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Originally Posted by Jim McDougall
Hi Katana,
You're right, that scoundrel Errol Flynn and all his swashbuckling is what got me into this obsession!!!  |
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Originally Posted by Jim McDougall
I would be interested to know more on the 'blacksmiths' swords. I think this would apply more to much more pedestrian weapons than rapiers though.
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I'm wondering whether the author may have made assumptions..... perhaps swords of a seemingly functional nature but of lower quality were grouped as 'too good for a wall hanger....not good enough for a swordsmith'. I'm actually thinking that 'theatrical' swords may have entered this catagory......few would associate swords and thespians.......unless you are a Romantic........eh Jim
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Originally Posted by Jim McDougall
Still think this is likely a theatrical piece, and it would seem done at least somewhat in the style of Schmidt. The pieces I have seen illustrations of seem to favor the upward/downward quillon terminals (which of course were never seen on cuphilts as far as I know.
Best regards,
Jim
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Originally Posted by Chris Evans
It is not very clear on the photo, but is that cup welded or brazed to the blade? Almost looks like it has been arc welded....
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Chris....simply I don't know...but I did noticed the 'join'.....with Jim's comments about the upward/downward terminals which weren't seen as cuphilts......perhaps the cup was a later addition.