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Here's another example of the same depiction used for two different people, Bathory Istvan and False Dmitry I.
https://commons.m.wikimedia.org/wiki...33_-_1586).jpg https://commons.m.wikimedia.org/wiki...ump-to-license |
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This just gets weirder and weirder.
1 - two Michael the Brave portraits combined to give on Andrei Movilă/Andrzej Mohyła. https://commons.m.wikimedia.org/wiki...i_Viteazul.jpg https://commons.m.wikimedia.org/wiki...aiViteazul.jpg https://upload.wikimedia.org/wikiped...rij_Mohyla.jpg 2 - how about this portrait of Bethlen Gabor (see attached picture), which is actually another portrait of Michael the Brave. Although this likely is a more modern mistaken identity. https://commons.m.wikimedia.org/wiki..._Viteazul).png |
Last examples:
1 - Gabor Bethlen with and without hat. https://commons.m.wikimedia.org/wiki...d_01_439_2.jpg https://commons.m.wikimedia.org/wiki...d_01_437_2.jpg 2 - Bocskai István with and without sabre. https://upload.wikimedia.org/wikiped...ay-istvan1.jpg https://commons.m.wikimedia.org/wiki...re_bocskai.jpg After seeing all of this, I now have a healthy dose of scepticism when looking at these old depictions. |
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Perhaps, the most informative source of old Hungarian swords is the so-called Kepes Kronica, " The illustrates chronic", a book written in ~1370 on the order of a Hungarian King Louis ( Lajos) I. It shows a variety of Hungarian armamentarium at that time: a co-existence of both European and Oriental swords.
The very first illustration shows the king sitting on the throne and surrounded by the local aristocracy. On his right side ( our left) are definitely European knights wearing typical European armour and carrying straight swords. Those are the European warriors serving him and coming from different Christian principalities including France: Louis I belonged to Angevine dynasty. But on his left ( our right) are several swarthy, bearded and mustachioed individuals wearing long Oriental robes and carrying curved sabers. Those are the Cumans ( Quipchaks) who came to Hungary after 1237, escaping the onslaught of the Batu Khan’s Golden Horde on Eastern and Central Europe. |
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The army of Batu Khan reached the Adriatic Coast of the Balkans and their swords entered the local armamentariums.
Here are two frescoes from Serbian monasteries built in 1346 and 1347: St. Nikita in Gracanica monastery and St Mikhael in St. Demetrius monastery. Both are armed with typical nomadic sabers. |
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Yes, the Chronicon Pictum or Képes Krónika is an important source for East/Central European history. As you mentioned, in it, are depicted steppe people elements (Cumans) in this part of Europe. Interestingly the pommels have peen-blocks. Here are the pages with sabres depicted. https://en.wikipedia.org/wiki/Chroni...trónon_(2).jpg https://en.wikipedia.org/wiki/File:K...B3maiakkal.jpg https://en.wikipedia.org/wiki/File:A...C3%B3nika).jpg https://en.wikipedia.org/wiki/File:K...,_%C3%96rs.jpg https://en.wikipedia.org/wiki/File:Bela_menekul.jpg The sabres depicted match this type in my opinion http://www.vikingsword.com/vb/showpo...1&postcount=10. Except the one shown in the second link, which is a typical steppe sabre. Although this discussion would be more relevant in this thread: http://www.vikingsword.com/vb/showthread.php?t=28312 ========================== Vlachs Chronicon Pictum is also important for those interested for those in the history of Wallachia as the establishment is closelly linked to the battle of Posada in 1330. https://en.wikipedia.org/wiki/File:C...dai_csata1.JPG https://en.wikipedia.org/wiki/File:K...9t_fogadja.jpg https://en.wikipedia.org/wiki/File:V...cle_Posada.jpg |
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Moldovan at the wedding procession of Sigismund III Vasa into Cracow in 1605. Depiction on the Stockholm Roll/Rolka sztokholmska/Polska rullen.
