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Old 29th January 2009, 05:07 AM   #1
ganjawulung
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Default SUMATRAN hilt? Or?

Dear All,

I am still confused of this hilt. Is it Sumatran hilt? Or, somewhere else? I hope I would get more information on it from you... The hilt size is bigger than Yogyanese hilt, but smaller than Balinese (pls see the picture, for comparison).

GANJAWULUNG
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Old 29th January 2009, 06:11 AM   #2
Marcokeris
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Congraturation Ganja!!
A nice, unique piece.
IMO is not from Sumatra but it comes from Madura area (floral style)
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Old 29th January 2009, 10:54 AM   #3
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Hi Ganja,

Look bit like...



I dont know were its from..but the keris wears a yogja wranka.

regards Michel
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Old 29th January 2009, 02:47 PM   #4
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The hilt resembles this one which I was told was from North Jawa .
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Old 29th January 2009, 04:30 PM   #5
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Hello Ganja,
I also think that this hilt is from Madura or North-East Java. I also can show some examples. But this one is very nice and unique.
Regards,
Detlef
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Old 30th January 2009, 03:49 AM   #6
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All these hilts share the same general shape .......
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Old 30th January 2009, 04:18 AM   #7
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Quote:
Originally Posted by Marcokeris
IMO is not from Sumatra but it comes from Madura area (floral style)
At first I thought like you, Marco. But then, confused myself when I notice the 'different' style of the ornaments. Visually different with most maduran ornament...
Quote:
Originally Posted by kulbuntet
I dont know were its from..but the keris wears a yogja wranka.
Yours is Maduran style, as Marco mentioned, Michel...
Quote:
Originally Posted by Rick
The hilt resembles this one which I was told was from North Jawa .
Rick, (and also Detlef), thank you for the respond... I have an example too, old northern-coast Java keris hilt (pls see picture). But with rather different ornament with the ivory one...

GANJAWULUNG
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Last edited by ganjawulung; 30th January 2009 at 07:47 AM. Reason: Mispelled name
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Old 30th January 2009, 02:44 PM   #8
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I agree with Ganja, the floral motifs on this hilt are markedly different from all the other Madurese examples presented. What is even more a difference though is the presence of the animals represented on this hilt, the stag and the tiger. The other hilts are abstractions while this one is very representational. I'm not so sure it is from Madura either.
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Old 30th January 2009, 04:15 PM   #9
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Question One Thing In Common

I wonder if in this case we should be looking at the shape rather than the carving .

They all have a N.Coast shape IMO ..

Madura interpretation of N.Coast work ???
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Old 30th January 2009, 10:33 PM   #10
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Imo the pattern in the nice ivory Ganja hit are very similar to the pattern of islamic (iranian ) carpet where there are hunters on horses and animals like deers, tigers, lions in a garden full of nice trees and flower: Italian name for this carpet is "tappeto da caccia" (hunter carpet). English name:
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Old 1st February 2009, 04:32 AM   #11
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Default WADASAN motifs

Quote:
Originally Posted by Rick
I wonder if in this case we should be looking at the shape rather than the carving .

They all have a N.Coast shape IMO ..

Madura interpretation of N.Coast work ???
Dear All,
I tend to agree with Rick. North Coast of Jawa. Maybe good too, if we compare the motifs of the lower-part of the ivory hilt (the base of the floral motifs) with "cirebonese motifs" (North Coast motifs) in Keraton Kasepuhan, Cirebon.

Pictures below, show you how the "wadasan" motifs (wadas = rock, but meant for the form of the sky above --- maybe 'cielo' in Spanish) at the upper-part of the white wall gate of Kasepuhan, look similar to the form of the (supposed to be) wadasan motifs in the lower-part of the hilt.

Wadasan is the main motifs, the specific characteristic of Cirebonese motifs until now. Derived from their philosophical symbol of 'sky' (probably: rock form of heaven in the sky...) they always used since their oldest Castle of Pakungwati in Keraton Kasepuhan (Cirebon old palace), built by Rakean Walangsungsang (fugitive son of famous Western Jawa Hindhu King, Siliwangi of Pajajaran) in the year of 1452 (15th century). Walangsungsang, and his younger sister Rara Santang fled from Hindhu Pajajaran, because they had turned to Islam religion. Walangsungsang then became Panembahan Cakrabuana, the first king of Pakungwati, Cirebon.

The Cirebonese motifs then turned to more abstract motifs, after the Islamic king of Sunan Gunung Jati or Syarif Hidayatullah. Gunung Jati, of Syarif Hidayatullah was the son of Rara Santang (younger sister of Walangsungsang) after married to a Middle-east nobleman -- when they went for Haj in Mekkah..

It is worth to see too, the other pictures below, picturing how "wadasan motifs" also influenced their keris culture. An old Cirebonese keris sheath, with "wadasan" motifs at the upper part of the gandar. Also, other variants of "wadasan motifs" in a Cirebon pedang handle...

Anyway, thank you David, Rick, Marco, Alamshah and Erik for your kind respond. Thanks...

GANJAWULUNG
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Last edited by ganjawulung; 1st February 2009 at 05:05 AM.
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