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#1 |
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Just picked this up on ebay; listed as a Nimcha, I believe it's a Berber saber. It doesn't have the pierced pommel I've seen in some illustrations, but that could be a tribal difference. Is anyone familiar with this particular style of hilt? The blade is almost certainly European, though apparently has no markings (at least none were mentioned by the seller).
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#2 |
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This could be SEA? shame there is no scabbard.
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#3 | |
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#4 |
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I am probably wrong but this just struck me as South East Asian rather than North African. Something about the way the forte is ground with a curve and the whole curve of the weapon, handle decoration and shape. Just a feeling. A scabbard would help.
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#5 |
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I THINK IS FROM SOUTH ASIA TOO, WHEN I SAW THE SWORD IN EBAY WAS THE FIRST I THOUGT. THE BLADE SEEMS LIKE IT WAS PART OF A MILITARY SABER?
REGARDS CARLOS |
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#6 |
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A Berber sabre; the blade looks ex military to me.
There is the feel of a Nimcha hilt there and the square and nail work doesn't quite strike me as S.E.A. ![]() |
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#7 |
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Berber swords are classically characterised by 2 features:
1. pierced handle 2. reverse tip Like that: http://www.oriental-arms.com/item.php?id=91 Sometimes, one feature may be different, but when both are absent, I would look for the origin of this sword somewhere else. |
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#8 |
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Groovy pics. This is getting interesting. I still say the handle is not N African, the decoration is also far from N. African. Just look at how dramatic the curve is at the forte. I would also say that by N. African swords this has a rather primitive or even what could be seen as crude construction and decoration. I hope that does not upset anyone. The decoration looks like the far eastern islands of Indonesia to me.
Last edited by Tim Simmons; 10th February 2007 at 09:34 PM. |
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#9 |
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Hmmm, does anybody know where checkerboard patterns were used as decorations on sword handles? That may provide a clue.
Btw, these two are owned by Adam Rose. One has a regular tip, and the other has a very slight concave tip. |
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#10 |
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I'm not saying that this is a Berber sabre.
I only point out that this is most likely a military blade remounted a la my example of a Berber sabre . I also mention a passing resemblance to the Nimcha style hilt. That does not mean that it is a relation; only food for thought . Finally, I would like to see examples of this style of checkerboard and nail inlaid decoration in a Indo/Malay sword hilt if anyone has seen one; for I have not. ![]() |
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#11 |
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No luck on the hilt yet, but I did stumble across this version of a nimcha on the Therion Arms page. The blade is listed as 'napoleonic', and at 24 1/2" is identical in length to the one I just bought. Due to the poor angle in the pictures posted by the seller it's impossible to be sure, but it looks awfully close to me. Not also the slight humpback profile to the hilt, peraps due to the profile of the tang? Anyway, more food for thought.
![]() ![]() PS -- I hope I didn't violate any rules by posting these pics. I did give credit for their source, and the item in question was already sold. |
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#12 |
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This hilt is from A. G.Van Zonnevelds, Traditional weapons of The Indonesian Archipelago. Okay it is not the same shape but does show the same decorative materials and technique. One could also argue that the shape is as similar as the Nimcha. In the aforementioned book swords from Timor like the hilt shown often had European blades. Also in this book pictures of other swords from Timor are all constructed in this more simple manner. I am sure I have some better pictures which I will add when I find then. I also want to add some pictures to the rust removal thread but can a find them
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#13 |
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Hi all! me too i was looking at this beauty (congratulations Fenris!!
![]() My twoo cents... |
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#14 |
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I am in accord with Rick on this one, I also believe this to be most likely from Spanish regions in Morocco, and as he notes the blade is military. The blade appears to be a British M1796 light cavalry example as occur in use on the 'Berber' sabres also being shown in the posts here. Although these interesting sabres have generally been accepted as Berber and probably from Moroccan regions, there is some disagreement to that attribution. These typically occur with the M1796 blades, which are typically highly profiled at the tip, although other sabre blades have been seen and not all carry the dramatic profiling. I remain inclined to believe they are indeed from Spanish Morocco.
