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Originally Posted by kai
The example shown in post #9 is the only one of this type in my collection. If you use the forum search function, "anak ayam teleng" or "pipit teleng" should yield some more hits.
Apart from the characteristic proportions in Terengganu style (of antique hilts), you also can utilize your experience with Moro pieces regarding carving workmanship and choice of wood.
Before you embark on a shopping spree, please post a close-up of the scabbard crosspiece (full frontal view)!
BTW, the mentioned book "Spirit of Wood" is a must-have reference that nicely translates to other cultures within the Malayan realm. Out of print though - it's really worth to keep searching online bookstores and to wait for an affordable offer.
Regards,
Kai
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Thanks for your advise Kai! I checked using forum search and I now understand what you mean. The hilt attached to this keris does indeed look less refined than some of the examples. Aside from the carving, the quality of the varnish also makes a big difference.
While I try to apply what I know about the Moro kris in assessing kerises, I find that it is quite difficult to find similarities. There are shared terms and motifs but I'm beginning to agree with the observation of others that the Moro Kris is a "different animal."
Moro kris hilts are "defined" by the hilt wrapping (cord, silver, brass, gold, etc.) and it's pommel shape/material (Kakatua, horse hoof, bulb etc./wood, ivory, horn, etc) unlike the keris melayu hilt that is shaped out of a solid piece of wood. Moro kris hilts are also distinct from that of the keris and Malay Sundang, with the absence of the mendak in Moro pieces.
I have attached the photos of the scabbard crosspiece as you requested. I will also keep my eyes open for "Spirit of Wood." Again, thanks for your advise. I value you comments.
Warm regards,
F. de Luzon