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#1 | |
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Join Date: Jul 2015
Posts: 373
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If I wanted to fight I would join the military. I'm interested in civil discussion, and in the opinions of experienced collectors. That doesn't mean I will believe everything I am told. This is especially true for items I own, that I can pick up, turn over and examine with magnification. Harry |
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#2 |
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Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,087
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Do the scabbards have a wooden core or are they hollow? If they do have a wooden core would you mind taking a picture of it.
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#3 | |
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Join Date: Jul 2015
Posts: 373
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#4 |
EAAF Staff
Join Date: Dec 2004
Location: Louisville, KY
Posts: 7,310
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Thank you folks for correcting me.
It would seem that there are perhaps two different periods for the Indian modern work....... And I agree......let's keep this civil - thank you. ![]() |
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#5 | |
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Join Date: Jul 2015
Posts: 373
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My apologies if I have offended. |
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#6 | |
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#7 |
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Join Date: Oct 2007
Posts: 2,818
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Harry,
Bidri work involves the carving/chiseling of surfaces as does Zar Buland. My understanding is the Bidri applications are finished flush with the surface of the object and the Zar Buland is raised well above the surface. Edit note, Koftgari is something again just so there is no confusion. Indian Art in Delhi, 1903 by George Watt explains the many different varieties of each. Gavin Last edited by Gavin Nugent; 16th October 2015 at 11:27 AM. |
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#8 | |
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Join Date: Dec 2004
Location: Greensboro, NC
Posts: 1,087
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#9 | |
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Join Date: Aug 2007
Location: Germany, Dortmund
Posts: 9,272
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I think you understand me wrong. I don't want to suggest a fight but a discussion. When you are certain with your opinion show why. I don't want to attack you with my post. But when I am positive about something I try to explain why. Best regards, Detlef |
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