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I etched #4 and had a new scabbard made. The wood is Kamagong (also called Mabolo), a variety of ebony endemic to the Philippines. It is a highly esteemed wood but I have never seen it on an antique Moro scabbard before. Probably, the reason is because it is dense and heavy. While based on traditional Moro design, the scabbard is in the style of the makers (well known blacksmiths from the Province of Pangasinan) and thus modern.
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Nice wood for sure!
IMVHO it may pay to "educate" them on traditional designs for such custom projects. Even if one prefers to keep the additional carving on the crosspiece, it would look much nicer if the base of the crosspiece was flush with the stem (at least in my book - sorry, I'm a stiffler for tradition, I guess
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Here are some pictures showing the condition of the kris at the time of purchase, after initial restoration and finally, after etching. I think it turned out nicely.
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Wow, I'm glad that you rescued this kris - the blade did came out very nice!
Could you add some close-ups of the blade for getting a better glimpse on the laminations, please?
Regards,
Kai