![]() |
|
|
|
|
#1 |
|
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,825
|
Well noted Trajan...these are of course aesthetically beautiful pieces.
However, as we have tried to convince museums and much of the public at large, these weapons are often far more than simply just that, but often imbued deeply with cultural significance and history. Jens is probably one of the most notable scholars on these Indian arms I have ever known, and has spent much of his lifetime researching these kinds of details and bringing their history into a wonderful dimension of their own reflecting their place in that perspective. Imagine a museum or collection of art works and sculptures with pieces displayed without notation. To admire a wonderful work and when wondering who it was by, and when, and to be told it doesn't matter, its just a beautiful piece. Art collectors, dealers, and museums typically work toward not only labeling, classifying and recording their holdings, and to their credit usually try to effect accuracy. The values of items, especially antiques, depend virtually entirely on authenticity, history, condition and accurate descriptions, otherwise people would just buy reproductions which look just as beautiful. I hope you can see what I mean, and I do appreciate what you are saying. While many collectors are indeed more attuned to the aesthetics and appearance, the larger number (particularly here as seen in the context of discussions) are concerned with a degree of detail. I guess as an amateur historian I get passionate about that so please pardon my exuberance. All best regards, Jim |
|
|
|
|
|
#2 |
|
Member
Join Date: Dec 2004
Location: Bay Area
Posts: 1,755
|
If each post needs to be accompanied by thorough academic research on the piece, I for one would feel extremely discouraged to participate here.
Teodor |
|
|
|
|
|
#3 | |
|
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,825
|
Quote:
|
|
|
|
|
|
|
#4 | |
|
Member
Join Date: Dec 2004
Location: Bay Area
Posts: 1,755
|
Quote:
I appreciate the effort you have put in sharing your knowledge with the rest of us in this forum. It is safe to say, this place would not be what it is without you. The standard you have set is very high and hard to match for many of us. I am sure all members here want to know as much as possible about their collections: otherwise they would not have registered in the first place. Unfortunately, sometimes we just do not have anything we can add to a thread that has not been posted before in terms of information, but we may have an example that somewhat fits the thread and I personally do not see anything wrong with posting additional examples, even if they are not accompanied by additional information. I hope this all makes sense. Regards, Teodor |
|
|
|
|
|
|
#5 |
|
Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 10,825
|
Thank you Teodor, but I do not mean to imply my standards should be followed by everyone. Though I admit to being a very serious student of arms, for me it is about learning, and the text I write is typically the result of the research I do. It is how I learn, and I enjoy sharing what I find...by the same token, often I have misconstrued or misunderstood a thing and I look forward to the corrections..again learning...as I learn from the responses as well.
Without dialogue or words, there can be no interchange or result is what I am trying to say. Simply sharing pictures is fun, but not necessarily helpful to those of us hoping to develop an understanding of the arms being shared. Even a few words with a picture offers a sense of courtesy even if not particularly detailed. In many years even before computers, when someone asked for illustrations or copies of something, I would not send them these things simply stuffed in an envelope, but would add a note or few words concerning the subject. It is well known that in these 'modern' times, we are losing conversational skills and basic courtesies in interaction with the impersonalities of texts etc. I guess I just am old fashioned and miss that touch. |
|
|
|
|
|
#6 |
|
Member
Join Date: Oct 2005
Posts: 68
|
Jens,
bohmans picture some items in groups---auction lots 93, 94, and 95 are in that picture with the kutch exaample being 94 and the one i pictured. thank you for your information--i appreciated it ![]() Jim: Imagine a museum or collection of art works and sculptures with pieces displayed without notation. To admire a wonderful work and when wondering who it was by, and when, and to be told it doesn't matter, its just a beautiful piece. Art collectors, dealers, and museums typically work toward not only labeling, classifying and recording their holdings, and to their credit usually try to effect accuracy. i dont have to imagine that at all....my area of expertise is late 1st century roman sestertii--if you ever get to the museo national in Rome--you will find just that--a whole room of busts in a famous museum with no labels or anything just beauty..a scholar like i will be able to identify them.... but the average visitor will see only beauty. |
|
|
|
|
|
#7 |
|
Member
Join Date: Oct 2005
Posts: 68
|
but i do understand your point.
and as to the value of a simple picture --well it started this discussion on a thread that had languished since march...and now jens has shared enlightening information on this type of katar.
|
|
|
|
![]() |
| Thread Tools | Search this Thread |
| Display Modes | |
|
|