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4th November 2008, 06:04 PM
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#1 |
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(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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Gothic crossbows in gemeral historic documents
The first a fine crossbowman's pavise, remarkably painted in detail; in the Löwenburg, Kassel.
Michael |
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4th November 2008, 06:46 PM
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#2 |
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(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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The first a highly interesting votive picture donated to Holy Mary by the South Tyrolian soldier Lugwig Klinkhammer and dated 1487.
The text says that Klinkhammer was shot with a falconet at Rovereto castle in the Venetian war; he prayed to Holy Mary and Child of Trento for help and survived. So he thankfully devoted this picture to God. Note the quarrel stuck in the horse's hind quarter and the falconet ball and broken crossbow parts below. Following a detail of the martyrdom of St. Sebastian, painted by Hans Holbein in 1516, and an illumination from the Jagd- und Fischereibuch (book on hunting and fishing) of the Holy Roman Emperor Maximilian I., ca. 1508, showing himself on a hunt employing a richly onamented crossbow. Michael |
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26th November 2008, 04:31 PM
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#3 |
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(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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Early Renaissance Crossbows in 1533: The Amsterdam Town Guard
This portrait is most remarkble for showing a small crossbow symbol together with each member.
From flickr.com. Michael |
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26th November 2008, 10:40 PM
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#4 |
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Member
Join Date: Apr 2007
Location: Nothern Mexico
Posts: 458
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Great illustrations, Matchlock!
Regards Gonzalo |
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26th November 2008, 11:33 PM
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#5 |
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(deceased)
Join Date: Sep 2008
Location: Bavaria, Germany - the center of 15th and 16th century gunmaking
Posts: 4,310
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Thanks a lot, Gonzalo,
That's always been my main aim, anyway. Michael |
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27th November 2008, 03:33 PM
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#6 |
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Member
Join Date: Jan 2007
Posts: 803
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Michael,
These pictures have again opened a window to another age, an age that seems so close,..... though just out of reach! It is very interesting to see the story of the soldier wounded by the falconet played out in picture form, and offers us a glimpse of a lifetime lived long ago. The detailing would appear to be from his actual experience, and add greatly to the interest in the picture. For the 15th century, some of the paintings are strikingly modern!...and the detail exceptional! What I find frustrating, is when I see work like this, I want to Experience life In this time period!.......not merely look at it from a distance!!! (though I'll pass on getting struck by a ball from a falconet!...) Thank you for posting. Richard. |
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27th November 2008, 07:20 PM
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#7 |
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Arms Historian
Join Date: Dec 2004
Location: Route 66
Posts: 9,945
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That's always been my main aim, anyway.
Michael[/QUOTE] OK Michael! ..was that a crossbow joke !  Just kiddingReally nice posting, and thank you for explaining the detail, what incredible dimension it adds to appreciating and understanding these fantastic works. I always think it is so interesting to see the weaponry we study in contemporary context, and in a sense is very much like a time machine. In researching arms and armour its fascinating experiencing them in such context, much as A.V.B.Norman did in using artwork in establishing time periods for hilts, and I have seen the concept used widely in many references. Sometimes it is good to proceed with caution though, as Rembrandt for example, often used then modern weapons in Biblical and earlier historical contexts. It is interesting also to see the work of Hans Holbein, which brings to mind the relief work on the daggers depicting his "Dance of Death" works, if I am correct (offhand cannot recall which of the two Holbeins did this work). All the best, Jim |
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