16th September 2008, 10:04 PM | #1 |
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A hand cannon ... or not ?
This piece was already posted in the Ethnographic Forum.
Several opinnions were given, as to this would be a signal cannon, a hand cannon, or nothing of the kind. We have settled in the hand cannon version, but not without prevailing doubts. 16th century was the age proposed by the seller, a non specialized guy, trading in a flea market. He also said it is Portuguese ... at least he acquired it in Portugal. I would like to take the oportunity of having in this Forum persons who are within or close to this area, to request some further coments on this specimen, as well as its hand cannon plausibility. The exterior diameter is 7 cms., the length 18 cms. The bore is about 4cms. at the muzzle and about 3,3 cms. at the bottom. It weighs 3,4 kgs. The tube interior is sleeved. At the stage that i was (nearly) sure this is indeed a hand cannon, i had a stock (pole, haft ?) made, to pretend how the thing would be "on the field". Thanks in advance. Fernando |
16th September 2008, 11:53 PM | #2 |
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Good question. Given the bore to tube wall thickness, I (who have taken a chance or two ) would be pretty darn hesitant to fire that thing with a good charge of powder. Then again, I think that it would have been shot with shot rather than a single massive projectile.
OTOH, noisemakers typically have a little lip to hold a priming charge when they are upright. What would you like it to be? I think that it is well mounted and certainly could be used as a weapon. It certainly looks the part. This really illustrates a core problem with our hobby. In the years, say, from 1400 to 1600 how many weapons and elements of armor were produced? Think of all of the wars. Millions? Tens of millions? OK. How many exist? 1% of the total made, less? Therefore the argument for dismissing an object's authenticity is based on a sample of (presumed) real pieces that is in absolutely no way representative of anything other than itself. That said, one has to be very careful in saying "I never saw one with (or without) thus and such". I have no doubt that your piece is old, I have no doubt that it could be lethal. Though it's construction looks iffy to a man who shoots a modern S&W handgun, that is a relatively meaningless observation. I think the correct answer to your question is that there is really no compelling evidence that it is anything other than what it purports to be. Enjoy. BTW ... I'd gladly put it in my own collection, for what that is worth. Last edited by Ed; 17th September 2008 at 03:34 AM. |
17th September 2008, 12:00 AM | #3 |
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These thingies sometimes were simply placed within a hole in the ground and fired like mortars...
Best M |
17th September 2008, 12:37 AM | #4 |
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Thank you so much Ed, for the excelent observations. I must say i am very pleased with your precious input.
Yes, the absence of a lip on the fire hole also drove me to realize this piece wasn't a signal mortar or some sort of upright thunder mug ... together with the fact that it doesn't widen at the basis. So a shooter (hand canon) it will be, given that no compelling evidence proves otherwise . Thanks again Fernando |
17th September 2008, 12:43 AM | #5 | |
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Quote:
Which ones ... mine or Ed's ? Fernando |
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17th September 2008, 12:50 AM | #6 |
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I got to thinking and remembered that massive wall thickness is not always a sign of authenticity.
With a relatively slow burning powder and a relatively light (stone) ball it is rather amazing how thin barrel walls can be. Of course, Megs powder chamber was rather thick. Hey ... why not get some liquid latex and make a casting of the inside? |
17th September 2008, 01:48 AM | #7 |
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Well, you had them for all tastes
. |
17th September 2008, 01:59 AM | #8 |
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That the Artillery Museum?