I think this interesting variant posted by Fenris reflects traditional Mudejar influence in the studded checkerboard motif, though as noted, this motif does seem atypical on weapons of these regions. It seems of course that I have seen something similar, but as yet have not located it. In "Southwestern Colonial Ironwork" (Simmons & Turley, N.M.1980, p.5), the authors note ornamental nail heads or bosses (=chatones) liberally applied to doors and chest, and that the "...Moorish distaste for empty space", "...led them to fill large door panels with symmetrical placings of decorative nail heads". Although this characteristic describes quite early application of this motif in medieval Andulusia, the style of course carried into the Spanish regions in Morocco and is reflected in degree in the material culture there. The wire wrap on the grip of course reflects that practice on the sword hilts of Arabia and India, deriving from the same often applied on Persian shamshirs. The knives of Bou Saada adopted that characteristic in the same manner as appears on this sabre ( the term nimcha of course colloquially presumed), through trade influences as that was in important stop in Algeria on caravan routes. The curved profile of the blade root to meet the ferrule of the grip is much the same as on the 'Berber' sabres. The inclination that often brings the recollection of SEA probability in many of these weapons from North Africa I think derives from the fact that many of the influences on those weapons also derive from Arab trade, that of course carried in degree many Moorish features. That is of course even more prevalent in Philippine regions which were colonized by Spain, and those influences certainly diffused in the environs through trade, warfare and varied interaction. I hope somebody can find an example of the 'checkerboard' mofif elsewhere, its drivin' me nuts trying to find the example I saw!! ![]() All the best, Jim |
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#15 |
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So far it is 4-1 that are still a different shape and do not display decoration, construction and forte arrangement similar to the starting piece. To me we need pictures of other examples to be sure of any opinion.
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#16 |
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Exactly right Tim, all we have thus far is opinions without corroborating examples of hilt form or motif form to firmly support any particular attribution. The material I presented simply is data used in basing my opinion, but the use of the British cavalry blade is quite compelling in corresponding this to the 'Berber' examples. The nail stud motif shown in the Indonesian example you have shown presents equally compelling data toward your suggestion.
Hopefully we will find that checkerboard motif someplace as that will be excellent for comparison! ![]() Incidentally Fenris, that nimcha from Therion is indeed somewhat Napoleonic in that it is mounted with a French cavalry blade of Napoleonic period with its distinctly French Napoleonic scabbard. That, coupled with the persistant use of these French blades in the Sahara and the British cavalry blades on these sabres is typical of the instances we have discussed where the study of regulation military swords augments our study of ethnographic weapons. Best regards, Jim |
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#17 | |
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As to the blending of European military and ethnic arms, well, weaponry doesn't develop in a vacuum, and seeing examples where native craftsmen have taken outsider's weapons (whether from an invader's hands or an importer's cart) and made them their own is just one more element to be considering in studying the evolution of weapons. For example, prior to joining this forum I was aware that wootz steel was prized, but had never heard that there were some European blades that were even moreso. It's kind of nice to be going back to school after all this time. ![]() |
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#18 |
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Hi Fenris,
For being a relative 'newbie' to serious collecting, you have some excellent perspective on understanding weapon development! and you're very wise to focus on one area at a time. As far as 'going to school' , I don't really think one ever gets out of school as far as studying these weapons! ![]() Thank you for sharing your pieces for discussion, and giving us all the opportunity to learn from them, you're finding some really interesting examples. All the best, Jim |
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#19 |
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Sword just arrived; even, dark grey patina over entire blade, no deep pitting. Rounded, blunt point, razor sharp edge. Definitely intended as a slashing weapon only, but the short length would preclude horse or camelback. Shipboard, corsair weapon perhaps? Hilt is slightly loose, as is the wire wrap. There are some faint letters by the hilt on the left side of the blade:
![]() Too faint to read, perhaps someone recognizes them? I'll post more pics in a while.... |
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#20 |
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Could your short sword be along these lines, picture from the book I mentioned earlier. I could post a picture a sword from roughly the same geographic area with the same construction of wrapped brass wire but as the general shape and decoration is different, maybe it is better to stick to examples where there is some similarity in form and decoration.
