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Old 12th May 2009, 01:03 AM   #1
A. G. Maisey
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Off the top of my head, no, David.

Stone calls these figural demon-like hilts "raksha". I can't remember reading these terms in any other early writings. Might be a good idea to have a look at Raffles. The Ying Yai Sheng Lan --- 15th century--- refers to "--- human or devils faces---", so the Chinese percieved them as such also.

You could also call some of these "raksasa" style hilts "buta".

Last edited by A. G. Maisey; 12th May 2009 at 01:30 AM.
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Old 12th May 2009, 01:29 AM   #2
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Checked Raffles:- no reference there that I can find.
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Old 12th May 2009, 04:07 AM   #3
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Quote:
Originally Posted by A. G. Maisey
Stone calls these figural demon-like hilts "raksha". I can't remember reading these terms in any other early writings. Might be a good idea to have a look at Raffles. The Ying Yai Sheng Lan --- 15th century--- refers to "--- human or devils faces---", so the Chinese percieved them as such also.
You could also call some of these "raksasa" style hilts "buta".
This is just my personal observation, but i really think we are looking at 2 completely different hilt form developments here. I can't help but think that the figures crouching with their hands on their knees are a distinctly different intention than the ones most often referred to as Jawa Demam, with the one crossed arm. To me these are 2 completely different postures that seem to convey different cultural attitudes. Though i can't claim to know what exactly, each of these postures seems to be telling me a different story. It is the squatting, hands on knees variety that i am more likely to associate with raksasa.
I do find Kai Wee's example in post #26 puzzling though as it does appear to be a hybrid of both these forms, but i have not seen too many that do that.
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Old 12th May 2009, 04:44 AM   #4
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I'm sorry David, but I cannot pursue this discussion.

I know too little about the subject to make any worthwhile remarks or to formulate any even vaguely supportable theories.

But I will say this:-

I can see more than just two sources for keris hilt origin. There are the giants, the ogres, the spirits, the demons, the deities, the wayang characters, and perhaps even the ancestors. Then there are the purely vegetable forms and purely animal and bird forms. There are also the rarest of the rare:- the naturally occurring forms that are adapted for use as keris hilts. There are many sources for keris hilt motifs.

But how, when, where and why I simply cannot theorise on.
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Old 12th May 2009, 05:39 AM   #5
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Here are a few of my hilts of this type, mixed in with others---sorry.
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Old 12th May 2009, 07:02 AM   #6
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I will put up some of my hilts for further discussions later when I have the time to photograpgh them. But I need to point this out. I think the carvers are quite observant and they do not carve without taking the natural body posture into considerations. To me the Minang and Palembang (Sumatra), and Malaysian "Jawa Demam" forms are quite similar. They have the right elbow over the right knee and no matter what the posture is, I think it is extremely awkward to be able to get the right forearm across the stomach!

Yes Sajen I agree the left leg of hilts from the north east coast/ Cirebon? or Raksasa form is more or less straight. These tend to have the right elbow just touching or just above the right knee and the toes pointing downwards which would suggest sitting on the edge of something high to me.

I have seen only a few suggesting the left knee touching the ground and these are I believe Sumatran in origin. Will try to find them.
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Old 12th May 2009, 07:42 AM   #7
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here's some
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Old 12th May 2009, 07:48 AM   #8
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is the motif near the base (where I think the ankles are) the anklets? it's just a simple horizontal line on the Big Minang? "jawa Demam.
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Old 12th May 2009, 02:48 PM   #9
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Quote:
Originally Posted by A. G. Maisey
I'm sorry David, but I cannot pursue this discussion.

I know too little about the subject to make any worthwhile remarks or to formulate any even vaguely supportable theories.

But I will say this:-

I can see more than just two sources for keris hilt origin. There are the giants, the ogres, the spirits, the demons, the deities, the wayang characters, and perhaps even the ancestors. Then there are the purely vegetable forms and purely animal and bird forms. There are also the rarest of the rare:- the naturally occurring forms that are adapted for use as keris hilts. There are many sources for keris hilt motifs.

But how, when, where and why I simply cannot theorise on.
I see your points Alan and of course i agree that there are more than 2 sources for hilt origins. I was merely pointing out that it seems to me that in this discussionnwe are trying to find a single origin for at least 2 (probably more) distinctly different forms. In other words, i am not convinced that the hilt form that we have come to know as "Jawa Demam" is an abstracted evolution of the hilt form that we have come to recognize as "raksasa".
And Jonathan, i am not sure you understood me fully. Whether the arm is intended to cross the stomach or the chest was not meant to be an arguing point. You questioned why this hilt was called the Feverish Javanese, calling it a derogatory term. I was merely relaying one explanation for that, that perhaps the posture was misinterpreted at some point and the story spread. I am not convinced that the original intent of the form was to portray a sick person, but this is the name in common usage. However, i am not really hopeful that we will ever be able to uncover the original intent or name if there is one. The questions are good but the answers are impossibly elusive and unfortunately much has been lost to time.
So can anyone accurately determine when the Jawa Demam hilt first appeared? Are there any hilts with established provenance? Does the name Java Demam appear in any documentation before Gardner? Was Gardner mislead or perhaps just confused?
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Old 12th May 2009, 04:34 PM   #10
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Quote:
Originally Posted by David
I do find Kai Wee's example in post #26 puzzling though as it does appear to be a hybrid of both these forms, but i have not seen too many that do that.
Dave's example is probably even older. It even has a facial features on the face, and it does not look like a rashaksa; more like a old man. Maybe I'll try to ask him to post a pic. But even then, it probably won't help much with the discussion on origins.
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Old 12th May 2009, 04:50 PM   #11
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Interesting topic. Would this qualify as one?
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Old 12th May 2009, 05:53 PM   #12
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Here's another vote for Cirebon being the origin of this figure.
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Last edited by Mick; 12th May 2009 at 08:46 PM.
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Old 13th May 2009, 08:50 AM   #13
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Default Jawa Demam

Here is another.
Does this qualify as Jawa Demam or maybe a Raksasa (see the Raksasa/Figur al discussion).

It is much less stylized than the other Jawa Demam's I have.
Much more figural and less "bird" like so to say.
I think it also has the fangs that would make it a raksassa type of hilt.
On the other hand the crossed arm is quite typical I think or not?

Would like to hear your opinions.

Regards, Erik
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Old 13th May 2009, 10:41 AM   #14
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Dear Eric,

The hilt you just posted look like a newly carved one. Is it new?

B/rgds,
jonathan
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