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#12 | |
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Join Date: Jan 2006
Posts: 936
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Thanks to all for the nice comments! I am glad you enjoyed the pictures. Wepnz, I do have pictures of the description plaques, but did not want to post them for several reasons: 1) not to 'overload' some computers:-); 2) the museum descriptions can not be as accurate as one might think. For example, a spectacular Kilij in the British Museum is labeled as "Yataghan" :-) (see my earlier post with British Museum pictures). As Ward and Jens just mentioned in the other posts - the good books are the best references, in addition to one's own research and studies. This is profusely true! I think that all weapons in this collection can be considered as Islamic, and Indo-Persian for sure. The 'umbrella' gold inlay is the Royal Mughal emblem. You correctly noticed "non-perfectness" of some stone settings, and this brings up a good point - why a royal-quality weapon would have a crude feature like this? I think the 'mentality' of the old masters was quite different, and what we consider crude now could have been a sign of hand-made quality and beauty of 'non-perfection'. I recently saw a Kremlin exhibit of Ottoman and Persian gifts to the Tsar in the Freer Collection, and the most prized weapons of the 16-18th Century Russian Court had the same "crudely set' stones, and even worst:-). I am sure these masters could have set them up in the perfect geometrical order, but they did not. I think there is a reason behind it. |
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