OK, guys, I need to be enlightened: why is it Lumad and not old Moro or a transitional stage between the Indonesian and Philippine styles? I got it but had to go to a resort in the Dominican Republic for a week ( feel sorry for me, please: sun, sea, grilled fish, mangoes, sangria galore, gorgeous blondes getting even tan all over their flawless torsos....), so I did not have time to polish it.
However: the blade is heavier and more massive than Indonesian krisses, the gangya is separate, the dividing line is straight with just a hint of a "knee", the fretwork is rudimentary. To me it looks just like the Fig 161 in the " History of steel" ( written by some of our esteemed colleagues). The handle is mounted in a wrong fashion, but I could not take it of: rock solid connection. It is old, the bone is heavily and deeply patinated.
Please educate me.
|