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|  11th June 2017, 10:01 PM | #1 | 
| Member Join Date: Jun 2017 
					Posts: 127
				 |  Personal observation based on availability for sale 
			
			My personal own observation based on availability of old antique Moro krises for sale or on auction, is that Maranao is the most common, followed by Maguidanao and then Sulu. Do you guys have similar observations?
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|  11th June 2017, 11:01 PM | #2 | |
| Keris forum moderator Join Date: Aug 2006 Location: Nova Scotia 
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|  12th June 2017, 01:56 AM | #3 | 
| EAAF Staff Join Date: Dec 2004 Location: Louisville, KY 
					Posts: 7,342
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			I agree with David.  In fact, there are many other examples in people's collections  that are not even seen or accounted for.  So no one knows for sure.
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|  12th June 2017, 03:31 AM | #4 | |
| Vikingsword Staff Join Date: Dec 2004 Location: The Aussie Bush 
					Posts: 4,515
				 |   Quote: 
 The kris from the Sulu Archipelago are likely to be under represented because of a relative lack of contact and trade between U.S. and other Western groups with the Sulu Moros compared with the Moro groups based on Mindanao. In particular, US servicemen and others were interacting with relatively friendly Moro groups on Mindanao (notably those Maguindanao controlled by Datu Piang around Reina Regente) in the early 1900s, and Col. Pershing established reasonable relations with Maranao groups of the Lake Lanao region following some punitive expeditions in the early 1900s. The Moro groups of the smaller Sulu Archipelago islands were more troublesome and led to several major armed conflicts, with many ongoing skirmishes. While some weapons were confiscated in these conflicts, the opportunity to obtain Sulu kris via trade or barter was less than among the Mindanao groups. What we do see online are more barung than kris coming from the Sulu areas, and this may have reflected a preference by the Sulu groups for the barung, but, again, such observations need to be interpreted cautiously. It's an interesting question you raise but one that cannot be answered with any confidence based on the relative numbers of weapons showing up online. Ian. | |
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|  12th June 2017, 08:48 PM | #5 | 
| Member Join Date: Jun 2017 
					Posts: 127
				 |  New kris sheath made in Malaysia 
			
			For comparison, I also enclose pictures of a new kris sheath that I comissioned in Malaysia about 10 years ago.
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|  13th June 2017, 06:05 PM | #6 | 
| Vikingsword Staff Join Date: Dec 2004 Location: The Aussie Bush 
					Posts: 4,515
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			Alexish: These pics are too small to make out any of the details. Can you post them again in larger format. Perhaps a new thread might be appropriate for that discussion. Ian. | 
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|  14th June 2017, 01:15 AM | #7 | 
| Member Join Date: Jun 2017 
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				 |  Bigger images 
			
			I hereby enclose bigger images of the kris sheath.
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|  14th June 2017, 03:49 PM | #8 | 
| EAAF Staff Join Date: Dec 2004 Location: Louisville, KY 
					Posts: 7,342
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			To me the blade looks older (late 19th - early 20th century?) than everything else.
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|  14th June 2017, 03:54 PM | #9 | 
| Member Join Date: Aug 2007 Location: Germany, Dortmund 
					Posts: 9,409
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			Agree with Jose, old/antique blade with recent fittings.
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|  14th June 2017, 04:13 PM | #10 | |
| Keris forum moderator Join Date: Aug 2006 Location: Nova Scotia 
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|  14th June 2017, 04:35 PM | #11 | |
| Member Join Date: Aug 2007 Location: Germany, Dortmund 
					Posts: 9,409
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 yes, you are correct! Look like Adnis pictures!  The fittings don't look like old Moro work, sorry.  Regards, Detlef | |
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|  14th June 2017, 09:15 PM | #12 | |
| Vikingsword Staff Join Date: Dec 2004 Location: The Aussie Bush 
					Posts: 4,515
				 |   Quote: 
 In response to your questions, I think we can say: NO--this does not look like authentic Moro work, andMy main concerns are that these pieces tend to be overly embellished and the proportions of various features are different, thereby losing touch with much of the form and simplicity of the original designs and missing the mark. These interpretations are obviously based on the originals that alexish has shown, but they are artists' interpretations from outside the culture and suffer accordingly. Again, these are well carved and one can admire the skill in their crafting. Ian. Ian | |
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