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#31 |
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It also looks like the concentric layers are visible in the uppermost part of above picture? In this case I agree with you Detlef - certainly looks like hippo tusk.
![]() ![]() The patina is delicious btw! ![]() - Thor |
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#32 | |
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![]() ![]() ![]() Regards, Detlef |
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#33 | |
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The blade, the dress and especially the hilt was really a feast to my eye! One note on the hippo hilt - it was not easy to find one over here, as (i) it is rare all right and (ii) it was used in traditional medicine and shamanism, so they were really sought-after by many. Actually, I've been told that all part of hippo would worth something in traditional medicine, so they never left anything behind... ![]() |
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#34 | |
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#35 |
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Here some fast taken close ups from the badik. It is dated in down from the scabbard (but don't know if it is from 1938 or 1838) and it has a inscription in the back of the scabbard (maybe someone is able to read it). Unfortunately I can't show the pamor better.
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#36 |
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No intention of giving it a good etch, Detlef?
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#37 | |
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not for the moment but maybe one day in the future. ![]() |
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#38 |
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Moshah, what you have is a badik most likely from Terengganu or perhaps Pahang. The badik Kelantan has a slightly different form blade and scabbard as does Pattani, which is different again. However, unlike badik from Sumatra and Riau, Northeast Peninsular badik do have a bolster or "mar" in local terminology and thus resemble the Sumatran sewar. I have not seen material like that used for your hilt but looks like s/t marine...possibly fossilized. I will ask around next time I'm up in Kelantan.
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#39 | ||
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Anyway I am still puzzled, how to ID this blade as a badik, not a sewar? Certainly I am not very much exposed to Badik Terengganu and Pahang, so pardon me, I guess it is kinda basic traits that I am missing here. Badik Pahang was even a greater mystery to me. But it is good that you've brought this out, since I can learn a lot from you, as you've been to and fro in the Kelantanese keris scene even before their kerises was well received and well known like today... Quote:
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#40 |
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As you will know from collecting for many years, identifying a piece is an inexact science that takes in a multitude of factors including form, materials and workmanship. That said, as a very general rule the blade of the badik Terengganu is usually somewhat shorter and less downward curving than the sewar. The tip also tends to be slightly more pointed. One must be somewhat cautious though as there are many more varieties of sewar and a great deal of difference within the varieites as well, so its often not an open and shut case. In your instance though I'm pretty certain.
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#41 |
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Dear Dave,
Yes I believe by handling many blades, one can develop a better understanding through the close observation that can not be revealed via books and research alone. Of course it takes a lot of time, and a lot of luck to handle such blades, as usually collectors would not easily let people see theirs. Terengganu styles are unique to themselves, isn't they? I was told that they would prefer a rather straight blades (as opposed to Kelantanese's curvatures). How true is this info, I don't know - open to discussion within this thread. Here are two Terengganu examples (which I won't vouch myself but I was told it is). Note the differences in the shapes of the sampir on the first example. But was it really a bona fide Terengganu styles, then? |
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#42 |
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I think this thread was very useful for all who are interested in weapons from Peninsula.
![]() Regards, Detlef |
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#43 |
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Well, I should have thanked you and the rest of forumnites for the extended help and informative views and comments...
It is also a delight to learn from Dave as he was at the heart of Malay keris & weaponry scene for such a long time (I was even in my secondary school back then!). He mingles with the right people - old folks of the northern peninsular whose rather die with their knowledge than talk about it. I'm sure it takes a lot of efforts before they would talk more freely and willingly. Too bad now that most of them were not with us anymore... BTW, Detlef, posted here were the pix of the hilt - white akar bahar. |
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#44 | |
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#45 |
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Thanks Detlef...
