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#1 |
Member
Join Date: Dec 2013
Location: Los Angeles, CA
Posts: 66
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Hello,
The Tboli prize these old Moro swords and call them “sudeng”. My knowledge of these Moro pieces is rather limited and so I’m hoping to gain as much education as I can from the members here. The piece is not in my possession so the photos are a bit limited for now but am hoping they can get the conversation started. I can ask for others. Thank you very much! |
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#2 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,085
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Marbel, i don't see anything Tboli about this Moro kris. I have seen such blade fall into possession of other Philippines cultural groups and they are then given hilt and other dress treatments from those cultures. But this kris looks 100% Moro to my eyes.
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#3 |
Member
Join Date: Dec 2013
Location: Los Angeles, CA
Posts: 66
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Correct, it’s definitely Moro.
However as noted, these are often prized and owned by Tboli datus. This piece is specifically owned by the family of a late Tboli datu. The Tboli call this type of weapon a sudeng. I do apologize if my original post was a bit confusing. If removed from its provenance, there would be no Tboli connection. For those interested in the interactions between the Lumad of Mindanao and the neighboring Moro groups, I thought it would be useful to note that these swords are often kept as heirloom pieces by the Tboli and considered there own. My hope is that I can learn from the Moro-expert members here about what can be deciphered from the photos. Any thoughts on age? The different elements of the sword, hilt, scabbard, etc. Thank you. Last edited by Marbel; 20th May 2021 at 11:56 PM. |
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#4 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,187
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Not unheard of to trade these pieces between tribes.
This is a Maguindanao kris/kalis from the beginning of the 20th century. This is a more common form and not a datu style piece, or if it is, was modified years ago. |
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#5 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
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An interesting cultural piece with good provenance. There are a number of these Maguindanao kris around that have been modified by the T'boli, and are therefore identifiable as cross-cultural items. I have owned several such pieces with cast brass hilts that show a T'boli influence. Some of the other Lumad groups, such as the Bagobo/Tagakaolu, were also fond of Maguindanao kris.
In this regard, all of the examples I can recall were older Maguindanao swords that were more slender than many we see from the late 19th-early 20th C, which had broad heavy blades. I will post some pictures of Lumad-modified kris in the next couple of days. The word sudeng may be derived from the Moro/Visayan word sundang, which means "sword," and in the Moro context it is sometimes used for the straight-bladed form of kris. |
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#6 | |
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Join Date: Oct 2018
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Me and a friend used to own kris that had Lumad signatures- the scabbard, scabbard effects, how the tang was inserted, etc- and culminated in a broken greneng and lack of baca-baca. A Lumad expert also told me that the different Lumad tribes actually place great importance on the symbolism of the different parts of the kris, very much like how each part of the keris has esoteric significance. With regard to fighting arts, some Lumad tribes have passed-down martial knowledge, a possible distant relative of Moro Fighting Arts (MFA). |
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#7 |
Member
Join Date: Dec 2013
Location: Los Angeles, CA
Posts: 66
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Thank you all for your comments and insights. Much appreciated and I’ll certainly be happy to hear anything more.
Xasterix - as an aside, a few years before he passed away I was able to communicate with Stuart Schlegel regarding his lifetime connection to the Teduray/Tiruray. I’d be very interested in knowing more about your studies of these people, specifically their material culture. My primary focus is on the Tboli and Blaan, but as you know the Teduray are the third in their specific language group. Thank you again. |
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#8 |
Keris forum moderator
Join Date: Aug 2006
Location: Nova Scotia
Posts: 7,085
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Marbel, thanks for clarifying your opening post. As i noted, i am well aware that the Tboli people prized the Moro blades, but generally, once such blades were brought into the culture they were given a Tboli treatment in regards to dress. I am sure you have experienced this since you posted one of these not too long ago.
http://vikingsword.com/vb/showthread...ght=Tboli+kris If you say this particular keris was in the possession of a Tboli datu i will certainly not doubt you. But i wonder under what circumstances since i would think if such a blade were to be actually used by a Tboli datu he would be likely to redress it to reflect his own culture. ![]() |
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#9 |
Member
Join Date: Dec 2013
Location: Los Angeles, CA
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Hello David,
Thank you again for your thoughts. Over the years I’ve been diligently working on research related to various aspects of Tboli culture, specifically material culture - weaving, garments, jewelry & adornment, musical instruments and of course weapons. I’ve only recently begun digging a bit deeper into the ‘sudeng’. Certainly the original owners of these sudeng have passed away, but their family still have memories and tales. I’m trying to gather as much information as I can from these elders. As I come across new, interesting or definitive information I look forward to sharing it here. As to this specific piece, I’m in communication with the family and will see what I can discover further (which may not be much). As to the sudeng in general, what I’ve found thus far is very much as one would expect. They were acquired in trade and as gifts for deeds and friendship. In the more distant past, wartime acquisition was likely as well. In terms of being modified or not, I’m finding that it was either a practical decision (a repair was required, a scabbard lost, etc) or a personal one (wanting to ‘redecorate’ or prizing it just as it was). It is interesting to note that whether modified or not, the Tboli refer to both as sudeng. In short, a Maguindanao piece acquired by the Tboli did not necessarily require any adjustments and many (relatively) remain today in their original state. Without preserving the provenance, once these old original pieces leave the mountains, their oftentimes 100+ year connection to their Tboli home will be lost forever. Thanks again. |
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