How late 15th to mid 16th century guns were aimed, in historic illustrations - Page 2

Spiridonov · 31st October 2010, 09:13 PM

Hallow, Michael! Thank you for sharing this. I have not seen this picture before. In which manuscript it is?

Spiridonov · 31st October 2010, 10:29 PM

it seems that we can see the matchcords which is hanging on the fingers:

Matchlock · 31st October 2010, 11:56 PM

Hello, Alexender,

In Koch's book which I cited in full it sadly just says 'British Library', without mentioning the manuscript. So: sorry.

Honestly, I do not believe that the items you encircled are actual lengths of matchcord. If you look at the sources I posted at the beginning, on top of this thread, you will notice that 15th and early 16th c. matchcords were much thicker than these seem to be.

Best,
Michael

Spiridonov · 1st November 2010, 09:11 AM

Hallo, dear Michael.Thanks for answear. May be You are right, but the image is too arbitrary, imprecise and sketchy. So everything is possible ...

Matchlock · 1st November 2010, 05:34 PM

Absolutely, Alexender!

m

Spiridonov · 14th November 2010, 10:59 AM

From Karls picasaweb: http://picasaweb.google.com/karl.perron
there are mistake in the title of authors photos. I think that it is a late 15 century but not a late 14 century

Matchlock · 14th November 2010, 06:07 PM

Brilliant, Alexander,

Thanks a lot for sharing these!

And: you're right of course, these are can be dated to ca. 1470-80.

Best,
Michael

fernando · 14th November 2010, 06:14 PM

Outstanding, Alexander

Spiridonov · 14th November 2010, 07:15 PM

We can see even touch holes on the barrels:

fernando · 14th November 2010, 07:21 PM

Yes, an extremely detailed work; right, Michl?

Matchlock · 14th November 2010, 11:04 PM

Right, Alexender and 'Nando,

As usual, though, the act of ignition is left to imagination ...

That detail on early firearms just did not seem worth showing to period artists, at least normally not before ca. 1500.
Of course, exceptions prove the rule, especially in the early 15th century.

Characteristic of Spain, these obviously are details of carved oak Toledo choir stalls.

Best,
Michael

Spiridonov · 16th November 2010, 02:05 PM

I think that these pictures was drawn later than 1492 year. We can see the inscription "ALHAMA" on the tower. It means that we see siege of Alham(b)ra at these pictury. The siege of Alham(b)ra was in 1492 year. So, I think that these picture was drawn between 1492 and 1500 years.

fernando · 16th November 2010, 04:09 PM

The late gothic carvings in the low choir of the Toledo cathedral were made by the artist Rodrigo Alemán between 1495-1498. The main scene does in fact represent the conquest of Granada (El Alhambra) by the Catholic Kings.

fernando · 16th November 2010, 04:21 PM

Lower tier of choir stalls in the Coro, which were carved by Rodrigo Alemán in 1495 and feature 54 historical scenes from the conquest of Granada in remarkable detail. Each seat shows the defeat of a village.

.

Spiridonov · 16th November 2010, 07:47 PM

Quote:

Originally Posted by fernando

Lower tier of choir stalls in the Coro, which were carved by Rodrigo Alemán in 1495 and feature 54 historical scenes from the conquest of Granada in remarkable detail. Each seat shows the defeat of a village.

.

It is a very interesting infomation, Fernando! Do you have all of 54 historical scenes?

fernando · 16th November 2010, 08:36 PM

Maybe this will do.

You will find here 144 images, covering both low and high choir.

LINK

Spiridonov · 16th November 2010, 09:18 PM

Quote:

Originally Posted by fernando

Maybe this will do.

You will find here 144 images, covering both low and high choir.

LINK

Thanks, Fernando. I have found else images of handgonners from these resourse (unfortunatli there's too low resolution):

Matchlock · 17th November 2010, 09:33 AM

Thank you so much, Alexender, for sharing these!

m

RDGAC · 26th November 2010, 01:19 PM

Fascinating stuff, Michael! I'm especially captivated by the few I see where the user seems to be gripping the butt-stock beneath the crook of his arm - gets me wondering about "jezail grip" again, y'see.