https://ro.pinterest.com/pin/543809723761525502/ https://commons.wikimedia.org/wiki/C...en_-_81237.jpg Personal notes: 1 - the clothes he is wearing are very close to those of Michael the Brave (1558-1601) and Ieremia Movilă (1555-1606). Especially the cap called gugiuman made of sable fur (Martes zibellina), with a white bottom (for the voivode/ruler and his sons) or with a red bottom (for the boyars). The hat pin (called a surguci) also matches Mihai and Ieremia's style. In fact, Movilă was a close ally of Poland-Lithuania at that time, and a rival of Michael the Brave. He is also wearing the same yellow boots that Movilă has, and that were so popular in the region. Vasile Lupu (1595-1661) ruler of Moldova and his son Ioan Lupu also have similar hats. 2 - he seems to have a koncerz/hegyestőr and a sabre, same as others depicted. https://commons.wikimedia.org/wiki/F...miah_Grave.jpg https://commons.wikimedia.org/wiki/M...aiViteazul.jpg https://commons.wikimedia.org/wiki/M...ul_wiki_en.jpg https://commons.wikimedia.org/wiki/C...asile_Lupu.jpg https://ro.wikipedia.org/wiki/Fi%C8%...23FBEC2C19.jpg |
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http://www.museumap.hu/record/-/reco...ted-bib5837785 http://gepeskonyv.btk.elte.hu/adatok...sp_id=502.html https://sites.google.com/site/hagyom...r-magyarorszag |
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http://www.vikingsword.com/vb/showpo...2&postcount=15 |
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And if you're inetested here are some additional pics of the previous sword (after it was cleaned): http://www.vikingsword.com/vb/showthread.php?t=25450 |
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- the square-ish pommel and cross-guard are fairly similar to ones found on swords uncovered in the Carpatian basin and to the East of it (Moldova). As you mentioned this sabre was found near Moldova (see here http://www.vikingsword.com/vb/showpo...7&postcount=70). - The sabres in the Chronicon Pictum are mostly depicted in the hands of magyars (conquest period) and cumans, so mostly E-Europe steppe nomads. Remember that Moldova (pre-Mongol) invasion was politically part of Cumania. And the medieval state of Moldova started out in 1343 as a defence borderland (Marcă de graniţă/Grenzemark /Határőrgrófság) for the Kingdom of Hungary against the Tatars. The same Kingdom of Hungary depicted in the Chronicon Pictum, probaly done in the ~1370s (see Ariel's explanation here http://www.vikingsword.com/vb/showpo...6&postcount=94). - The blade shape is interesting, the single fuller, the yelman, it could be considered just a variation on 15th century S-guard two-handed, Hungarian sabres. But I would argue that this could be a transitional form from the steppe sabre to the 14th century sabre. The single fuller isn't unheard of by that time, see the example here: https://commons.wikimedia.org/wiki/F...16-12-29_p.jpg) So one hypothesis is that it could be a 1300s-1400s sabre from Hungary/Transylvania/Moldova asociated with the Cumans in these regions. |
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Dear Teisani, thank you for very interesting hypothesis. So you think this sword is earlier than 15th century S-guard Hungarian sabres?
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================================================== ====== By the way, do you know where this one was found? http://www.vikingsword.com/vb/showpo...2&postcount=15 |
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Oh, and a possible period depiction of a S-quilloned sabre can be found here:
https://it.m.wikipedia.org/wiki/File...Capistrano.jpg https://commons.wikimedia.org/wiki/F...t%C3%A1ban.jpg Quote:
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There are a number of artworks from around 1470-1510, from Italy, Austria, Hungary, and Slovakia, that show very well this distinctive Southeastern-European style of hilt, mostly on straight-bladed swords. The Austrian image database is a good resource for this: https://www.imareal.sbg.ac.at/en/realonline/ |
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Ok, back to Wallachian stuff. Here are some more pictures of the 2 pages (143 and 146) depicting the Battle of Posada 1330 from the Chronicon Pictum. https://commons.wikimedia.org/wiki/File:Battle1330.jpg
https://commons.wikimedia.org/wiki/F...dai_csata1.JPG https://commons.wikimedia.org/wiki/F...dai_csata2.JPG https://en.wikipedia.org/wiki/File:V...cle_Posada.jpg Chronicon Pictum (Page 144) - King Charles receives the envoy of Voivode Basarab In the initial "N", on the left, the envoy hands over a letter from Voivode Basarab to King Charles Robert. The King is in armor, the envoy has a long hair, is in a long Cuman dress, with a helmet in his left hand. Basarab sent honorable messengers to the king and said: "You have toiled, my lord the king, with gathering an army: for that I give seven thousand silver marks as compensation for your toil. I also hand over Szörény to you in peace with all the ingredients, which you captured by force; moreover, I will faithfully pay the tribute every year, which I owe to your crown, and I will also send one of my sons to your court, at your expense, with my money and expenses: just return in peace and do not put your men in danger, because if you come further, you will not avoid danger." Upon hearing this, the king with an arrogant mind said these words to the messengers: "Tell Basarab: he is the shepherd of my sheep; I will pull him out of his hiding place by his beard!" https://en.wikipedia.org/wiki/Chroni...ét_fogadja.jpg And one from Johannes de Thurocz's Chronica Hungarorum (1488) https://en.wikipedia.org/wiki/File:B...ungarorum).jpg https://commons.wikimedia.org/wiki/F...a_Thuroczy.jpg Notes: 1 - according to wiki, the Chronicon Pictum was written between 15th of May 1358 and 1370-73. So the last pages, those depicting the Battle of Posada, where made during the early 1370s. 2 - most Wallachians are depicted as wearing sheep skin hats and coats, and having long dark hair. Othersare very Cuman-like in appearance, might actually be Cumans (like Basarab's envoy). Even the sheep-skin wearing individuals are using recurve bows. |
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Swords of Stephen III the Great/Ştefan al III-lea cel Mare of Moldova (born 1438-39, ruled 1457–1504).
