Yes, its a representation of the tumpal motif.
Which places it almost certainly somewhere in South East Asia.
In Bali I think this form of the tumpal motif is referred to as "patera mas-masan".
This motif is one of a group of motifs that existed in the Dongson culture and descended into the Malay Peninsula and the Indonesian Archipelago from Northern Vietnam.
It can be found in a wide variety of applications, from pre-historic bronze drums , to Hindu-Buddhist architecture, to batik fabrics, and of course we can find it in keris hilts.
The other motifs in this group that are most frequently encountered are hooks, single spirals, interlocking spirals, and stylised anthropomorphic figures that are connected with ancestor worship.
In its Indonesian incarnation this triangular motif has a number of interpretations, and dependent upon where and how it has been used it might be interpreted as Mt. Meru, The Tree of Life, a symbol of plenty, a protective device to deflect negative influences, amongst other interpretations.
So --- the other places that we've seen it are in S.E.Asian art, and especially Indonesian art.
Would anybody care to look closely at the execution of the carving and and the way in which this tumpal motif has been rendered?
Perhaps these things may provide a clue.
This hilt is 124mm. (a little under 5inches) long.
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