Interesting also is the subject of sights. I recall a conversation on the Nihonto Message Board, in which I asked essentially a similar question to one mentioned earlier: "Why put fore and backsights on something so inaccurate as a smoothbore muzzle-loader?" The answer has yet to be found, but one fellow suggested that it might be partially explained by the near-constant Japanese desire to improve on their wares, no matter how fractionally. I'd certainly call putting fore, intermediate and back sights on a Tanegashima an improvement - and a fractional one, at that.

Might we be seeing something similar here: early European gunsmiths (at their own impulse, or the instigation of their buyers) attempting to improve the breed?

Matchlock · 26th November 2010, 05:20 PM

Quote:

Originally Posted by RDGAC

Might we be seeing something similar here: early European gunsmiths (at their own impulse, or the instigation of their buyers) attempting to improve the breed?

Thank you, RDGAC,

Fascinating point. I just can't actually imagine how to do it. Do you have an idea?

Best,
Michael

RDGAC · 3rd December 2010, 11:00 AM

With contemporary technology? Not a single clue

Rifling the bore would help improve accuracy at the price of a severe penalty to rate of fire; decreasing the windage might help a little and slow you down a little less, but the bullet will still fly in a fairly random manner and still not do too much beyond, say, a couple of hundred yards. Even the jezail, anecdotally renowned for accuracy at what were, by contemporary standards, longish ranges, has to obey the laws of physics.

The only good reason I can see for adding all this panoply of sights to the guns is as a sort of "on the off-chance" measure. Most of the time, the thing's far too inaccurate to make use of them (especially if it's got a dodgy stock design, as in the Tanegashima), but occasionally you might just happen to encounter the right set of circumstances for them to be useful.

fernando · 3rd December 2010, 06:40 PM

Speaking of early gun sights and aiming positions.
... probably some of these are already known

.

Matchlock · 4th December 2010, 05:15 PM

Thank you, 'Nando,

I was aware of these and I am convinced that in Europe, too, sights were used from the point they arose (ca. 1460-70). The only remaining question is what their worth actually was, as the insides of the barrels were quite rough and not yet rifled.

Best,
Michl

fernando · 4th December 2010, 05:47 PM

Well, a sight is a sight ... independently from the amount of result it produces.
Perhaps we should go back into period context, to ponder on this situation, by not assuming that the sight helps you hiting a precise spot, but considering that it helps you hiting closer from such spot.
... Or, by other means, an educational tool, to make you start thinking about aiming and not just pointing.
Oh, forget it

RDGAC · 5th December 2010, 11:32 AM

That's actually a very good point, 'nando. (Damnit, I always want to type "Ferd" when I address you, for some reason.) And another thought occurs to me: without any form of sight, one really just peers along the tube, gets a rough idea of where one's gun is pointing, and lets fly. Fine in a military context, but not so good when shooting individually.

Obviously, in a pitched gunnery battle, it's rate of fire and volume of lead in the air that counts. But when hunting, say, or practising shooting, you really need to have at least some idea of your aim. Given that this period - the 15th and 16th Centuries - was really that of the evolution of the gun into something approaching its modern shape, I suggest that these sights were put on guns for two reasons, primarily:

1) The limitations of these guns were perhaps not fully appreciated. They were changing fairly constantly, and often fairly swiftly (by the standard of the day); in the absence of detailed scientific knowledge, and with any corpus of experience being continually challenged by new developments and designs, early gunsmiths and their customers didn't really know enough about their weapons' internal ballistics.

