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Originally Posted by Rick
Hi Michel, I was told by one of our members that this attitude of the blade is called Condong Leleh and that it relates to the gesture of sembah.
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Hi Michel,
I had an experience with the late Empu Djeno in Jogjakarta, in 1996. (It related to Rick's comment on "condong leleh", that I think Rick is right). At that time, I asked Empu Djeno to participate in our Tosan Aji (including keris) Exhibition in Bentara Budaya Jakarta August 1996, but he refused it because he felt too old (67 years old at that time) to leave his house in Moyudan, Gatak, Sleman Jogjakarta just to come to an exhibiton in Jakarta.
He told me that he was very proud in the past, because the late Sultan Hamengku Buwono (HB) IX had commissioned two kerises to him. One with dhapur "jangkung mangkunagoro" (three luks) in 1984, and "sinom tuding" (straight keris with sekar kacang, with very sharp point called "nyujen") in 1985.
On "condong leleh", according to Empu Djeno, HB IX had different bow with his predecessors, HB VII which was to straight, and HB VIII that was too bow... HB IX, according to Mr Djeno, chose in between (bow) of the two predecessors. Of course, HB IX didn't tell Mr Djeno, why this Jogja sultan asked him to do the commissioned kerises like that. But in the interpretation of Empu Djeno, the "condong leleh" showed the attitude of the gentlemen (who commissioned the keris) toward the society, or the environtment surround him. HB IX was too "straight" against the dutch colonial, and HB VIII too "bow" to the dutch authority...
This is just my simple sharing to you, Michel...
Ganjawulungt