A nice article by Radu Oltean can be found here: http://art-historia.blogspot.com/202...-istanbul.html Quote:
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Since I don't know much about medieval European swords, would like to ask fellow forum members, what is your opinion on the Moldovan swords at the Topkapi palace(posted earlier), what period, what type, what manufacture...?
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Tomb effigy of Wallachian boyar, Mateiaș Postelnicul died at the age of 17 in 1652 - son of Udriște Năsturel and Maria Corbeanu, adopted by his uncle, Wallachian ruler Matei Basarab (born circa 1588, ruled 1632 - 1654). It formerly resided at the Târgovişte monastery, Wallachia. It represents a prince in the characteristic costume of the 17th century, dressed in a caftan finished with buttons up to the chest and fastened in the middle with a belt, and above a cloak with a collar, turned over the shoulders and with sleeves. The details of the ornamentation on the chest of the caftan are similar to the golden thread coils found in the tomb itself in 1965. Things aren't certain, but the theory goes that it was commisioned in 1652 by Matei Basarab, from a master named Elias Nicolai that was from Sibiu, Transylvania. Nicolai also likely made the voivode's effigy (1654) and that of his wife's (1653). Basarab's first effigy was destroyed in the seimen & dorobanţ revolt in 1655. A second effigy was commisioned by voivode Constantin Şerban from the same Elias Nicolai (according to documents in Cluj, Transylvania). Howevert it was only installed only in 1658 at Arnota monastery, Wallachia, when Basarab's body was moved there from Târgovişte by Mihnea III Radu (according to Matei basarab's wishes).
http://clasate.cimec.ro/Detaliu.asp?...0febf1a2c2775e http://galeriaportretelor.ro/item/matei-basarab-9/ http://galeriaportretelor.ro/item/matei-basarab/ The primay source for this info is "Memory from the past, display for the future - early modern funeral monuments from the Transylvanian principality by Dóra Mérai (2017)". An excelent resource! Notes: although very deteriorated, one can see the sabre at his side, and his typical for the time clothing. |
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New thread continues here.
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Two more swords from the "Muzeul Militar Naţional - Regele Ferdinand I" Bucharest.
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Ștefan (born 1584 - died 1602), Petru Șchiopul/Peter the Lame's son, mother Irina Botezata. He became Voivode/Prince of Moldova in february 1590 at the age of 5! Since he was so young, he ruled together with his father. He and his father stepped down from the throne in 1591. He then followed his parents into exile (Bozen, Tyrol), and after their deaths (Irina in 1592 and Peter the Lame in 1594) the Archduke of Tyrol appointed Ferdinand von Kuhbach as their guardian. Although his relatives tried to bring him back to Moldova, Emperor Rudolf II did not agree. Stefan was enrolled at the Jesuit College in Innsbruck, adopting the Catholic religion. Proclaimed of age in September 1600, he died two years later, most likely of tuberculosis. The portret resided at Ambras castle, Tyrol, Austria. It was lost however. http://galeriaportretelor.ro/item/st...etru-schiopul/
Note: Kid's got a nice sabre, typical Ottoman hilt. |
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Two more portraits of Vasile Lupu of Moldova. One, posted previously, but managed to find a better one.
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