2) Even among those who did have a fair understanding of guns, there was an impulse to provide sights for a variety of reasons. Sights cost money; along with decoration, they could be used as a means of proclaiming wealth. They encouraged better shooting, even if the internal ballistics of the gun did nothing to help out. And there was at least some chance that they could be useful in giving one a better shot; at fifty years, say, the chances of hitting your man-sized target go up to nearly 100%.

fernando · 5th December 2010, 05:10 PM

Quote:

Originally Posted by RDGAC

That's actually a very good point, 'nando. (Damnit, I always want to type "Ferd" when I address you, for some reason.) ...

Ferd from Ferdinand ? Sounds French

Andi · 13th November 2012, 03:27 PM

Hello Matchlock

Thank you for all this great and interesting infos on early fire arms.

Do you have some more information on the painting showing a dead corps fireing a matchlock arquebuse (not the one from Clusone) such as artist, title and its actual location.

http://www.vikingsword.com/vb/attach...id=36234&stc=1

Thanks in advance!

PClemente · 14th November 2012, 01:50 AM

Hi Michael,
Thank you for the interesting posts and detailed pictures.
I was particularly intrigued by the discussion in regards to the sights on early firearms, and it brought to mind the back-sight on a 16th century wheelock carbine that I obtained years ago. The carbine is 32" long and comprised of an 18.5" barrel, with a sight that sits at the base of the barrel. I believe the carbine is possibly French or German dating to 1580 - 1600. The piece exhibits the wear and tear of long and hard usage, and has undergone some repairs and restoration to the stock. I often wonder what good a sight on such a gun would have provided. See the attached pictures...
Regards,
Paul

fernando · 14th November 2012, 01:58 PM

Quote:

Originally Posted by Andi

Hello Matchlock

Thank you for all this great and interesting infos on early fire arms.

Do you have some more information on the painting showing a dead corps fireing a matchlock arquebuse (not the one from Clusone) such as artist, title and its actual location.

http://www.vikingsword.com/vb/attach...id=36234&stc=1

Thanks in advance!

Can you give us the link to this thread, Andi ?
Matchlock has so much material in this forum that is not easy to locate a specific thread, some times

I remember the picture but ...

Andi · 14th November 2012, 03:20 PM

Holla fernando!

Sorry. The link is actually the url of the image posted by matchlock earlier in this thread. I dont know how to insert an image which has already been upleaded by other users in other posts or threads (just in order not to waste online storage capacity).
I have now uploaded again, please see below.

31st October 2010, 10:29 PM	#32
Spiridonov Member Join Date: Nov 2008 Location: Russia, Leningrad Posts: 355	it seems that we can see the matchcords which is hanging on the fingers: Attached Images

14th November 2010, 10:59 AM	#36
Spiridonov Member Join Date: Nov 2008 Location: Russia, Leningrad Posts: 355	From Karls picasaweb: http://picasaweb.google.com/karl.perron there are mistake in the title of authors photos. I think that it is a late 15 century but not a late 14 century Last edited by Spiridonov; 14th November 2010 at 11:17 AM.

14th November 2010, 07:15 PM	#39
Spiridonov Member Join Date: Nov 2008 Location: Russia, Leningrad Posts: 355	We can see even touch holes on the barrels: Attached Images

16th November 2010, 02:05 PM	#42
Spiridonov Member Join Date: Nov 2008 Location: Russia, Leningrad Posts: 355	I think that these pictures was drawn later than 1492 year. We can see the inscription "ALHAMA" on the tower. It means that we see siege of Alham(b)ra at these pictury. The siege of Alham(b)ra was in 1492 year. So, I think that these picture was drawn between 1492 and 1500 years. Attached Images Last edited by Spiridonov; 16th November 2010 at 02:20 PM.

16th November 2010, 04:21 PM	#44
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Lower tier of choir stalls in the Coro, which were carved by Rodrigo Alemán in 1495 and feature 54 historical scenes from the conquest of Granada in remarkable detail. Each seat shows the defeat of a village. . Attached Images

31st October 2010, 09:13 PM	#31
Spiridonov Member Join Date: Nov 2008 Location: Russia, Leningrad Posts: 355	Hallow, Michael! Thank you for sharing this. I have not seen this picture before. In which manuscript it is?

