Hi Xas,
I think I have commented previously about the similarities between Sulu and Malay kris.
The area that you highlight, in Javanese keris terms, is the greneng. (I don't know a Moro term for this feature.) Typically, the file work extends above and below the line of separation between the gangya and the blade. What you are pointing to is a shorter distance of file work above the line of separation on your kris. I have not looked at this feature specifically. My impression is that the length of the greneng above the line of separation is variable on keris, and not standardized in terms of the number of ron dah, etc. We need a keris expert for that one.
However, your point is well taken. This could indeed be an atypical Sulu blade (as I did mention above), but I think it shows Malay influence for reasons already stated.
As I look at the most recent picture of your kris, which shows the carved area clearly, I note that what the Javanese call lambe gajah (elephant lips) appear on its gandhik. This is very unusual for Moro kris. In the vast majority of Moro kris, going back to "early" kris, that I have looked at the "upper lip" is found at the bottom of the gandhik and the "lower lip" is at the top of the gangya—thus the lambe gajah span the line of separation between the gandhik and the gangya. This contrasts with the "Modern Javanese Keris," which has the lambe gajah towards the base of the gandhik (as also shown on your kris).
If you look at the examples you show of Malay sundang, the one with the ivory pommel has its lambe gajah completely on the gandhik (similar to the "Modern Indonesian Keris" and your kris). This may seem a small esoteric point, but it adds to my assessment of Malay influence for your Sulu kris.
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