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#21 | |
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Aside from the checkerboard pattern, which no one has identified yet, the greatest similarity I've seen as far as overall execution has been the Bou-Saadi knives; a slot cut for the tang half the length of the hilt, pinned and bound with wire. |
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#22 |
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As promised:
![]() The overall patina is a dark grey, with a few worn patches. The way the inlaid squares are worn into the surrounding wood makes me feel that it's not a recent construction, sometime in the mid to late 1800s perhaps? |
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#23 |
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I am with Tim on this one. SEA appears more likely, just the hilt with its brass (not silver) wire feels that way. I will add more reasons why I am leaning towards SEA soon.
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#24 |
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It seems that many times when identifying ethnographic weapons, especially with variations and hybrids, it is often the inclination to head toward ones predominate field of study and to rationalize classification in that category.
While my inclination initially was toward a North African, specifically Spanish Saharan attribution on this weapon, I had not considered the suggestions of SEA possibility as this was largely outside my field of study. In reconsidering, especially after review of the reference used by Tim ("Traditional Weapons of the Indonesian Archipelago", A.Van Zonneveld, Leiden, 2001), I must revise my views on this piece to agree that this does not appear to be North African. The key to the likely attribution of this weapon should be focused primarily on the hilt shape, rather than superficial decorative motif, and in reviewing the Van Zonneveld reference, there are numerous hilts throughout Indonesia which reflect distinct similarities to this one. In addition to referencing this book, Tim brought up some good points in the importance of considering materials and construction in examining this weapon, as well as the fact that in Timor, the nail motif occurred and foreign blades were often used. While viewing various hilts in this book, although there were many extremely similar forms shown, one of the closest profiles I could see was a 'kabeala' from Sumba (p.59, fig.171). The wire wrap, agreeably a superficial element, especially in the case of refurbished weapons which could be applied in virtually any regional instance, can be seen illustrated in Sumatran examples (p.53). As mentioned, the nail motif as well as the geometric application seen in the Timor weapons present compelling interest when considering the checkerboard motif, despite the lack of examples with which to compare. It is worthy of note that another of these 'checkerboard' motif hilts has been discovered, with the hilt remarkably similar aside from two notches at the top. Hopefully we can get photos of that one as well, and continue research for other comparisons with emphasis on the Indonesian sphere. All best regards, Jim |
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#25 |
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THE CHECKERBOARD PATTERN IS PART OF THE KERIS CULTURE I FORGET WHAT THE SYMBOLISM IS BUT CLOTH WITH BLACK AND WHITE CHECKERED PATTERN IS USED AND DOES HAVE SOME MEANING. PERHAPS SOMEONE WHO IS MORE KNOWLEGABLE ON THE KERIS WILL BE ABLE TO COMMENT. A NICE LOOKING INTERESTING SWORD.
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#26 |
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Are the red 'squares' inlay ? It seems that (if they are) they are secured by the nails ??
Very nice, interesting sword.....I especially like the blade ![]() |
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#27 |
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Ive seen such geometric nailed inlay work on butts of Algerian /Morrocan rifles.
Usualy done in ivory sometimes bone. Looking at picture the inlay looks like dyed bone? Spiral |
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#28 |
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I Just noticed in another current sword ID thread,
http://www.vikingsword.com/vb/showthread.php?t=4117 another fine example of the classic chequer booard pattern used in North Africa. {In this case amongst the leatherwork, on the lower wide piece.} Spiral |
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#29 |
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A similar sword just ended on eBay. Note the leather sheath:
http://cgi.ebay.com/ws/eBayISAPI.dll...5620&rd=1&rd=1 |
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#30 | |
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What with the consensus leaning away from the Middle East and towards SE Asia, I couldn't bring myself to bid as heavily this time and someone else bought it. Hopefully someone who frequents this borad so we can see better pics. |
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