31st October 2010, 11:56 PM	#33
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Hello, Alexender, In Koch's book which I cited in full it sadly just says 'British Library', without mentioning the manuscript. So: sorry. Honestly, I do not believe that the items you encircled are actual lengths of matchcord. If you look at the sources I posted at the beginning, on top of this thread, you will notice that 15th and early 16th c. matchcords were much thicker than these seem to be. Best, Michael

1st November 2010, 09:11 AM	#34
Spiridonov Member Join Date: Nov 2008 Location: Russia, Leningrad Posts: 355	Hallo, dear Michael.Thanks for answear. May be You are right, but the image is too arbitrary, imprecise and sketchy. So everything is possible ...

1st November 2010, 05:34 PM	#35
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Absolutely, Alexender! m

14th November 2010, 06:07 PM	#37
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Brilliant, Alexander, Thanks a lot for sharing these! And: you're right of course, these are can be dated to ca. 1470-80. Best, Michael

14th November 2010, 06:14 PM	#38
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Outstanding, Alexander

14th November 2010, 07:21 PM	#40
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Yes, an extremely detailed work; right, Michl?

14th November 2010, 11:04 PM	#41
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Right, Alexender and 'Nando, As usual, though, the act of ignition is left to imagination ... That detail on early firearms just did not seem worth showing to period artists, at least normally not before ca. 1500. Of course, exceptions prove the rule, especially in the early 15th century. Characteristic of Spain, these obviously are details of carved oak Toledo choir stalls. Best, Michael

16th November 2010, 04:09 PM	#43
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	The late gothic carvings in the low choir of the Toledo cathedral were made by the artist Rodrigo Alemán between 1495-1498. The main scene does in fact represent the conquest of Granada (El Alhambra) by the Catholic Kings.

16th November 2010, 08:36 PM	#46
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Maybe this will do. You will find here 144 images, covering both low and high choir. LINK

17th November 2010, 09:33 AM	#48
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Thank you so much, Alexender, for sharing these! m

26th November 2010, 01:19 PM	#49
RDGAC Member Join Date: Mar 2010 Location: York, UK Posts: 167	Fascinating stuff, Michael! I'm especially captivated by the few I see where the user seems to be gripping the butt-stock beneath the crook of his arm - gets me wondering about "jezail grip" again, y'see. Interesting also is the subject of sights. I recall a conversation on the Nihonto Message Board, in which I asked essentially a similar question to one mentioned earlier: "Why put fore and backsights on something so inaccurate as a smoothbore muzzle-loader?" The answer has yet to be found, but one fellow suggested that it might be partially explained by the near-constant Japanese desire to improve on their wares, no matter how fractionally. I'd certainly call putting fore, intermediate and back sights on a Tanegashima an improvement - and a fractional one, at that. Might we be seeing something similar here: early European gunsmiths (at their own impulse, or the instigation of their buyers) attempting to improve the breed?

3rd December 2010, 11:00 AM	#51
RDGAC Member Join Date: Mar 2010 Location: York, UK Posts: 167	With contemporary technology? Not a single clue Rifling the bore would help improve accuracy at the price of a severe penalty to rate of fire; decreasing the windage might help a little and slow you down a little less, but the bullet will still fly in a fairly random manner and still not do too much beyond, say, a couple of hundred yards. Even the jezail, anecdotally renowned for accuracy at what were, by contemporary standards, longish ranges, has to obey the laws of physics. The only good reason I can see for adding all this panoply of sights to the guns is as a sort of "on the off-chance" measure. Most of the time, the thing's far too inaccurate to make use of them (especially if it's got a dodgy stock design, as in the Tanegashima), but occasionally you might just happen to encounter the right set of circumstances for them to be useful.

