Quote:
|
Originally Posted by Jim McDougall
Hi Gene,
I cannot resist completely agreeing with everyone, this is a beautiful hilt, and though far from being a metallurgist, it surely seems silver to me! It seems to me that silver was not typical in Indian hilts, though obviously there were likely exceptions. Also, the 'chevron' pattern on the grip to me recalls many Indian blades, often on tulwars, made in alternating light and dark colored metal. These were highly symbolic and apparantly represented the two most important rivers in many perceptions in India; the Ganges (light) and the Yamuni (dark). These chevron pattern blade swords were termed 'ganga-yamuni' (Pant. p.96, fig. LXXXVII).
These appear to have been from Rajasthan regions as early as mid 18th century, but most known appear later in the 19th. With this hilt in silver, with the unusual grip motif, and with conspicuous absence of floral or the often seen other motif, especially on the pommel disc, I am wondering if this might be a latter 19th century example somehow connected to the British Raj, as it appears a hilt form more common to 'court' type swords of the Northwest.
Perhaps the somewhat well known tulwars with chevron blades (some of these parade swords of the 'tears of the wounded' style) may have had influence on a weapon intended for such use.
Very nice!!! 
All the best,
Jim |
Hi Jim,
Thanks again for the Info.
Of course, the chevron pattern!
LOL, funny how something can be right in front of you and still remain 'hidden'.
I've always loved those chevron blades.
I had absolutely no idea that they had such significance!
You are a mine of information, 'ganga-yamuni', light and dark!
Great observations about this type of hilt and the possibility of a connection with the Raj, serious food for thought, thank you again!
Best
Gene
P.S.
Just as an interesting aside on the question of testing for Silver itself.
I found an interesting note on two simple methods of using Sulphur.
Thought it might be of use to members with white metal items.
Presumably the darker and more 'black' the colour, the higher the silver content.
"FRENCH'S BRAND YELLOW MUSTARD TEST This first method requires that the tester apply a very small amount of French's brand yellow mustard to the surface of the shiny metal. Ideally the mustard drop should then be heated, either in the sun or with a cigarette lighter. Let me explain; this brand of mustard contains a very high amount of sulfur and when heated the volatile sulfur molecule will ALWAYS combine with pure silver to make the dark black stain known as silver sulfide (which is easily cleaned away with vinegar by the way).
THE SULFUR MATCH TEST The second method may attract more attention than desired, especially when attempted inside a store, under a proprietor's watchful gaze. Yet this method is even more effective take a match and press it against the metal surface to be tested and then light it on fire with another match. The sulfur is extremely hot as it combusts and it will certainly combine with pure silver when ignited in this fashion. It will not however mark nickel, steel, or chrome or any other shiny metal the way it marks silver (a black stain). Again this dark metal is silver sulfide it will not wipe away with your finger and must be cleaned off the metal with another agent. Its important to note that both of these tests will not harm the metal and can be easily cleaned away."