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17th September 2008, 02:11 AM | #9 | |
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Quote:
Fernando, as you already know I have always seen your cannon as a weapon ...it certainly looks the part fixed to the stock ...but there again ...some 'weapons' I have bought turned out to be gardening implements ...so what do I know Kind Regards David |
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17th September 2008, 02:33 AM | #10 | |
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Museu. |
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17th September 2008, 02:41 AM | #11 | |
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Hi David,
Quote:
All the best Fernando Last edited by fernando; 17th September 2008 at 02:21 PM. |
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17th September 2008, 03:28 AM | #12 | |
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Also... Tom Hoving (ex director of the Met in NY) made the point that one is well served to buy a collection of postcards from museums that you visit since they 1) are probably the best pieces and 2) are photographed better than you could hope to yourself. RE: Latex. You can get a 2 part kit where you mix the gook together and then you can coat whatever it is. In the case of a barrel, I'd swsh around some oil in it first and then build up a few coats inside. It you don't make a plug you should be able to ease it out. |
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17th September 2008, 07:59 PM | #13 |
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High-Gothic hand cannon, ca. 1380
Hi, fernando,
Your barrel is definitely datable to ca. 1380-1400 and may well be of Portuguese origin. The stock and bands are modern reconstructions but convey a good impression of what the piece might have looked like more than 600 years ago. Several barrels of similiar shape and dimensions were dug out from the battleground of Aljubarrota; the battle took place in 1385. The attached image is from Prestige de l'armurerie potugaise. La part de Liege. Musee d'Arms de Liege, exposition catalog 1991, p.42. Unfortunately, this photo shows two originally separate small barrels, one round and made from wound band iron (the older) and the other (the later one) octagonal, obviously foolishly hammered into each other for some reason at some later time. So just concentrate on the left barrel, the round one, and you will see the close relationship to your piece. I also enclose two images of a very similar barrel from Aljubarrota in my collection; it is of almost identical statistics as yours. It is made of wound band iron and fire-welded, just as those found in Aljubarrota, and may be as early as ca. 1360. There is a maker's mark, an arrow head, deeply struck in front of the touch hole which indicates that this workshop was traditionally associated with manufacturing heads for crossbow bolts and arrows. The catalog text given below also mentions a mark in front of the touch hole. If you are a bit into earliest firearms you might like to view my other postings. Have fun with your piece. Matchlock |
18th September 2008, 01:51 AM | #14 |
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Hi Matchlock,
I am eternely grateful for the outstanding information you have provided. Now i can sleep in peace ... and even have nice dreams, once the age of this piece is even earlier that i was told in the first place. I don't have the presumption to be acquainted with early fire (or white) arms more than in a residual level, but i can assimilate all that you have said, as also what is written in the French article. I was aware that in Aljubarrota battle, firearms were (already or firstly) used, although with an impact more psichologic than efective, i would guess. In fact and as it is divulged, crossbows were massively used there and plaid a major role. This was the greatest example for those who consider that crossbows were the weapon "responsible" for the maintainance of Portugal as an independent nation, during a significant period. I have read your threads on harquebuses as you posted them. They made me go and review some pages i knew i had on these weapons, namely a book offered by a Portuguese bank, in a limited edition. There are a couple interesting pictures of matchlocks there that i could post here, but then i thaught twice and considered you must already know them, and many, many more. Once again thank you so much for the material you have posted here. I was so pleased to see pictures of your example; it does look like the "next of keen" to mine. I would not be surprised that my piece was also dug in São Jorge (where actually the battle took place, couple miles from Aljubarrota), as i am aware that the seller has acquired it 60 miles away from such place. Kind regards Fernando Clicking in the English version, there is a box titled "the battle in one minute" ... nothing much, just for the fun. http://www.fundacao-aljubarrota.pt/ |
18th September 2008, 12:53 PM | #15 |
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I'm sorry I can't add much to this thread, but, nonetheless, wanted to say I just love how the stock and the mounting turned up for this piece. I really like it
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18th September 2008, 03:21 PM | #16 | ||
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Hi Ed,
Quote:
Quote:
Assuming you already visited this Museum, but might have forgotten most of its contents, i attach here a view scanned from the book, showing one of the four angles of the artillery patio, where they claim to have the greatest bronze cannon collection. Fernando Last edited by fernando; 18th September 2008 at 09:23 PM. Reason: spell |
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18th September 2008, 03:48 PM | #17 |
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Matchlocks - book by a Portuguese bank
Hi fernando,
I am so glad that you appreciated my lines on your fine and early 'hand gonne' (the historic term) barrel from Aljubarrota, and thanks for providing us with the additional information. You also mentioned a book given away by a Portuguese bank and containing illustrations of matchlocks. Unfortunately I do not have that in my - otherwise quite comprehensive - library. So if you could please be so nice and post those images, and also the bibliographical data of that book, I would be much obliged to you. To sort of back up my opinion that barrels which are wound up of band iron and then fire welded rang among the earliest of their kind, I enclose an image of a massive cannon barrel of ca. 1350, made exactly that way. It is in the Musee de l'Armee in Paris and is about 1,80 meters in length, with the fore end of the muzzle gone. I put my bag next to it for statistic comparison. Now if you look at my little Aljubarrota barrel of about the same date you will see the strikingly close relationship in both shape and make. Looking forward to receiving more information, and lots of thanks in advance, Matchlock |
18th September 2008, 03:55 PM | #18 |
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Mid-14th century barrels wound up of band iron
Oops, fernando,
Here are the correct images to my former posting: barrels in the Musee de l'Armee Paris and in my colletion. Have fun, Matchlock |
18th September 2008, 06:11 PM | #19 |
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I must say that I am learning alot about firearms / cannons, thank you.
