Interesting Kaskara from the Askeri Museum

[TVV]

When visiting the Askeri Museum a few weeks ago, I found this sword. The museum claims that it is a Byzantine 15th century sword, which it most definitely is not. As a rule, the curators in the Askeri never really cared about proper attribution, so the misattribution is not surprising.

To me, it looks like a kaskara, potentially an earlier one and with an interesting silver hilt. I wonder of anyone is familiar with the markings in the base of the blade.

[Edster]

To me this sword is not a Kaskara, likely "invented" in mid-19th C. The handle has none of the design elements of a kaskara. The cross guard is close and looks like those cast brass elements from Egypt most common on acid etched blades during the late Mahdist era. (I can't recall just now the name).

Don't know about the mark on the blade.

Design elements of the hilt are similar to ancient Islamic swords like the one in Askari Museum attached. (Sorry I can't extract an image of the grip to show. Maybe Tim can give me a hand.)

http://i1337.photobucket.com/albums/...ps489036f4.jpg

Regards,
Ed

[TVV]

Thank you for responding Ed. The sword you linked to is an Omani sword with a hilt, which is quite acrhaic in form, inspired (or unchanged for centuries) from early Islamic forms.

Here is a link to a sword posted by Kubur some time ago, with a brass hilt and a crossguard similar in style:

http://vikingsword.com/vb/showpost.p...3&postcount=20

Teodor

[Jim McDougall]

It seems to me that there numbers of 'Sudanic' swords which while not in the traditional kaskara form entirely, were comprised on some elements and often using the kinds of blades produced during the Anglo-Egyptian condominium or somewhat before.

These were often reflecting the Ottoman influences which had been established in Mamluk Egypt into 19th century and these conventions and stylistic tendencies prevailed. In my opinion, the acid etched thuluth calligraphy on weapons during the Khalifa period derived from Mamluk metalwork conventions situated in Sudan earlier in the century. It seems reasonable the same type of followings would apply to various swords in degree, especially those for any sort of prestigious use.

Attached is the sword Teodor noted from previous post from Kubur.
My example of 'Sudanese'(?) shamshir, seemingly following these traditions. The blade is the Turkish 'beyez'? I dont recall the term used.

Ed, I recall those same types of swords you mention, and the cast twirled grips but cannot place where the references are either. As noted they seem Anglo-Egyptian period, and that mark looks like the steel stock type trademarks seen on some kaskaras made with this material early 20th during the Condominium. It does seem in these Turkish museums there is a degree of innovation in exhibits.

[Edster]

Jim,

I agree. From the Egyptian "conquest" of Sudan in 1821 until the Mahdiya beginning in 1885 there was a considerable different kinds of swords deployed in Sudan. The Funj mounted guards used imported Arabic-style sabers for 300 years until defeated in 1821. The Mamluks of Muhammad Ali's army was manned by 4,000 Albanians and other nationalities plus various mercenaries who passed through. They had their own styles of weapons. Likely like your fine saber example posted. During the 64 year period there was ample opportunities for captured swords to be adapted and styles to be to be shared and hybrids to develop and survive among the hated Turkiyah occupation soldiers and the native Arabized Sudanese tribes.

Within this period it seems that the native Sudanese tribes had the stronger culture and developed the straight bladed kaskara, grip and cross guard style, and it became more or less fixed. I am nor aware of trophy swords from the Mahdiya Era to be anything other than the kaskara as we know it today.

Best regards,
Ed

[Jim McDougall]

Thanks very much Ed, especially for the kind words on my anomaly saber, which I do believe was a creation in the Turkiyah period and mid 19thc. probably in regions of Khartoum to Sennar.

Most notable is the characteristic flare of scabbard tip. This some years ago was surmised by a friend who was an archeologist in Sudan to likely be an affectation from the ancient Meroe kingdom apparently adopted from iconography by Funj rulers.

I hope I might add some thoughts from my research of years ago, and run them by you, in hopes that they are at least somewhat correct, and that you might edit with your extensive knowledge on this history.

The Mamluk influences remained key through these regions, and it seems their metalworking traditions prevailed in these areas from Dongola to Sennar.

I believe there was considerable trade in from the port of Suakin on the Red Sea, including trade blades etc. There was mention of the Shendi market as a central trade entrepot handling much of this activity. The nominal evolution of the kaskara form in the scattered 'bush empires' of predominantly Baggara tribes is apparently the source of the term kaskara loaned from thier language. Naturally the typical term used is simply sa'if.

The Egyptian and Turk presence in Khartoum were part of the slave oriented commerce in Sudan which was part of the impetus of the Mahdiyya in 1881. If not mistaken, it seems there was only nominal presence of the sword with tribal forces in the initial campaigns with tribal warriors until they had captured numbers of arms, mostly guns.

Apparently at this point there was a profound development of more swords of munitions grade in the manner of the established broadswords of the upper classes in the Funj Sultanate traditions.

After the fall of Khartoum, and the subsequent death of the Mahdi, the Khaliph faced issues with maintaining the impetus of the jihad, and needed to create regalia which perpetuated the 'magic' of the Mahdi. Therefore, using the immense stores of industrial equipment and supply left at Khartoum by Gordon, he created an arsenal at Omdurman. In these shops there were many artisans, foreign and others skilled with the Mamluk metalworking tradition.
In my opinion, this is where the creation of the profusely acid etched decoration of kaskaras as well as sundry other weapon forms began in large scale, though it seems there had been some degree of this earlier outside this motivation.

As many of the Ansar warriors in the forces were conscripted from other tribal regions, numerous weapon forms were included in the types used, and many of these were also covered in the Thuluth calligraphy motif. This was actually comprised of various passages from the Quran, but in repetitive fashion, augmented by interspersed invocations and exhortations toward the Mahdi. In essence, each weapon was imbued by the magic of the Mahdi, and assurances of angelic support to the warriors for their flights to paradise.

These types of weapons were among the many that became trophies and sounvenirs after Omdurman and the other residual actions at the fall of the Caliphate 1898. The ubiquitous kaskara swords were of course the primary weapon forms brought back from the Sudanese campaigns, as with this example, as noted, c. late 1880s and likely from Omdurman shops.

Note the Hausa moons (dukari) indicating this was likely blade from that source as it seems most of these were.

I hope this perspective of the kaskara context is somewhat viable, and adding it here is as much trying to regain my own understanding from memory as sharing it for context in this discussion.

All best regards
Jim