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22nd December 2022, 07:21 AM | #1 |
Member
Join Date: Mar 2018
Posts: 463
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Keris identification
Hi All
Let us play a game to identify the possible original sources of making for this modern made keris, from dress to bilah. There is a purpose for this game and I will share it later. Identification mainly on: Bilah source Warangka source Painting source Pendok source |
23rd December 2022, 03:45 AM | #2 |
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Location: Kuala Lumpur
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What I know is that the components can be sourced throughout out Indonesia. Except the blade. Blade is very most likely Madura. Common sources IMHO:
Blade - Madura Sheath - Can be anywhere, but probably Lombok. Timoho from Lombok is spread everywhere in Java. Many Jogja craftsmen have them. Pendok/silverworks - probably Lombok or Jogja Sunggingan - Maybe Bali, Solo, Jakarta There are thousands of craftsmen throughout Indonesia. From the lowest quality to the best. The best usually work only for a few paymasters. Even dealers do not know all craftsmen. Even in Solo some craftsmen are unknown to some dealers. But I could be wrong though. Last edited by rasdan; 23rd December 2022 at 03:58 AM. |
23rd December 2022, 04:34 AM | #3 |
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Join Date: Nov 2004
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I agree with the take Ras has on this piece.
So many possible sources for the different parts of this keris ensemble. One element from here, one element from there. It's all new work. And..? |
23rd December 2022, 04:35 AM | #4 | |
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Quote:
You are right in many aspects in your reply. Let wait for more members to guess before I give out the final answers. |
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23rd December 2022, 11:50 AM | #5 |
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Location: Sydney, Australia
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Blade is Madura. I think I know which pande made it.
No idea on the others. |
23rd December 2022, 07:17 PM | #6 |
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Location: Nova Scotia
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I agree that these days the origin of the parts of such a keris can be gathered from numerous sources. I could guess and say, yeah, the blade is probably from Madura, the sunggungan looks Javanese to me, etc., but the problem here is that for newly made keris, as we move more and more forward in time, the separations of cultures seems to become more and ore generic. Certainly this keris is intended to represent Balinese form and aesthetic, the the crafts people who make all these parts are no longer restricted to their own corner off the archipelago. What you have here is a nice modern art keris that could have been assembled from parts created in a number of different places.
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24th December 2022, 01:23 AM | #7 | |
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