I am very pleased for Fernando that he has, now, the evidence that helps validate his 'cannon' ....good work Matchlock Regards David |
18th September 2008, 07:11 PM | #20 |
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Hi Matchlock,
After all, it's quite a few pictures in total, whether you already know some or all of them ... as well as the other friendly forumites. In order not to invade the thread with the size of so many images, i will only post photobucket links, with the pictures in a medium format, with some of them pasted in couples, and with legends in roughly translated English. In case you are interested in filing some of them, i still keep the scans in large format, to be able to email them directly to you ... or anyone interested, of course. The book is not propperly an armoury work. It is called OITO SÉCULOS DE CAÇA EM PORTUGAL ( Eight centuries of hunting in Portugal), by Miguel Sanches de Baêna and João Maria Bravo, with a comprehensive evolution on weaponry (not only for hunting), including a section on primitive firearms. It was a courtesy of bank BPI (Banco Português de Investimentos), an exclusive edition of 3500 copies. ISBN 972-8076-35-5 printed in 1998. As a bank courtesy should be, it's a "de luxe" graphic work. Last edited by fernando; 14th August 2022 at 03:56 PM. |
18th September 2008, 07:38 PM | #21 |
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Great thread!
I bet you are chuffed with this outcome Fernando? The icing on the cake for your hard work and faith that this was indeed a weapon. David, I bet you're as relieved as I am that we didn't encourage Fernando to weaponise an off-cut of scaffolding pole? ;-) Regards Gene |
18th September 2008, 07:42 PM | #22 | |
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Hi Marc
Quote:
I had seen some "hand gonne" pictures and also a "live" replica in the Military Museum. From there i decided to develop a setup that, besides being plausible, could be made by the carpenter and fitter from the neighbourwood, with my "supervising" presence, and later my own touch ups and finishing. The price i paid was peanuts ... no restoring specialists involved. ... And i see that the result achieved is quite satisfactory . Un saludo Fernando Last edited by fernando; 18th September 2008 at 09:35 PM. Reason: spell |
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18th September 2008, 07:46 PM | #23 | |
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Regards David |
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18th September 2008, 07:50 PM | #24 | |
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Fernando |
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18th September 2008, 07:53 PM | #25 | ||
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Quote:
Quote:
Fernando |
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18th September 2008, 07:53 PM | #26 |
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Thank you so much for sharing those historical documents, Fernando!
I knew most of them as they have been widely published in different books but am especially interested in receiving a high-resolution scan of the one attached below, which is part of a series of watercolor cardboards depicting scenes from the Tunis War in 1535. As was the case with the drawings of scenes from the Batte of Pavia a decade earlier, there was a series of Brussels tapestries made based on these live drawings. I am an awful computer layman and do not know how to send a private message to members. This is why I am asking you to send one to me. I am planning post more of the Tunis Battle later on. Again, thank you! Matchlock |
18th September 2008, 08:12 PM | #27 | |
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Fernando |
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18th September 2008, 08:48 PM | #28 | |
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Regards Gene |
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18th September 2008, 09:08 PM | #29 | |
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But then i tell you that a guy out there, an assumed expert in the area, whom i once queried on this piece, has opined that, as far as he was concerned, this could be anything at all ... even a bearing for a shaft . I really had (have) to adopt a persisting posture, not to get disencouraged with such type of expertize. Fernando Last edited by fernando; 18th September 2008 at 09:18 PM. |
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18th September 2008, 11:47 PM | #30 |
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Thank you so much for the private message, Fernando, and the superb high-resolution images attached.
They are extremely helpful! Best regards, Matchlock |
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