I'm a bit late to the party here, been away & very limited access to net & time.
I see this keris as a blade that might have been of some degree of quality at one time but has been largely eaten by time. The attention of a skilled m'ranggi might be able to bring some life back into it. Yeah, I know, a lot of out-of-culture keris collectors will be shocked by the idea of carrying out more than very minor surgery on an old, damaged blade.
This is not the attitude of a knowledgeable Javanese keris person. In Jawa the attitude is that we have a duty, an obligation to preserve an item of tosan aji for future generations, & this means active restoration where this is warranted.
This keris needs care & attention, not just staining.
I cannot accurately count the luk.
The visible luk come to 7, but that produces an unacceptably long distance from final luk to point, so originally this blade might have had 9 luk (current method of count).
I think that the blade is probably East Jawa, possibly Madura Sepuh. I would need it in hand to give a solid, defensible opinion.
The gayaman wrongko retains sufficient distinct characteristics to identify it as a generic gayaman that really, could come from anywhere on the Island of Jawa.
The original work does not permit a precise affixation to the Solo area of Jawa, but the overall form is perhaps possible to fit into a Gandon or Kagok Gabel or Gabel sub-classification of Central Javanese gayaman forms. It does tend towards something that might have originated in Banyumas, but I think that to give it as Banyumas might be stretching things a bit too far.
To comply with Javanese standards it should be given a complete strip, rebuild & polish. The same applies to the hilt & mendak --- but I'd tread gently with the hilt, this would need close examination under magnification before a final decision could be made.
If we accept that the Javanese people own their own culture, & that the Javanese keris is a part of that culture, I believe that we really should try, in-so-far as it is possible, to follow the Javanese line of thought when we meet up with a sad old piece of tosan aji:- bring life back into the keris and make it something that future generations will regard as worthwhile preserving.
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