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Old 24th June 2021, 07:05 PM   #26
Jim McDougall
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Join Date: Dec 2004
Location: Route 66
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Originally Posted by A. G. Maisey View Post
Yes Kubur, you're absolutely correct, this sword was produced in Jawa, and Javanese society and culture is very symbolic in nature, but this particular sword was not produced in accordance with Javanese guidelines, it was produced, or rather dressed, for a European client, this dress is colonial dress, not the type of dress that would have been on the blade originally.

I do not think the faces have no purpose, but that purpose was not related to any Javanese symbolism, it is most likely related to the employer of the man who would have worn this sword, in other words, his "Lord", probably on occasion addressed as "Sinuhun", and perhaps a little bit mockingly.

A powerful European master, and clearly a benevolent one, indicated by his broad smile, would have some protective value and would be a constant reminder to the wearer of who paid his wages and provided for his family.
An absolutely wonderful explanation and well supported by noting that the style of dress in not being consistent with typical Javanese weapons of this type.

Here I would note that theology, religion and metaphysical symbolism is not very well supported by 'empirical evidence'. This is one reason why the study and explanation of weapons decoration and motif has long been excluded in academic material.

The only proven 'facts' are the comparison of similar motif or symbols occurring on numerous examples, and often the provenance (if supported) and preponderance of occurrence in certain regions or context.

As I mentioned, I have long been fascinated by symbolisms in arms and armor motif, elements and markings, so I agree in being a bit reticent in accepting that a strategically placed element or figure is simply randomly chosen.

As well noted here by Mr. Maisey, just as in art, there is a degree of character in the choice of demeanor or presentation of elements in the motif on a weapon. One cannot look at many of the figures in European blade markings without seeing them as 'cartoonish' (many man in the moon, and other Tarot style cosmological figures).
Just as Ian earlier suggested, and clearly well placed as confirmed by Mr. Maisey, the European figure with the ruffled surround seemed profoundly European.

I would like to thank everybody here for the excellent discussion, which has brought this weapon I have had for many years, and from Mr. Maisey, into wonderful new perspective and appreciation.
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