I agree that these days the origin of the parts of such a keris can be gathered from numerous sources. I could guess and say, yeah, the blade is probably from Madura, the sunggungan looks Javanese to me, etc., but the problem here is that for newly made keris, as we move more and more forward in time, the separations of cultures seems to become more and ore generic. Certainly this keris is intended to represent Balinese form and aesthetic, the the crafts people who make all these parts are no longer restricted to their own corner off the archipelago. What you have here is a nice modern art keris that could have been assembled from parts created in a number of different places.
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