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#1 |
Member
Join Date: Aug 2014
Location: Germany
Posts: 525
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Hello,
this is my favourite pattern welded blade in my small collection. Recently won in an auction, polished and etched, it was a great surprise for me, to see such a detailed and skillfully forged blade. There is only one small open layer close to the hilt, the rest is perfectly forged. Normally i can recognize from the pattern, how the blade was forged but this case is a mystery for me. It was made from four or more different types of steel, from rough and pure iron too refined carbon steel and differential hardened (clay tempered). Length= 23" (58cm), blade only= 16", Weight=27,5 oz. (780 Gramm). I would be glad, to read some opinions or to see pictures of other examples. How old is the blade and is this a good or ordinary blade? Roland |
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#2 |
Vikingsword Staff
Join Date: Nov 2004
Posts: 6,287
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A similar pommel; 12 inch blade .
![]() I don't think there was clay tempering (for the hamon effect) involved in either example . More likely they used the iron(s) / steel(s) available at the time laid on each side of a core . |
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#3 |
Member
Join Date: Dec 2004
Location: Greenville, NC
Posts: 1,855
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Perhaps one of metals forging specialists could take the barong blade pics and explain what's going on in each of the differing shades of gray to near black. I think most of us would be interested in that type of analysis.
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#4 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,200
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What kind of etchant did you use?
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#5 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
Posts: 4,167
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Roland:
That appears to be a very aggressive etch that you have used. Would you describe how you did the etching and what materials you used? Understanding more about your technique might help explain what you found. Thanks. Ian. |
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#6 |
Vikingsword Staff
Join Date: Dec 2004
Location: The Aussie Bush
Posts: 4,167
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Roland:
It is not uncommon to see a marked etched pattern on barung. And I think Rick is correct when he says that the edge is actually an inserted piece of hardened steel between layers of softer steel/iron. I think Robert Cato, in his book Moro Swords, describes this method of pattern welding. Here is one of my barung that shows an active pattern similar to your example, with what appear to be several different metals making up the layers of the blade. Ian. |
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#7 | |
Member
Join Date: Feb 2006
Posts: 327
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#8 |
Member
Join Date: Aug 2014
Location: Germany
Posts: 525
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Hello,
my etchant is very mild. The strong contrast comes from the scanner. The pattern can be easily removed within a few minutes with sandpaper 1500 or 2000. If i would use a strong etchant, this would destroy the micro details. I use sodium persulfate (fine etch crystal) and a special technique, to bring out the finest details. It was a long way of experimenting. Compared to nital or nitric, sodium persulfate produce sharper details. 1: polish the surface up to a sandpaper grit of 3000. 2: etching with 20% Sodium persulfate (20Gramm (0.7 oz.)/ 100 mL distilled hot water) and a cotton ball until the result satisfy me 3: polish the surface again with sandpaper 5000 and 7000 or steel wool 000 + 0000 + Micro Mesh 8000 4: etching again with 7.5% Sodium persulfate (7.5 Gramm/ 100 mL distilled hot water (~50°C)) 5: polish the surface with Micro Mesh 8000 and 12000 to a mirror finish (in this case). The complete pattern is only visible under direct sunlight (the best way), halogen light or with the scanner. Try it out, you will be surprised. A nice side effect, Sodium persulfate is a very effectice rust remover. The color contrast is not so good, FeCl is better, but after some bad experiences i will never ever again use FeCl on antique steel because it creates a kind of moon surface full of pitting under the microscope even when used with low concentrations (~5%). Thanks for the pictures and comments. I also think, it is a three layers construction with hard steel in the middle, like japanese san mai. Kind regards Roland Last edited by Roland_M; 24th May 2015 at 12:59 PM. |
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