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#31 |
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Hello Jim,
While quite specifically designed for stabbing/punching blows, the Katar in skilled hands can also deliver strong slashing blows. However, the technique is quite specific to the Katar and involves movement of the whole arm, keeping the wrist rigid to maintain the alignment of the blade with the forearm. If during one blow the Katar is taken out of alignment, its use is severely compromised. You can experiment yourself with a Katar (provinding you can find one that fits your hand as Indians have much smaller hands than Europeans) and after a few moves, you will understand what I mean. Regards, Marius |
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#32 |
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It may be remembered that the katar developed from an earlier form which had an almost gauntlet form hand cover. I suggest it changed into the shorter arm bar version so that it could be pulled faster.lt may have been down to fashion..the long bar style for older statesmen and the short bar type for the young blades at court. I still suspect the short bar form was quicker to deploy.
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#33 | |
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Much more likely it had shorter side arms to be more confortable to wear in the sash, as two long protruding side arms would have caused significant disconfort (by interfering with the movement of the left arm). Last edited by mariusgmioc; 13th November 2017 at 03:17 PM. |
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#34 |
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Hi Marius,
It would seem you have indeed done some homework on katars, and thank you for the informational prod on the manner of use intended for these unusual style daggers. It has always been a puzzle at just how these transverse grip weapons may have evolved. It has been considered that perhaps evolution from the bladed boss on some shields (which are held with similar grip method or on arm) used in a punching blow; or further on the parrying 'saintie' with two opposing blades and a central forward one, resulting in a central 'push' dagger. Returning to the original thought here posted by Jens, pertaining to the differences between 'court' and fighting types of katar, you noted, and Jens corrected accordingly, this is a term as embellished it seems as the type of highly decorated katar itself. Just the same, highly ornate examples, while intended for upper echelon figures were certainly worn in regal settings, and accordingly by key individuals at events and ceremonial occasions. I do not believe that anyone has suggested that the katar is not a fighting weapon, it most certainly is, but that the highly decorated examples were most often worn in these kinds of circumstances, but not taken on campaign or hunting forays. As with the 'court' weapon concept in western context, these often much embellished weapons, while considered ostentatious accoutrements in most cases, remained quite able to fulfill their deadly purpose if called upon. One would never know when subversive action might take place, and such volatility was always a clear and present danger. The question of impairment in 'deploying' is therefore I think a valid one, and in my opinion , an unusually long side arm guard would be a hindrance much in the way an exceptionally long bladed sword would be in such settings. The notion of variation in the length of side guards seems also a valid note, as such attentions I think are sometimes at play with the weaponry of status, and indeed in some cases, 'size does matter'. The idea of course needs more research but is worthy of note here as pertains to katars . Last edited by Jim McDougall; 13th November 2017 at 03:49 PM. |
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#35 |
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Yes the katar could be used for slashing - at least some of them.
Here is an early description of a katar from my catalogue A Passion for Indian weapons p. 10. Gustav Oppert, a scholar of ancient Sanskrit manuscripts, offers a reference under the subject Amukta, a description of a weapon, which is likely to be a katar. “The Maustika (fist-sword, dagger) has a good hilt, is a span [circa 20-22 cm] long and ornamented. Its end is sharp, it has a high neck15, is broad in the midst and dark coloured. It can make all sorts of movements, as it is a small and very handy weapon. Its qualities are enlarged upon by Vaisampayana”. In the above quoted text there is a footnote to a Sanskrit text, translated here. “The hilt of the Moushtika is easy to hold and gives a tight grip. Both sides of the hilt are large and with attractive designs. The tip is wide and is sharp and shining. The centre [of the blade] is thick and shining. It can be held and circled. While turning it, number of points on it can be observed. As with the curve that cows urine makes while falling on the ground, the moushtika can also make similar curves and can be turned. It can be thrust forward and reverse, left and right, zigzag, curvy and also in a circle. It can also be thrown, turned fast and can be thrust to the ground. It can be reversed and struck to the back. We can rotate ourselves [our body] while using it. We can hit from near and hit from a distance. It shivers, and these are the different methods of using the weapon. This is the speciality of this weapon, O King.” This was a conversation between someone who was a master of this weapon to the king to whom he was explaining it in 2 parts; firstly its description and then on how to use it. That the weapon “can make all sorts of movements” is an interesting observation, and the author continues to describe other weapons in a similar way – the kunta [lance] can only be handled in six ways whilst the gada [club] has twenty different motions. Last edited by Jens Nordlunde; 13th November 2017 at 06:11 PM. |
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#36 |
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Hi Jens
Here is a Katar from my collection,when I bought it I was told its from Bundi,Rajasthan but after asking a friend he told me its south Indian and 18 century.Please tell me more about it. size is 16 inches Regards Rajesh |
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#37 |
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Hi Rajesh,
Your friend is right, It is from Deccan/South India, and it is safe to say 18th century. The interesting thing is, that these katars from the south, with a curved hilt base either have an even curv or a 'pointed' curv, and this should give us a clue more exactly from where it is - I think, if you can 'read' it. At the moment I cant, but who knows where research will take me. |
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#38 |
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Thanks Jens,my friend is an expert in his own right but prefers to be very low profile,thanks for your comments
many Thanks Rajesh |
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#39 |
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Rajesh,
Please tell me, if you hold the blade, and hid the side guards on wood, does it sound like a tuning fork? Jens |
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#40 | |
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Salaams Rajesh, It was inevitable I suppose... but here is the Fleur De Lis decorating an Indian weapon... or is it a split palmette? ![]() |
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