for above items, one is restored and another is mistake. just because they are sold as 17th C genuine antiques does not make them fakes. It'd make a buyer as such if he/she agrees with the seller ![]() Just my opinion |
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#11 | |
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If I purchased an item as an untouched original then later found out that someone worked it over I would not be pleased with myself for not seeing this in the first place and secondly I would not be so very happy with the item if it were purchased on the basis of being unrestored. If I were to purchase the exact same item knowing in advance that it had been worked on or if I knew that there was the possibility that an item was not an in untouched condition then that would made a diference in how the item was preceived. Here is an example of what I am talking about. The kilij pictured below was sold a while back, the owner specifically mentioned "minor restoration" (can you spot it?). Since the restoration was mentioned, if I were to purchase it I would have no reason to be disappointed if someone pointed out to me that it had been restored. On the other hand if someone were to purchase this same sword as an unrestored original condition item and then later found out that it had been worked on, the buyer may not be so happy with his purchase as would most people who find themselves in a similar position, that is my personal opinion of course. |
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#12 |
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Ok, you have two kind of restorations.
Restoration 1/ Professional for Museums, the changes should be seen and reversible. 2/ For collectors (done by professional or not) shouldn't be seen, but should respect the old techniques and materials (it is where you stand Alex). 3/ Conservation for Museums and collectors, just a cleaning and stabilizing of the objects with no added parts or modifications. I hope that I'm more clear now... Best, Kubur |
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#13 |
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It is such multifaceted subject and depends on many factors. I do not think an item should become a fake in someone's mind once he/she finds out it has newer part. It's a pity, but does not render an item fake if properly done and there was no way to restore or use the period replacement. Certainly depends on degree and intent, and I am with you on that.
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