3rd December 2010, 06:40 PM	#52
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Speaking of early gun sights and aiming positions. ... probably some of these are already known . Attached Images

4th December 2010, 05:15 PM	#53
Matchlock (deceased) Join Date: Sep 2008 Location: Bavaria, Germany - the center of 15th and 16th century gunmaking Posts: 4,310	Thank you, 'Nando, I was aware of these and I am convinced that in Europe, too, sights were used from the point they arose (ca. 1460-70). The only remaining question is what their worth actually was, as the insides of the barrels were quite rough and not yet rifled. Best, Michl

4th December 2010, 05:47 PM	#54
fernando (deceased) Join Date: Dec 2004 Location: Portugal Posts: 9,694	Well, a sight is a sight ... independently from the amount of result it produces. Perhaps we should go back into period context, to ponder on this situation, by not assuming that the sight helps you hiting a precise spot, but considering that it helps you hiting closer from such spot. ... Or, by other means, an educational tool, to make you start thinking about aiming and not just pointing. Oh, forget it

5th December 2010, 11:32 AM	#55
RDGAC Member Join Date: Mar 2010 Location: York, UK Posts: 167	That's actually a very good point, 'nando. (Damnit, I always want to type "Ferd" when I address you, for some reason.) And another thought occurs to me: without any form of sight, one really just peers along the tube, gets a rough idea of where one's gun is pointing, and lets fly. Fine in a military context, but not so good when shooting individually. Obviously, in a pitched gunnery battle, it's rate of fire and volume of lead in the air that counts. But when hunting, say, or practising shooting, you really need to have at least some idea of your aim. Given that this period - the 15th and 16th Centuries - was really that of the evolution of the gun into something approaching its modern shape, I suggest that these sights were put on guns for two reasons, primarily: 1) The limitations of these guns were perhaps not fully appreciated. They were changing fairly constantly, and often fairly swiftly (by the standard of the day); in the absence of detailed scientific knowledge, and with any corpus of experience being continually challenged by new developments and designs, early gunsmiths and their customers didn't really know enough about their weapons' internal ballistics. 2) Even among those who did have a fair understanding of guns, there was an impulse to provide sights for a variety of reasons. Sights cost money; along with decoration, they could be used as a means of proclaiming wealth. They encouraged better shooting, even if the internal ballistics of the gun did nothing to help out. And there was at least some chance that they could be useful in giving one a better shot; at fifty years, say, the chances of hitting your man-sized target go up to nearly 100%.

13th November 2012, 03:27 PM	#57
Andi Member Join Date: Nov 2012 Location: Halstenbek, Germany Posts: 203	Hello Matchlock Thank you for all this great and interesting infos on early fire arms. Do you have some more information on the painting showing a dead corps fireing a matchlock arquebuse (not the one from Clusone) such as artist, title and its actual location. http://www.vikingsword.com/vb/attach...id=36234&stc=1 Thanks in advance! Last edited by Andi; 14th November 2012 at 09:24 AM.

14th November 2012, 01:50 AM	#58
PClemente Member Join Date: Nov 2012 Posts: 42	Back-Sight Wheelock Carbine Hi Michael, Thank you for the interesting posts and detailed pictures. I was particularly intrigued by the discussion in regards to the sights on early firearms, and it brought to mind the back-sight on a 16th century wheelock carbine that I obtained years ago. The carbine is 32" long and comprised of an 18.5" barrel, with a sight that sits at the base of the barrel. I believe the carbine is possibly French or German dating to 1580 - 1600. The piece exhibits the wear and tear of long and hard usage, and has undergone some repairs and restoration to the stock. I often wonder what good a sight on such a gun would have provided. See the attached pictures... Regards, Paul Attached Images

14th November 2012, 03:20 PM	#60
Andi Member Join Date: Nov 2012 Location: Halstenbek, Germany Posts: 203	Holla fernando! Sorry. The link is actually the url of the image posted by matchlock earlier in this thread. I dont know how to insert an image which has already been upleaded by other users in other posts or threads (just in order not to waste online storage capacity). I have now uploaded again, please see below. Attached Images