Translating text and date on a Ottoman dagger

[Drabant1701]

I have bought Ottoman dagger (jambiya?). Its really big, about 48cm long, and has a nice watered steel blade. On one side of the blade there is an arabic text and on the other side a date. The last digit in the date is halfway gone but I do think its a nine. As far as I can tell it would be 1219 = 1804, correct?
I have no idea what the text might say, but there might be someone on the forum that could read it. If you can, and want to I would very much appriciate a translation to english (or swedish .

Regards Peter

[Battara]

I love the wootz!

Not sure the scabbard and hilt are original to each other though.

Yes Ottoman jambiya.

[Drabant1701]

Originally Posted by Battara

I love the wootz!

Not sure the scabbard and hilt are original to each other though.

Yes Ottoman jambiya.

The wootz is awsome. I bought it with really dirty blade thinking that it might be wootz. I just cleaned it a little and etched it. I got a weird result with lighter patches near the gold koftgari. I polished and reetched with the same result.
Strangly they are uniform on both sides

Edit: Found at blade with similar difference in color, makes me think its been heat treated. https://www.instagram.com/p/BVkbZ8kg...-by=mkantiques

The scabbard and hilt do look like they dont match, maybe they dont. But this is pretty similar. http://armsandantiques.com/19th-c-si...a-dagger-md428

[ariel]

Very nice.


The date is 121(9?), corresponding in the worst possible case to 1804-1805.
Full silver scabbard is likely original.

[motan]

Great dagger. Absolutely beautiful wootz. The scabbard and general shape look Eastern Turkish, Kurdish influenced.
There is one thing I have to add though. As you said yourself, it might have been "treated" at some later date. The perfect state of the koftgiri + these light patches are a bit suspicious and may suggest the the koftgiri has been re-done at some point.

[Drabant1701]

Originally Posted by motan

Great dagger. Absolutely beautiful wootz. The scabbard and general shape look Eastern Turkish, Kurdish influenced.
There is one thing I have to add though. As you said yourself, it might have been "treated" at some later date. The perfect state of the koftgiri + these light patches are a bit suspicious and may suggest the the koftgiri has been re-done at some point.

Thanks you Ariel and Motan for your comments.

I am not experienced enough to judge of the koftgari is re-done. My guess is that it is period to the dagger. I have a couple of ottoman pieces with koftgari, one of them a sword from the same period with koftgari that is in very good condition. From what I have seen this type of koftgari seem to be very resistant to wear, and may well look very good after 200 years.

After 3 years of collecting I am however starting to realize that not much is certain when collecting "oriental" arms and I am allways open to revalute and learn from those with more experience.

[Kubur]

Hi,

The dagger, the blade, the koftgari are all good and original.
There is no problem with this Ottoman Turkish khanjar.
Just beautiful

Kubur

[Hombre]

Hej Drabant1701,
Grattis! En mycket snygg dolk!

Hälsningar
Stefan

[mariusgmioc]

I have the same issue of lighter patches of wootz in more blades (see Persian Kard with discoloured patches near the koftgari on both sides). I suspect it is because of different heat treatment. Nothing unusual.

Lovely dagger!

[asomotif]

What a beautiful dagger !

[Drabant1701]

Originally Posted by mariusgmioc

I have the same issue of lighter patches of wootz in more blades (see Persian Kard with discoloured patches near the koftgari on both sides). I suspect it is because of different heat treatment. Nothing unusual.

Lovely dagger!

Thanks! Your persian dagger is beautiful, Im putting one of those on the want list. As for light patches, yes most likley heat treatment. I have started to realize that once you have found the correct etchant for a specific blade, its best to just accept the result, any discolorizion on the blade, from heat treatment or other is part of the blades personality.

[motan]

Hi drabant1701,

Since I consider kubur much more knowledgeable than myself, you should trust his judgement on this better than mine.
Whenever I see a very old piece in great condition, and especially with things like koftgari that are prone to wear, it arouses some suspicion (and perhaps little jealousy too). It is just rare to find them like this, but not implausible. The history of storage and use are more important than age in determining the condition. The light patches around the koftgari may reflect something in the process of production, but more likely are the effect of repeated cleaning around the decoration to prevent wear.

[mariusgmioc]

Originally Posted by Drabant1701

I have started to realize that once you have found the correct etchant for a specific blade, its best to just accept the result, any discolorizion on the blade, from heat treatment or other is part of the blades personality.

I reached precisely the same conclusion!

What etchant do you use?

