I have been lurking in the dark on this one, pondering what it was that was bothering me. I think that Tom and Federico have identified my feeling. Although it could be silver, it is more pure than I usually encounter, and the depressions due to hammer marks are not present. I also must add that usually I encounter more lines and border work at the edges than I see here. I believe this to be a more modern attempt at older work. Not much research went into this restoration. Often the "eyes" would have had some silver on them and thus "re-animating" the spirit of the piece.
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