As Terengganu was basically a coastal country, it just make sense that the use of akar bahar are widely spread across it's region. Hence we have seen many akar bahar keris hilts in the "pipit teleng" or "anak ayam teleng" form - a hilt style associated with Terengganu's famous keris - the Keris Melela / Gelugor. But again it would be nice to learn whether the Terengganu folks of the old days were really using this material, or it was a newfound trend instead, as older akar bahar hilts were hard to come by, even when the newer version was not that plenty... However the link of Malay old folks beliefs and the akar bahar otherworldly myths was a good link on the practicality of its place as a hilt material of choice back then, as compared to the classic wooden hilts and ivories. To me, as much as I loved abstract art, every akar bahar hilt was a surprise, a tell-tale pattern on styles that would never be the same, one after another. ![]() |
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#46 |
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Hi guys,
I still puzzled by these two things; 1. the markings at the bolster of this badik - is that what the N.Malaysian people called as a "gat" - a talismanic symbol that usually found on their badiks? 2. The edge of this badik seems to have different, emm, "shades". If the true besi baja would be on the edge (which is the must in every case of badik and keris, I guess), then what kind of besi is in the upper part? As Kai have pointed out, it would be made of besi malela, which is basically a besi baja by itself, then did it not supposed to display the same gradient all over the blade? You can see also that as the edge nearing the tip of the blade, the besi baja goes "berserk" i.e instead of the normal pitting of the besi baja, the structure goes hair-style upwards to the tip. Again, I am totally puzzled as of how it would have happened... ![]() |
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#47 | ||
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Hello Moshah,
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Regards, Kai |
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#48 | |
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Hello Moshah,
Thanks for the additional pics! It looks like the akar bahar got stabilized and a few cavities patched up? (Was quartz sand used as a filler?) Quote:
The ideosyncracies of this organic material surely call for a very talented carver to make most out of each given piece! Regards, Kai |
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#49 | ||
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Hi Kai,
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Thanks for the input, Kai. |
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#50 | ||
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Perhaps Dave Henkel would hint us on the use of akar bahar of the N.Malaysian old world. Meanwhile, I posted a pix of a suspected aging akar bahar's badik hilt... Regards, Moshah |
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#51 | |
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#52 |
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Yup, really neat Terengganu piece, Moshah!
BTW, how old do you estimate the silverwork over the bolster and base of blade to be? Regards, Kai |
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#53 | |
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Did it not that your nice akar bahar rentjong hilt that was in a thread you've posted recently, was an antique too? |
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#54 | |
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Since you've asked, I don't think it was that old. The silver was rather thick, though. See few added pix and tell me whether you see it differently or not ... ![]() On the other hand, my greatest worry is that the bolster and upper part of the badik would have been damaged beforehand, and this silver adornment was a repair idea... ![]() I can not fathom that it was a special commission, which if it ever was, maybe Dave Henkel could throw in a few insights on it. Perhaps he has seen some other similar examples back then in N.Malaysia. Regards, Moshah |
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#55 | |||
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Hello Moshah,
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Regards, Kai |
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#56 |
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Regarding the siver covered bolster...I have seen similar examples though rare enough, but whether it was to cover up a forging flaw or simply embellishment is a matter of speculation.
![]() Also, I wanted to post another example of bahar putih...this on a very small (14cm blade, 21cm OAL) badik Terengganu in my collection. |
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#57 |
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What a lovely hilt!
![]() It looks like you have a whitish-black akar bahar there; something I've never seen before! This is why to my recollection I've seen how akar bahar was utilized mainly by Terengganu craftsmen, and I've seen only very few examples on either Kelantan or Pattani pieces. However, I still did not know whether it is a special commissioned, used for status pieces or simply commissioned whenever it is available. And it is not usually available, though... On the silver bolster, it just came up to me that if anyone want to cover such flaw, the use of lower grade material or simply a reforge might do the job. Or ordering a brand new badik might be even cheaper back then. Furthermore, the pandais of those days would not simply sell their flaw finished products for their own pride; they rather scrap it off and remake another by using the same material...IMHO. To pair it with Kai's theory, I think that makes much of the sense, as the part that was susceptible to damage would be the edge and the tip, instead of the sturdy and thick bolster. However I am not rejecting the theory that the badik might be damaged at certain point of time on his life and ended up being embellished with silver on the hand of dealers...perhaps on not so distant an age from today. Anyway Dave, did the one you've seen with the silver embellishment was a fairly bad or average piece? Last edited by Moshah; 2nd March 2013 at 02:10 PM. |
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#58 |
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Oh no, its a very nice one...allegedly the property of a member of the Terengganu Royal Family...with a bahar hilt and a very unusual, double edged, pamor blade
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#59 | |
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In the Terengganu state museum, there is an almost similar example of the embellishment practice, where the subject was labeled as "sewar" though, but with a golden embellishment. Pix courtesy of Jentayu, if I am not mistaken (sorry if I did.. ![]() Back to the badik in question, it seems to me that the silver bolster was made to fit the hilt base, as it was adequately fit. However it is not fixed. Is it normal to have a badik hilt fixed to the tang, or could it be like kerises hilt, where one can remove anytime, anywhere? |
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