@ motan

The lighter patches are not the result of cleaning. They are intrinsic to the wootz, most probably the result of heat treatment different for the tip/edge and for the area near the hilt. I polished a couple of blades to mirror polish and etched them anew and got the same patches like before.

[YataganMan]

Hi every one,
The dagger and the scabbard are original produced in the eastern part of Turkey and ıts date is correct. What looks a little suspicious is the koftgari work and the heat treatment.In order to lay the infra structure for koftgari most hardened blades are heat treated (to normalise ) when it becomes easier to cross cut .The tell tale signs are that on a good blade koftgari work is restrained and no overflow of cross hatching is allowed.But over all ıts a good
knife to have.Congradulations
Yataganman

[Drabant1701]

[QUOTE=mariusgmioc]I reached precisely the same conclusion!

What etchant do you use?

I dipped it 5-10 seconds i ferric chloride. Only one etching, etched super quick.
Then baking powder and lots of water, and lots of oil.

[Drabant1701]

Two years have past since I made this post and now I finally got a translation of the text on the dagger. So for anyone who my find this thread in the future I will update the post. The translator said that he thought the scripture was from the kurds in Turkey and this is the translation he provided:

The first line reads:
The key is in the dagger that he placed in his armor
The second line reads:
The head of the prey is out there for everyone to see
The third line reads:
You, the young one, are where the lover heads to do his prayers.
The last sentence reads:
The idol whom we praise is her beautiful face.


I was hoping for the makers or the owners name, but this will do

Btw for some reason this page flips the text on the dagger so its upside down. I was going to repost the picture in this reply, but it allways ends up upside down no matter how i rotate it before I post

[kwiatek]

These verses are a variant of ones found on an earlier, 16th-century piece in the Museum of Applied Arts in Budapest. The person who read them for you has tried to make sense of them as Persian, whereas in fact they are in Turkish and read as follows:


Hatt değildür hanceri üzre görünen aşikâr

Katline ‘uşşakının içün hüccet çıkarmış ol nigâr

In English:

“What is visible on his dagger is not writing/the down on a cheek,

It is rather proof that the beautiful-faced one has produced for the murder of his beloveds.”

It’s hard to translate because it makes use of wordplay and belongs to the world of classical Turkish poetry that doesn’t make a whole lot of sense if you’re not familiar with the imagery. The dagger is compared to the beautiful face of the beautiful but cruel and indifferent beloved. In classical Persian and Turkish poetry the beloved’s face typically has a fine down on it, which is a sign that the beloved is in the bloom of youth and beauty. There is a wordplay in that the word for “down” is a also the word for “writing” (hatt). The poet says that in fact that what you see on the dagger/face is not down/writing, it is proof of the beloved’s murder of all of his lovers.

For the dagger in Budapest see the following link

https://collections.imm.hu/gyujtemen...emenyebol/1120

[kronckew]

Images frequently have hidden 'metadata' information added to the initial encoding to specify rotation, and info on exposure, colour types, and even photographer. Your graphics editor may have EXIF settings you can turn on or off.

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'RIOT' optimized and rotated: EXIF data removed:

[Drabant1701]

Originally Posted by kwiatek

These verses are a variant of ones found on an earlier, 16th-century piece in the Museum of Applied Arts in Budapest. The person who read them for you has tried to make sense of them as Persian, whereas in fact they are in Turkish and read as follows:


Hatt değildür hanceri üzre görünen aşikâr

Katline ‘uşşakının içün hüccet çıkarmış ol nigâr

In English:

“What is visible on his dagger is not writing/the down on a cheek,

It is rather proof that the beautiful-faced one has produced for the murder of his beloveds.”

It’s hard to translate because it makes use of wordplay and belongs to the world of classical Turkish poetry that doesn’t make a whole lot of sense if you’re not familiar with the imagery. The dagger is compared to the beautiful face of the beautiful but cruel and indifferent beloved. In classical Persian and Turkish poetry the beloved’s face typically has a fine down on it, which is a sign that the beloved is in the bloom of youth and beauty. There is a wordplay in that the word for “down” is a also the word for “writing” (hatt). The poet says that in fact that what you see on the dagger/face is not down/writing, it is proof of the beloved’s murder of all of his lovers.

For the dagger in Budapest see the following link

https://collections.imm.hu/gyujtemen...emenyebol/1120

Thank you Kwiatek for clearing that up! I knew that the translator had a hard time making sense of it, but he gets an A for effort

And thank you Kronckew for flipping my photo!

[motan]

Hi Peter,
Museum quality and nice prose too. Excellent. Nothing to add to the words of the educated gentlemen, except that to me, the date looks like 1215, which translates to 1800/1801 Gregorian.